Mount Mary University Digital Collections

Browse Items (1997 total)

  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • A. Red taffeta cape; covered button opening on back shoulder; edged in black braid and sequins; waist length in front, hangs to floor in back; slight train. B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn by Hildegarde.
  • Light gray wool knit sheath dress; V-shaped neckline; seven V-shaped inserts of self-fabric cording; left side zipper closure; sleeveless.

    Made by the donor, Tamara Kinnich, as a Mount Mary Fashion student.
  • A letter from Sandra Keiser, instructor in the Fashion Design Program at Mount Mary College (Milwaukee, Wisconsin), to Sister Ellen Lorenz and Sister Luetta Wolf, expressing her ideas regarding the organization of the Home Economics Department. Keiser was in favor of making the individual programs (including Fashion Design) into separate departments and had suggestions for department chairpeople. This was in response to the "Letter from Sister Ellen Lorenz and Sister Luetta Wolf to faculty, December 8, 1983" (linked below).
  • White cotton canvas sneakers; white laces; Oxford style; navy blue edging; white rubber sole with navy blue and red accents; blue terry insole. A. Right shoe. B. Left shoe.

    Worn by Peg Bradley
  • Magazine published to accompany the Ebony Fashion Fair
  • Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. Worn with matching cape (Object ID #1982.304.B) to form two piece evening ensemble. Performance ensemble worn by Hildegarde.
  • A. Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. B. Royal blue and magenta wool cape; royal blue front, magenta back; small cap sleeves; very full. Performance ensemble worn by Hildegarde.
  • Dark red silk dress; A-line; finely pleated ruffling around neckline, center front placket, sleeves, and skirt hem; long sleeves; five square crystal buttons on placket; hand-picked zipper closure; knee length. From Hildegarde's personal wardrobe.
  • Ivory striped wool plain weave short coat; stripes are brown and dark yellow; jewel neck; center front opening with 3 large bone buttons and bound buttonholes; three-quarter length set-in padded sleeves; side seams open from waist; attached self-fabric belt that ties in back; lined in ivory silk crepe. Worn with Dress, Object ID #2004.03.395.A, to form ensemble.
  • B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble.
  • White silk shantung coat; jewel collar; three large white plastic buttons on center front closure; three-quarter length set-in sleeves; flat pockets on horizontal seam at hips; two inverted box pleats on front; back is plain; lined in white crepe. Worn with dress (Object ID #2004.03.48.B) and belt (Object ID #2004.03.48.C) to form three piece ensemble.
  • B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat.
  • B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining. Worn with jacket, Object ID #2004.03.136.A to form three piece suit.
  • A. Dark red and black striped wool jacket; straight; no closures; pointed collar; three-quarter set-in sleeves; split cuffs; long double row of self-fabric appliquéd scrolls on either side of front; underlined in red silk. B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining.
  • Dress; slim pencil skirt; slit in center back seam for ease of movement; skirt attached to a tan silk lingerie top with spaghetti straps; fifteen inch long center zipper closure; skirt underlined with ivory silk. Worn with overblouse (Object ID #2004.03.326.B) to form two piece ensemble.

    This item is attributed to Irene.
  • Light beige silk shantung ensemble. A. Dress; slim pencil skirt; slit in center back seam for ease of movement; skirt attached to a tan silk lingerie top with spaghetti straps; fifteen inch long center zipper closure; skirt underlined with ivory silk. B. Overblouse; sleeveless; wide band of horizontal and vertical faggoting; concealed center back zipper closure; twenty-two and 1/2 inches long.

    This item is attributed to Irene.
  • B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle. Worn with coat (Object ID #2004.03.368.A) to form three piece suit.
  • Gray British worsted wool suit. A. Jacket; long and fitted; notched collar; long revers; set-in long sleeves, self-button closure at cuffs; set-in pointed front lapels; three graduated-size self-covered buttons; center front hem has seven inch long cut-away to reveal vest underneath; seven inch long center back vent; lined in beige silk crepe. Inspired by an eighteenth century gentleman's frock coat. B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle.
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