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Browse Items (67 total)
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Charles Kleibacker with Mount Mary College fashion design student
Charles Kleibacker (left) with a Mount Mary College fashion design student. -
Charles Kleibacker with Mount Mary College fashion design students (3 of 3)
Charles Kleibacker (right) with two others in a Mount Mary College fashion design room in Spring 1970. -
Charles Kleibacker with Mount Mary College fashion design students (2 of 3)
Charles Kleibacker (center) with five others in a Mount Mary College fashion design room in Spring 1970. -
Charles Kleibacker commentating at a Mount Mary College fashion show
Charles Kleibacker provides commentary for a fashion show in the cafeteria at Mount Mary College, Wisconsin, likely in the early 1970s. -
Fashion show program 1971
Program from the 1971 fashion show, which includes the presentation of the 1971 Gold Needle Award to Charles Kleibacker.
To see the entire program, click on the pdf file beneath the image (FashionShowProgram1971.pdf). -
Charles Kleibacker photograph with inscription
This photograph of Charles Kleibacker is inscribed in the upper left corner: "To Sister Mary Aloyse [Sister Aloyse Hessburg] Thanks and thoughts Charles Kleibacker 5/6/71" -
Beret
Off-white silk satin beret; very large; small band around face folds back; main part of beret tucked into band; back pleated into off-white button; tuck at back of band to decrease size. Attributed to Charles Kleibacker. -
Hat
Black ostrich feather hat; feathers attached to black muslin which is then sewn onto beige organza skull cap. Chignon influence, meant to be worn on back of head to look like hair. -
Helmet hat
White 4-ply silk crepe wedding helmet; fits close to head; dips low in back; self-fabric band and bow in back; lined in white silk shantung.
Custom made for Samantha Drake. -
Helmet hat
Yellow silk taffeta helmet hat; fits close to head; exaggerated ruff extends down back; padded with tulle; lining has been cut away; white netting has been slit. -
Toque
Green peacock feather toque; large scattered "rhinestones" on felt base -
Detail of wedding gown with train from back
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from side
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from front
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Wedding gown
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Charles Kleibacker with Mount Mary College fashion design students (1 of 3)
Charles Kleibacker (second from left) with four others in a Mount Mary College fashion design room in Spring 1970. -
Wrap
Black and light brown leopard print faux fur wrap; shawl collar; circular shape with slits for arms; sleeveless; front opening with no closure; lined in self-fabric; knee length. -
Ruana
Seafoam green silk crepe ruana; square shape with slit in front; edges are hand-finished.
This ruana was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Seafoam green silk crepe evening gown; slip style; spaghetti straps; A-line skirt; side back hand-picked zipper; very low back; unlined except for bodice; train; some stains.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.