Mount Mary University Digital Collections

Browse Items (110 total)

  • Deep purple silk jacquard evening ensemble. A. Blouse; bateau neckline; puffed sleeves with interior heading; uneven hemline, pulled up and pleated at left side hip revealing left leg; lined with China silk. B. Skirt; inverted pleats at center front knee level to floor; full evening length; elastic waist; unlined.
  • A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband.
  • White silk twill blouse; red cherry print; jewel neckline. Worn with jacket (Object ID #1997.154.A) and skirt (Object ID #1997.154.B) to form three piece suit.
  • A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows.
  • A. Brown leather bloomers; elastic at waist and knees; lined in hot pink silk. B. Brown jersey hooded blouse; leather trim.
  • A. Nubby tan and white striped plain weave linen coat; unlined; button front; leather trim; split sides. B. White jersey blouse; mock turtle neck.
  • A. Pink, blue, and brown wool tweed jacket; boxy; no armscye; notched collar with brown suede binding; two patch pockets with suede binding. B. Brown wool jersey overblouse; suede binding; center back closure. C. Pink, blue, and brown wool tweed A-line skirt; knee length; lined in brown silk.
  • B. Brown wool jersey overblouse; suede binding; center back closure.

    Worn with jacket (Object ID #1990.221.A) and skirt (Object ID #1990.221.C) to form a three piece ensemble.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • Black silk shantung ensemble. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn with jacket (Object ID 1988.56.a) to form three piece ensemble.

    Worn by Florence Eiseman.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • A. Brown silk surah blouse with beige dot print; long dolman sleeves; covered buttons down center front and on cuffs. B. Brown silk surah skirt with beige dot print; gored; fully lined.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. White jersey blouse; long sleeves; criss-cross bodice. B. White jersey skirt; gathered to 2 inch waistband.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Evening ensemble. A. Halter-top blouse of coral chiffon covered in clear iridescent sequins; deep V surplice neckline, separate midriff yoke hooks in back, sleeveless, lavender trim. B. Coral and lavender chiffon skirt; vertical flounces of alternating colors, slit to the upper thigh at center left, upper skirt is lined, straight waistband, ankle length.

    This item is from Spring/Summer 2005.
  • A. Light aqua polka dot silk shantung jacket; box shaped; shawl collar; set-in long sleeves with plain turned-back cuffs; three large self-covered buttons and bound buttonholes (fabric matched to create plain center panel and collar); pocket flaps; cuffs and collar are solid aqua; lined in white silk. B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.
  • B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.

    Worn with jacket (Object ID #2004.03.498.A) to form three piece suit.
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