Mount Mary University Digital Collections

Browse Items (103 total)

  • Blue fur double breasted coat with standing collar. Notched sleeve cuffs, back button-on half belt, and angled pocket flaps., Lined.
  • Pale blue flocked organdy cocktail dress; ground is pale blue with black flocking in floral sprays throughout, diagonal darts for shaping, boned at side seams, normal waist dipping to center back, flare skirt, bias cut, tea length, center back zipper. Most of flocking has detached. Several beige colored stains on skirt. Worn by Valentina.
  • Royal blue silk shantung stole with flocked black linear daisy pattern; Pelerine type; shaped triangle with black silk taffeta linging used as binding; double snap closure. Possibly not designed by Valentina due to different construction techniques. Worn by Valentina.
  • Blue linen day dress; jewel neckline with slit, ¾ length kimono sleeves, center front opening with white buttons to the hem (four buttons are missing), two patch pockets on bust, front and back yoke, knee length, unlined. White topstitching throughout. Marked "V. Schlee" at interior back neckline. Worn by Valentina.
  • Pale blue multicolored dress of two different fabrics; silk fabric at bodice front and skirt right side has ombre effect to a slighter darker blue, long uneven pleats. Viscose/polyester fabric at bodice sides and skirt left is light blue with small uneven wrinkles, scoop neckline, shoulder yoke, sleeveless, six center front buttons to a dropped waistline, short flared skirt, lined in light blue china silk.
  • Dark blue and white jumpsuit; bodice is blue and white vertical striped cotton oxford cloth, jewel neckline, long sleeves, center front dark blue buttons, drawstring at waist, blue wool twill straight legged pants, ankle length, unlined. Vivienne Westwood, London.

    This item is from Fall/Winter 2005-2006.
  • Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. Worn with stole (Object ID #2013.04.12.C).
  • White striped jacquard dress and accessories. A. Shift dress; White ground with royal blue vertical lines; jewel neckline; bishop sleeves with unusual cap mounting, 2 button cuff; straight skirt; knee length; china silk lining. B. Belt; 2 inches wide; hook closure. C. Scarf; rectangular.
  • White silk jacquard dotted ensemble; white ground with splotchy turquoise print. A. Shift dress; jewel neckline; very full bishop sleeves with 3 button cuff; straight skirt; knee length. B. Rectangular scarf
  • Light blue wool jersey dress; A-line style; funnel neck; center front seam; long sleeves with dart at shoulder; yoke seam on back meets darts of bodice front.
  • A. Black abstract print challis dress; Black ground printed with large scale blue abstract design and smaller companion print; Princess seam; jewel neckline; bishop sleeve with cuff in companion print; inverted pleats originating from shoulder-mounted princess seams; knee length. B. Black ultrasuede tie belt with bias strip of dress fabric.
  • Dark teal jersey dress; V neckline; long kimono sleeves; waist yoke; flared skirt; center back zipper; lined in teal china silk; knee length.
  • Blue and white tiny checked wool suit. A. Jacket; long; fitted silhouette; cut-out and bias-banded shawl collar; matching flaps in yoke area; set-in long sleeves, narrow turned-back cuffs; shaped panels; seven small self-covered buttons and bound buttonholes; matched cut-out shaping with banding on lower edge; straight across back hem length. B. Straight skirt; bias-bound slashed side pockets; stitched-down tucks and darts; left side zipper.
  • Pale blue jersey evening gown; decolette neckline; kimono sleeve gathered at top and bottom; gathered yoke at empire waist; gathered sash at deep V-neckline that hangs vertically; deep V-neckline in back; center back zipper.
  • Blue wool plush swing coat; jewel neckline with attached self-fabric ascot tie; oversized three button center front closure; straight sleeves; two single welt diagonal pockets; tea length.
  • Blue broadcloth suit; fabric is black scrollwork print on blue ground. A. Jacket; fitted; modified shawl collar with lapel point; hip length; long sleeves. B. Skirt; tiered; 6 gores; mid-calf length. Suit fabric is very faded.
  • A. Long red and blue crepe dinner dress; Chinese-inspired print of geometric maze shape with organic vines and leafs; jewel neckline; short puff sleeves with pleated sleeve caps; bodice and sleeves are red printed with white; bust darts; waist pleats; long A-line skirt is blue-purple printed in lavender; side hook and eye closure. B. Self-fabric tie belt; one side is red print and other side is blue-purple print.
  • A. Multi-colored silk chiffon evening gown with woven stripes; bucol fabric in green, red, and blue; jewel neckline; full raglan sleeves; A-line silhouette; cut on bias; hand-picked back zipper with four covered decorative buttons; long skirt. B. Peach silk chiffon underdress; V-neckline front and back; long skirt. C. Multi-colored silk chiffon scarf; bucol fabric in green, red, and blue; worn at neckline, flows down back. Performance ensemble worn by Hildegarde.
  • A. Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. B. Royal blue velvet stole; 18 x 118 inches. Gown and stole form performance ensemble worn by Hildegarde.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
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