Mount Mary University Digital Collections

Browse Items (32 total)

  • Black wool crepe bolero jacket; neck falls straight from neckline without closure, kimono square set elbow length sleeves, lined with ivory silk crepe. Worn by Valentina.
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  • A. Black wool crepe box coat; center front button closure, 9 black buttons/black buttonholes; 2 patch pockets; convertible collar; shirtwaist sleeves, barrel cuffs with 2 black buttons/bound buttonholes closing. B. Black calf leather belt.
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  • A. Black wool crepe fit and flare cocktail dress; bias cut; halter neckline with plunging V-neck in front, square cut in back; crossing satin straps in back; satin band at back waist with skirt slightly gathered onto it; inseam pockets in side seams; satin contour belt; above knee length. B. Black satin covered leather belt.
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  • Black wool crepe day dress; wide shawl collar; two-piece kimono sleeves with gussets, elbow length; double breasted; four black buttons and bound buttonholes; horizontal seaming around bodice and waistline reveals red wool "in-between"; hand-overcast; straight slim skirt; eight inch long concealed center zipper; center back seam; mid-calf length. Exclusively for Bullocks Wilshire.
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  • Black wool crepe dress; deep V-neckline to midriff, edged with wide band; wide openings for arms from shoulders to midriff; midriff band with asymmetrical closure; 3 bows at waist; interior bodice with narrow straps for modesty; hook and snap closures; gathered skirt; knee length; lined in black taffeta.

    Worn by Peg Bradley.
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  • A. Black wool crepe fit and flare cocktail dress; bias cut; halter neckline with plunging V-neck in front, square cut in back; crossing satin straps in back; satin band at back waist with skirt slightly gathered onto it; inseam pockets in side seams; satin contour belt; above knee length.
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  • A. Blue wool crepe dress; cowl collar; short kimono sleeves; modified princess seams; six gored skirt; mini length.

    Worn with belt (Object ID #2000.22.b).

    Made by Mount Mary Fashion student Kay Richter Bogust.
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  • Olive green wool crepe dress; tie at neck; sleeveless; shoulder yoke extends in a curve from neck to waist sides in front and back; center back zipper; A-line skirt; knee length; lined in dark green china silk.
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  • Gray wool crepe day dress; jewel neckline with bias fabric band; short kimono sleeves with gusset; French darts; skirt gathered at sides; back closure has six pearl buttons with zipper on skirt; lined in gray china silk.
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  • A. Ivory wool crepe dress; A-line; deep V-neckline; four main dress pieces are all bias cut; long tight sleeves with zippers at wrists; fully lined. B. Beige chiffon dickey with hand-applied gold sequins.
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  • Black wool crepe dress; princess silhouette; jewel neckline; double neck ruffles of silk taffeta set into curved front opening; invisible zipper; straight sleeve with zipper at wrist; three-quarter length sleeves; lined in silk.
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  • Gray wool crepe A-line dress; bateau neckline; sleeveless; empire waist with insert, tiny triple darts under bustline; plunging back with center back zipper closure and self-fabric tie; A-line skirt; full evening length.
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  • Brown gray wool crepe dress decorated with beads; scoop neckline; sleeveless; fitted through darts; straight skirt; knee length; center back zipper; beading is clear bugle beads creating outlines of irregular circles scattered throughout the dress.
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  • A. Blue wool crepe dress; cowl collar; short kimono sleeves; modified princess seams; six gored skirt; mini length. B. Blue wool crepe belt.

    Made by Mount Mary Fashion student Kay Richter Bogust.
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  • Burgundy wool crepe dress; jewel neckline; band collar; long angel sleeves; self-fabric covered button closure up center back; shoulder yoke front and back; 2 floating ties at back of collar; mini length.

    Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976.
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  • Black wool crepe dress; deep V-neckline to midriff, edged with wide band; wide openings for arms from shoulders to midriff; midriff band with asymmetrical closure; 3 bows at waist; interior bodice with narrow straps for modesty; hook and snap closures; gathered skirt; knee length; lined in black taffeta.

    Worn by Peg Bradley.
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  • White wool crepe dress; heavy gold metal and rhinestone brilliants down center front and neckline; long sleeves.

    This dress was created by Elinor Simmons for Malcolm Starr.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
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  • Red wool crepe day dress; jewel neckline; cap kimono sleeves; horizontal seam across bustline; curved seam at center front to sides; skirt gathered into curved seam over side front hip; center back zipper closure; skirt gathered at center back; knee length; couture techniques; many small holes throughout.

    This dress was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
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  • Red wool crepe shift dress; rolled collar with attached tie; rectangular silver grommet openings threaded with self-fabric bias tubes down center front and sleeve seams; straight sleeves; A-line skirt; knee length; underlined.
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  • Black wool crepe ensemble. A. Fit and flare dress; natural waistline; bateau neckline; sleeveless; princess seaming; gathered skirt; full length. C. Black satin-covered belt; 2.5 inches wide. Worn with jacket (Object ID #1997.424.b) to form three piece ensemble. This item was created by Gustave Tassell for Norman Norell fashion house.
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