Mount Mary University Digital Collections

Browse Items (2337 total)

  • Gold metallic knit ensemble. A. Evening gown; A-line; jewel neckline; sleeveless; four 1.5 inch covered buttons accented with gold and silver studs/buttonholes at asymmetrical side back closure; A-line skirt; full evening length. Worn with shawl (Object ID #1997.224.B).
  • Red blouson silk faille gown; scoop neckline; blouson over-bodice; rhinestone bar trim at waistline; sleeveless; straight skirt; ankle length; deep kick pleat.
  • Monastic style black silk velvet evening gown; jewel neckline edged with black cording, long dolman sleeves, empire waist, cording runs through thread carriers at waistline, extended with shirring at wrist, A-line skirt, full evening length. Hand over-cast & hand finished. Lots of small tears throughout, some of which have been patched or mended. Worn by Valentina.
  • Pale pink silk organza evening gown ensemble. A. Gown; v-neckline, long full bell sleeves, criss-cross bodice extending into tie belt at center front, very full flared skirt, ankle length. B. Neck sash; 120" long by 5.5" wide, doubled. C. Slip; one layer of organza and one layer of taffeta, V-neckline with 2" strap narrowing to 1" at shoulder, full length. Slight discoloration throughout, torn in several places near waist and bodice. Some patching has been done.

    Worn by Lynn Fontanne. Either this version or the white version (Object ID #1983.185) was worn to the 1941 Academy Awards ceremony. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • White silk organza evening gown; V-neckline, long full bell sleeves, full skirt, belt or waist tie made of the same fabric to accompany the gown. Several stains and discoloration throughout.

    Worn by Lynn Fontanne. Either this version or the pale pink version (Object ID #1983.184.ABC) was worn to the 1941 Academy Awards. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Lavender matte silk jersey evening gown; peignoir style, V-shaped neckline, ¾ length sleeves, square-set armscye, high waistline, twisted fabric caught in side bodice and wrapped through center front slit, flare skirt, bias cut, full length, unlined. All inside seams hand-overcast, hand-rolled hem. Worn by Valentina.
  • Black silk faille strapless evening gown; two turned-back triangular pieces above bust have hand-appliquéd velvet leaves, natural waist with horizontal and vertical seaming, darts and boning in bodice, full-length flared skirt has in-seam side front pockets. Completely hand-overcast and finished. Worn with black faille bolero. Worn by Valentina.
  • Black silk faille strapless evening gown; Natural waist; horizontal and vertical seaming, darts and boning in bodice; two turned back triangular pieces above bust have hand-appliquéd velvet leaves; Full length, flared skirt has pockets in seams at side center front. Completely hand-overcast and finished. Worn with evening bolero (Object ID #1995.335).
  • Black wool jersey evening gown; various size brass domes applied to hem and sleeve wrists; jewel collar; dirndl styling; long sleeves; floor length. Worn by Hildegarde. This item was created by Hubert de Givenchy for Nouvelle Boutique.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.

    This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe.
  • Off-white silk faille coat; short funnel neck; 7/8 length set-in sleeves, 9 tucks into shoulder; 3 large white plastic button center front closure; shoulder darts in front; large circular patch pockets on hips; pockets are pleated into opening; princess seaming in back; satin lining; ankle length; yellowing on shoulder. Bonwit Teller label.

    Worn by Julilly House Kohler.
  • Pale gold silk shantung evening coat; square set 3/4 length sleeves; Hong Kong seam finishes; floor length. Worn with evening gown (Object ID #1983.254).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Black chenille long evening coat; solid black sequins and cross bars of black chenille; architecturally structured with straight front and long straight strips of chenille between sequins; wide back and sides of angled strips of chenille; strips of cellophane embedded beneath sequins to create glimmer effect. Custom made for Hildegarde.
  • Cranberry red heavy fulled wool flannel swing evening coat; all-over rhinestones applied with rivets; standing collar; set-in sleeves widen at elbow; inseam pockets on modified princess line; cranberry red silk lining; most rhinestone have lost their red paint. Worn by Hildegarde.
  • Celadon green double silk ribbed twill evening coat; inset "V" at back neck; Ruana shape: square open in front, sides sewn together to knees, open to ankles; longer in back than front. Worn by Hildegarde as a performance coat.
  • Black silk taffeta evening coat; A-line trapeze shape, jewel neckline, tucks off of neckline; one button and bound buttonhole closure at center front neck, short batwing sleeves with tucks, A-line skirt with deep pleats at underarm side seams, hidden pockets, tea length, appears to have been re-lined. Worn by Valentina.
  • Beige silk gazierre evening coat; cardigan style, convertible collar, dolman sleeves, clutch, no center front closure, unusual seaming, inseam pockets; midcalf length, lined with silk taffeta. Lustrous thread in fabric gives subtle shine. Small red stains near pockets. Worn by Valentina.
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