Mount Mary University Digital Collections

Browse Items (29 total)

  • 1998.240_detail.jpg

    Navy lace party dress; standing collar of gathered navy lace; twisty, zig-zag wire inserted into collar to make it stand; long leg-o-mutton sleeves, gathered ruffle at wrist; plain bodice front; hip yoke; 2 gathered ruffles; 3 closures of small bows at back bodice; center back zipper at skirt; taffeta ribbon belt at center front, lined with navy organza slip; underlined with nylon tulle; knee length.
  • Navy lace party dress; standing collar of gathered navy lace; twisty, zig-zag wire inserted into collar to make it stand; long leg-o-mutton sleeves, gathered ruffle at wrist; plain bodice front; hip yoke; 2 gathered ruffles; 3 closures of small bows at back bodice; center back zipper at skirt; taffeta ribbon belt at center front, lined with navy organza slip; underlined with nylon tulle; knee length.
  • Black embroidered organza dress; machine embroidered daisies with yellow scalloped edges between motifs; fit and flare; jewel neckline; short puffed sleeves; natural waistline; 1.5 inch black double faced satin ribbon with yellow grosgrain inside bow at left side front; bias binding; center back bodice slit with 3 bias cord bows; short gathered skirt.

    Designer sample.
  • Peach organza over silk hostess gown; elaborately embroidered and sequined; small roll collar; 3/4 length sleeves; Chanel styling; empire waistline with satin ribbon closure; ankle length.

    Worn by Mona von Bismarck.
  • 1997.176_detail.jpg

    Light pink silk organza evening gown; fit and flare; pointed waistline; very deep Bertha collar; lantern sleeves with flat bows at shoulders; gathered skirt; underlining; taffeta lining with hemline flounce, nylon braid to stiffen hemline; internal bodysuit that closes between legs; full evening length.
  • Light pink silk organza evening gown; fit and flare; pointed waistline; very deep Bertha collar; lantern sleeves with flat bows at shoulders; gathered skirt; underlining; taffeta lining with hemline flounce, nylon braid to stiffen hemline; internal bodysuit that closes between legs; full evening length.
  • Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length.
  • 1986.451.jpg

    Multicolored hand-painted silk fan; backed in sheer pink stiffened organza; Gothic arch motif with figures of Queen and royal crest embroidered at center magenta ground; purple celluloid sticks with wooden ribs; elaborately molded endpiece; black celluloid upper and lower guards; small black celluloid loop at head; some small tears and discoloration.

    Belonged to a member of the Kohler or House families.
  • 1986.115.jpg

    Aqua straw cloche, has faded to a mint green color; circular stitch pattern; circular brim, 3-1/8 inch front & 2 inch back; pleated organza band, folded over at top with point on right; fabric covered hat pin with two large teal and three small light blue stones; inside tag: "Jeanne Lanvin - Paris - Castillo". With original box (lid pictured here).

    Worn by Julilly House Kohler.
  • 1986.82.jpg

    Pink and white organza turban; cluster of fabric flowers as decoration. Label: Saks Fifth Avenue.

    Worn by Julilly House Kohler for her son's wedding in 1958.
  • 2004.33.01.b.jpg

    A. Black silk organza and lace cocktail dress; sweetheart neckline; sleeveless; contour darts at waist; center back zipper closure; lace at bodice center front over shoulders to waist to mid-skirt; organza horizontally tucked to mid-skirt, untucked below lace at mid-skirt; lined in tan ninon; ballerina length. B. Beige silk taffeta slip; spaghetti straps; boned; center back zipper closure; ballerina length.
  • A. Black silk organza and lace cocktail dress; sweetheart neckline; sleeveless; contour darts at waist; center back zipper closure; lace at bodice center front over shoulders to waist to mid-skirt; organza horizontally tucked to mid-skirt, untucked below lace at mid-skirt; lined in tan ninon; ballerina length. B. Beige silk taffeta slip; spaghetti straps; boned; center back zipper closure; ballerina length.
  • 2004.03.531_main.jpg

    Black ostrich feather hat; feathers attached to black muslin which is then sewn onto beige organza skull cap. Chignon influence, meant to be worn on back of head to look like hair.
  • 1983.193.c_back.jpg

    C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • 1983.193.bc_front.jpg

    B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • Ivory organza cape; 5 tiered; short; Peter Pan collar; 5 black jet faceted button and hand-worked buttonhole double-breasted center front closure.

    In this image, the cape is styled over a black silk crinkle chiffon evening dress, Object ID #1997.416. This item was created by Norman Norell for Traina-Norell fashion house.
  • Child's pale pink organza formal dress; embroidered all over with rose buds in yellow, pale blue, and pink with green stem and leaves; jewel neckline; short puffed sleeves; fitted bodice; strip of organza around waist; skirt gathered into bodice; center back zipper closure.
  • 2013.06.50_profile.jpg

    Black straw and organza picture hat; crown is straw, brim is organza.
  • 2013.06.11_profile.jpg

    Brown organza picture hat; constructed of strips of organza sewn together; rounded crown; hat band of organza strips; large brown silk flower at back. Likely designed by Gabriel Amar under the Frank Olive label.
Output Formats

atom, csv, dc-rdf, dcmes-xml, json, omeka-xml, rss2