https://digitalcollections.mtmary.edu/items/browse?tags=Cape&output=atom2024-03-29T06:45:35-05:00Omekahttps://digitalcollections.mtmary.edu/items/show/3572
Worn with dress (Object ID #1983.43.a) to form two piece ensemble.]]>2023-05-13T12:55:42-05:00
Title
Detail of interior cape collar to show snaps
Description
B. Navy blue and off-white wool piqué weave cape; no collar; 2 flaps for trim; 5 bound buttonhole closure; elbow length; snaps inside collar to attach to dress.
Worn with dress (Object ID #1983.43.a) to form two piece ensemble.
A. Navy blue and off-white wool piqué weave dress; coat style; sleeveless; patch pockets; hidden bound buttonholes; snaps inside collar to attach to cape. B. Navy blue and off-white wool piqué weave cape; no collar; 2 flaps for trim; 5 bound buttonhole closure; elbow length; snaps inside collar to attach to dress.
]]>https://digitalcollections.mtmary.edu/items/show/3454
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.]]>2024-01-08T21:02:49-06:00
Title
Detail of armholes buttoned
Description
Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
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This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.]]>2023-04-15T11:48:35-05:00
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This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.]]>2023-04-04T13:01:06-05:00
Black and white twill cape; high funnel neck; black shoulder yoke forms squared-off "V" to bust; eight covered ball button and loop closure; circular shape to knees; area in back has white ground with black squares, remainder of garment is black with line across front; unlined except at shoulders. Probably worn with dress (Object ID #2004.03.664).
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
]]>https://digitalcollections.mtmary.edu/items/show/3142
Worn by Lynn Fontanne. This cape was probably made by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.]]>2023-02-11T15:29:34-06:00
Black brushed silk cape; stand up collar; 2 button and loop closure; lining ripping. Worn with matching three piece ensemble (Object ID #1983.193.abc).
Worn by Lynn Fontanne. This cape was probably made by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
]]>https://digitalcollections.mtmary.edu/items/show/3004
In this image, the cape is styled over a black silk crinkle chiffon evening dress, Object ID #1997.416. This item was created by Norman Norell for Traina-Norell fashion house.]]>2023-02-18T13:54:25-06:00
Ivory organza cape; 5 tiered; short; Peter Pan collar; 5 black jet faceted button and hand-worked buttonhole double-breasted center front closure.
In this image, the cape is styled over a black silk crinkle chiffon evening dress, Object ID #1997.416. This item was created by Norman Norell for Traina-Norell fashion house.
Brown and white wool tweed cape; large, rounded notched collar; three button closure; slits on princess line for arms; lined in brown silk; mid-calf length. Worn with jacket (Object ID #2009.11.34.a) and skirt (Object ID #2009.11.34.b).
Worn by donor, Janet Falk.
Relation
Suit (jacket and skirt) (Object ID #2009.11.34.ab)
]]>https://digitalcollections.mtmary.edu/items/show/2601
Designed by Cindy Gefke, member of Mount Mary's first Fashion design graduating class in 1969. The coat was purchased by Judy Klemensrud of the New York Times, who gave it to her friend, donor Aileen Ryan.]]>2023-02-07T13:28:18-06:00
Title
Detail of cape lining
Description
White curly lambswool cape; stand-up collar; fully lined with tie-dyed silk satin; skin is detaching from lining; several small tears throughout.
Designed by Cindy Gefke, member of Mount Mary's first Fashion design graduating class in 1969. The coat was purchased by Judy Klemensrud of the New York Times, who gave it to her friend, donor Aileen Ryan.
]]>https://digitalcollections.mtmary.edu/items/show/2600
Designed by Cindy Gefke, member of Mount Mary's first Fashion design graduating class in 1969. The coat was purchased by Judy Klemensrud of the New York Times, who gave it to her friend, donor Aileen Ryan.]]>2023-02-07T13:27:49-06:00
White curly lambswool cape; stand-up collar; fully lined with tie-dyed silk satin; skin is detaching from lining; several small tears throughout.
Designed by Cindy Gefke, member of Mount Mary's first Fashion design graduating class in 1969. The coat was purchased by Judy Klemensrud of the New York Times, who gave it to her friend, donor Aileen Ryan.
Medium pink silk cloqué evening cape; quilted fabric; all-over swirling pattern; lined in pink silk taffeta; openings for arms; dips in slight "V" at center back; small train; soiled at back hem; fading throughout. Designer unknown.
Light steel blue double knit ensemble. A. Dress; jewel collar; plain short sleeves; raglan-style yoke at front and back of bodice; insets below each sleeve, extending through waist seam and into straight, fitted skirt; mandarin-style closure at left front yoke seam with four carved wooden buttons, self-fabric loops, and snap at neck; zipper closure in left front inset seam; side seam pockets; fully lined; knee length.
Worn with cape (Object ID #2006.01.14.b) to form two piece ensemble.
Light steel blue double knit ensemble. A. Dress; jewel collar; plain short sleeves; raglan-style yoke at front and back of bodice; insets below each sleeve, extending through waist seam and into straight, fitted skirt; mandarin-style closure at left front yoke seam with four carved wooden buttons, self-fabric loops, and snap at neck; zipper closure in left front inset seam; side seam pockets; fully lined; knee length. B. Cape; funnel collar; mandarin-style closure at left front with four carved wooden buttons; front and back have matching center insets, front is open along these seams below chest level; fully lined; just past elbow length.
A. Rust colored wool flannel cape; suede Nehru collar; double ties at neck; puffed shoulders; slits for arms; two pockets; suede trim; unlined; above the knee length. B. Brown striped jersey dress; stripes are orange, green, and dark brown; bateau neckline; gathered shoulder seams with elastic; straight long sleeves; two parabola pockets at hips; knee length.
A. Red taffeta cape; covered button opening on back shoulder; edged in black braid and sequins; waist length in front, hangs to floor in back; slight train. B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn by Hildegarde.
Blue banlon evening ensemble; horizontal wave pattern in multiple shades of blue. A. Gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. B. Cape; ties at neck; split in two sections. Performance ensemble worn by Hildegarde.
White silk chiffon evening ensemble. A. Gown; V-neckline front and back; fitted body flowing to full skirt. B. Cape; clear crystal droplet beading; buttons in front; very dirty. Worn by Hildegarde.