Browse Items (1978 total)
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Christian LaCroix jacket
White and black printed silk gazar jacket. Pattern of white ground printed with black balls 2.5 inches in diameter connected by thin bars; jewel neckline; short kimono sleeves with turned back cuff; double breasted snap front closure; Peplum. This item is from Christian LaCroix Spring 2007 Ready-to-Wear collection.
Worn with Christian LaCroix Dress (Object ID #2013.04.20.A). -
Christian LaCroix evening coat
Metallic crinkled purple silk taffeta evening coat; trench coat style, notched collar, long raglan sleeves, tabs and covered button at wrist, double breasted with two snaps at the waist, self-belt sewn to the center back, lined in dark purple, ankle length.
This item is from Fall/Winter 1995-1996. -
Christian LaCroix evening gown
Lace gown; bodice of gold lame lace, purple crinkled taffeta straps, bow at center front under bodice, empire waistline, skirt of brown floral lace with green and orange flower clusters, slim skirt has princess seaming and short train in back, invisible zipper at center back.
This item is from Fall/Winter 1995-1996. -
Christian LaCroix ensemble
Corset and skirt ensemble. A. Beige brocade corset; floral damask pattern, right side zipper closure, asymmetrical with tucks under left breast, external boning in front, asymmetrical point on right front at bottom. B. Brown chiffon skirt; made up of two fabrics- most of the skirt is a tan ground of abstract shapes in dark brown and reddish pink. The other fabric is pleated chiffon in khaki yellows of stripes. Used for a flounce on the hip and an underskirt; no waistband, center back zipper, many flounces and layers throughout, asymmetrical, ankle length, lined in tan chiffon.
This item is from Fall/Winter 2002-2003. -
Designer sketch
Flat art sketch, black and white on Artists pressed cardboard, 7.5 inches by 10 inches, watercolor and pencil, back labeled with "9-80", made by designer of garment. -
Detail of teddy from back
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Detail of teddy from side
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Detail of teddy from front
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Four piece ensemble
Black, white, and beige striped silk chiffon ensemble. A. Blouse; high neckline with small standing collar; four snaps at collar; long sleeves ending in bound cuffs; sleeves gathered at shoulder cap; flared and gathered peplum; large ruffle from left shoulder down and incorporated into peplum; hand-rolled hems on fly-away ruffle; two snap closures at left waist. B. Harem pants; band at waist; two snaps and zipper closure at center back; voluminous pant legs end in tight cuffs at ankles with each cuff closed with two snaps. C. Belt; middle part of belt lined with solid taupe fabric under silk, and black on the back; unbacked ties at either end; chiffon at middle of belt is gathered. D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam. Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.Tags beige, belt, black, blouse, charmeuse, chiffon, harem pants, Mount Mary, pants, silk, stripes, student, teddy, Val Kupczak, white -
Purse
Black alligator skin purse; rectangular; enameled top clasp with rhinestone bows; single handle; fully detailed interior; 6.5 inches by 8 inches.
Belonged to Florence Eiseman. -
Kleibacker couture sewing clinic notes
Notes from Charles Kleibacker's "Couture Sewing Clinic" at Mount Mary College in Milwaukee, Wisconsin. The document contains typed text, fashion diagrams, and handwritten notes. It is undated but likely came from the 1970s or 1980s.
To see the entire program, click on the pdf file beneath the image (Kleibacker Sewing Clinic Pages w notes.pdf). -
Beret
Off-white silk satin beret; very large; small band around face folds back; main part of beret tucked into band; back pleated into off-white button; tuck at back of band to decrease size. Attributed to Charles Kleibacker. -
Hat
Black ostrich feather hat; feathers attached to black muslin which is then sewn onto beige organza skull cap. Chignon influence, meant to be worn on back of head to look like hair. -
Helmet hat
White 4-ply silk crepe wedding helmet; fits close to head; dips low in back; self-fabric band and bow in back; lined in white silk shantung.
Custom made for Samantha Drake. -
Helmet hat
Yellow silk taffeta helmet hat; fits close to head; exaggerated ruff extends down back; padded with tulle; lining has been cut away; white netting has been slit. -
Toque
Green peacock feather toque; large scattered "rhinestones" on felt base -
Detail of wedding gown with train from back
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from side
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from front
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques.