Mount Mary University Digital Collections

Browse Items (43 total)

  • Detail of brown crepe dress to show double bodice in back.
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  • Brown crepe dress; standing collar; dropped waistband; short gathered skirt; long raglan bishop sleeves with cuffs; center back covered ball button with faggotted strip closure over hand-picked zipper; lined in beige silk.

    Created by Sister Aloyse Hessburg's student, Kay Richter Bogust, for the 1970 couture class.
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  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
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  • Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
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  • Black crepe evening gown; slip style; "Brancusi" inset with black velvet zig-zag down body; left breast covered in velvet; slit at center back skirt; invisible zipper closure at center side.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
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  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
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  • Black crepe and chiffon evening gown; four inch wide bias strips of sequins on bodice and one sleeve; rounded neckline; sleeves and top are one piece with gussets under arm; one sleeve is sheer black chiffon; seven small covered button closures at each wrist; eleven covered button closures at center back; slightly padded bustline; black crepe skirt; side train with skirt gathered at side seams to form large scallop; brownish pink lining shows through chiffon between sequin strips. Worn by Hildegarde.
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  • Off-white crepe and chiffon evening gown; plunging neckline; orange, turquoise, and silver beading along neckline and straps, coming to bow at front; smocking at shoulder straps and midriff; padded bust-line; low back with beaded braid following around; back zipper closure; skirt flares from right below midriff, gathered at bow; full skirt, lined in satin-back crepe. Worn with slip. Purchased in 1942. Worn by Hildegarde.
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  • Black lace evening gown; lace over black chiffon and beige crepe; flowing lace sleeves; attached chiffon neck scarf. Worn by Hildegarde.
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  • A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows.
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  • A. Long red and blue crepe dinner dress; Chinese-inspired print of geometric maze shape with organic vines and leafs; jewel neckline; short puff sleeves with pleated sleeve caps; bodice and sleeves are red printed with white; bust darts; waist pleats; long A-line skirt is blue-purple printed in lavender; side hook and eye closure. B. Self-fabric tie belt; one side is red print and other side is blue-purple print.
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  • Dark brown crepe dress; square neckline; empire style silhouette; front and back wrap panel over narrow skirt.
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  • Black crepe dress; trapeze silhouette; cut on the bias; Bateau neckline; sleeveless; diagonal bias cut across front of dress; inseam pocket; shoulder drape falls off left shoulder; underlined with silk chiffon; lined with china silk.
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  • Heavy beige lace over white satin back crepe and white chiffon evening gown; strapless; wide band of lined white-beige mutation mink around top; long, straight, very slim skirt; concealed center back zipper with hook, eye, and snap closure; attached off-white boned inner bodice. Made exclusively for L. S. Ayres & Co., Indianapolis.
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  • A. Black crepe dress; A-line; sleeveless; asymmetrical; rhinestone buttons.

    Worn with jacket (Object ID #1986.16.B) to form two piece ensemble.
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  • A. Black crepe dress; A-line; sleeveless; asymmetrical; rhinestone buttons. B. Black crepe jacket; stand-up collar.
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  • Black crepe dress; V-neckline; four gore A-line body; slim, long sleeves with zipper at wrist. Originally worn with a patent leather belt.
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  • Black crepe dress; jewel neckline with tie; short sleeves; pleated front inserts from hip to hem at front and back.
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  • A. Black crepe shift dress; mock turtle collar with taupe and dark brown braid trim; straight sleeve with three rows of braids and zippers at the wrist; knee length; back button closure with wooden buttons; three rows of braid down center front; lined in black silk. B. Black crepe belt with taupe and dark brown braid trim; velcro closure.
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  • Floral crepe A-line dress; funnel at neck; long sleeves; fabric is bright floral print of turquoise, red, royal blue, and brown on black ground; back of skirt is softly gathered at waistline.
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