These pants are worn with a sweater (Object ID #1988.143.a). The third piece of this ensemble is a skirt (Object ID #1988.143.b) that can also be worn with the sweater; the three pieces are not intended to be worn simultaneously.

Worn by Florence Eiseman.]]> Three piece ensemble (Object ID #1988.143.ab)]]>

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]]> Florence Eiseman Wardrobe exhibit]]> Adolfo exhibit]]>

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]]> Geoffrey Beene exhibit]]>
Worn with jacket (Object ID #1997.412.a) to form two piece ensemble. ]]> Two piece ensemble (Object ID #1997.412.ab)]]> Givenchy exhibit]]>
Worn with tunic (Object ID #1985.274.a) to form two piece ensemble.

Worn by Mona von Bismarck.]]> Two piece ensemble (Object ID #1985.274.ab)]]> Mona von Bismarck exhibit]]> Givenchy exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> View 360 Image in New Window]]> Valentina exhibit]]>
Description from creator: "My story describes the education. I noticed a lot of difference between the Irish Republic and Northern Ireland being mainly under the control of the British crown. I noticed a lot of things about industrialization in different parts of the Nation. I loved the entire nation less than its history. However, when I took a moment to reflect on all the information, I have learned about the IRA termed Irish republic assembly or Catholics."]]> In the Words of Women: A Mount Mary Storytelling Project exhibit]]> Detail of wire inside collar (Object ID #1998.240)]]>

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]]> Scaasi exhibit]]>
Worn by Jane Bradley Pettit.]]> Detail of front closures (Object ID #2008.09.69)]]>

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]]> Jane Bradley Pettit exhibit]]> James Galanos exhibit]]> Coat (Object ID #2003.04.01)]]> Pauline Trigère working on a coat (2 of 3)]]> Pauline Trigère working on a coat (3 of 3)]]> Industry Supporters exhibit]]> Coat (Object ID #2003.04.01)]]> Pauline Trigère working on a coat (1 of 3)]]> Pauline Trigère working on a coat (3 of 3)]]> Pauline Trigère exhibit]]> Industry Supporters exhibit]]> Coat (Object ID #2003.04.01)]]> Pauline Trigère working on a coat (1 of 3)]]> Pauline Trigère working on a coat (2 of 3)]]> Industry Supporters exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Peg Bradley exhibit]]>
Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.]]> Dress (Object ID #1985.31.ab)]]> Inside of dress (Object ID #1985.31.a)]]> Ceil Chapman exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]> This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.]]> Frank Olive exhibit]]>