Mount Mary University Digital Collections

Browse Items (97 total)

  • Beige cotton canvas cropped middy blouse; dolman sleeves; four gold metal buttons/bound buttonhole closure; elastic gathered in back.
  • Black machine-made cotton lace blouse; strapless; hook and eye closures on left side; back is about 6 cm longer than front; lined in nylon tricot.
  • Medium blue cotton chintz with black floral vertical striped pattern ensemble. A. Blouse; wing collar; four white buttons; white top-stitching; waist tucks front and back; back shoulder yoke; set-in sleeves with one button band cuffs; left side front pocket. B. Shorts; regular waist band; left side hook and eye closure; side slits.
  • Red rayon surah blouse; printed with abstract design of black dots and starts; semi-fitted; narrow roll collar with single hook and eye closure; long dolman sleeves; six plastic button closures; two French darts; yellow stitching around waistline; black stitching around collar and cuffs.
  • White plain weave linen day blouse; wide square neckline; sleeveless; large ball pearl buttoned shoulders; waist darts; left side zipper closure.
  • C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. White jersey blouse; long sleeves; criss-cross bodice. B. White jersey skirt; gathered to 2 inch waistband.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • A. Brown silk surah blouse with beige dot print; long dolman sleeves; covered buttons down center front and on cuffs. B. Brown silk surah skirt with beige dot print; gored; fully lined.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • White crepe blouse; convertible collar; center front opening, 3 white shell buttons and 2 snaps; bishop sleeves, 2 buttons at cuffs; lined in same fabric; hip length.

    Worn by Peg Bradley.
  • Light pink silk faille blouse; Peter Pan collar; center back zipper closure; straight sleeves with 1 button cuffs; banded bottom.
  • Yellow silk twill blouse; Peter Pan collar; 5 covered button/bound buttonhole center front closures; bodice gathered onto banded bottom; long sleeves; part of left sleeve has come unstitched.
  • Red wool double knit blouse; mock turtleneck; short sleeves; fully lined; back zipper closure.
  • Off-white silk crepe blouse; rolled collar, bias cut; bound button closure up center back; 2 single welt pockets; sleeveless; hip length.
  • C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. Worn with jacket (Object ID #1997.423.a) and skirt (Object ID #1997.423.b) to form three piece ensemble. This item was created by Gustave Tassell for Norman Norell fashion house.
  • A. Lavender wool jersey cardigan jacket; V-shaped neckline; 5 mauve button/bound buttonholes on center front closure; straight sleeves. B. Black wool jersey skirt; center back zipper closure; knee length. C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. This item was created by Gustave Tassell for Norman Norell fashion house.
  • B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs.

    Worn with jumper (Object ID #1997.438.a) and belt (Object ID #1997.438.c) to form three piece ensemble. This item was created by Norman Norell for Traina-Norell fashion house.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2