Browse Items (1977 total)
-
Dress
Black and white twill dress; white ground with bold graphic print of black squares and large areas of solid black; U-shaped neckline; sleeveless; ball buttons and loops at shoulders; knee length; ties pinned on at waist side seams. Probably worn with cape (Object ID #2004.03.665).
This dress was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Cape
Black and white twill cape; high funnel neck; black shoulder yoke forms squared-off "V" to bust; eight covered ball button and loop closure; circular shape to knees; area in back has white ground with black squares, remainder of garment is black with line across front; unlined except at shoulders. Probably worn with dress (Object ID #2004.03.664).
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Skirt
Apple green silk shantung skirt; straight waistband; center back hand-picked zipper; seams in front and back; slash pockets; unlined; knee length.
This skirt was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of pocket
Apple green silk shantung skirt; straight waistband; center back hand-picked zipper; seams in front and back; slash pockets; unlined; knee length.
This skirt was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Blouse
Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.
This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of collar buttoned
Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.
This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Shrug
Black silk taffeta shrug; in shape of tube; one end gathered with ruffle, other end is a slit; darts at neck; self-lined.
This shrug was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Dark blue silk charmeuse evening gown; unfinished; deep V-neckline at front; shoulder yoke to V over bust; long set-in sleeves; flare skirt with center front seam; center back zipper closure; bias loops at center back tie; ankle length; basting still in place.
This evening gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Toile
Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.
This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of pins
Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.
This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Four piece ensemble
Olive green silk taffeta ensemble with white and khaki colored polka dots. A. Blouse; standing collar; open at front with only double ties at bust; high cut armscyes; sleeveless; lined in green satin; ends at high hip. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. C. Bandeau top; circle of fabric. D. Belt; made of bias tubing.Tags bandeau, belt, bias, blouse, Charles Kleibacker, couture, ensemble, olive green, polka dots, silk taffeta, skirt -
Detail of skirt zipper
Olive green silk taffeta ensemble with white and khaki colored polka dots. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. D. Belt; made of bias tubing.Tags belt, bias, Charles Kleibacker, couture, ensemble, olive green, polka dots, silk taffeta, skirt -
Detail of bandeau top without blouse - front
Olive green silk taffeta ensemble with white and khaki colored polka dots. C. Bandeau top; circle of fabric. -
Detail of bandeau top without blouse - side
Olive green silk taffeta ensemble with white and khaki colored polka dots. C. Bandeau top; circle of fabric. -
Evening gown
Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.
This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear. -
Cocktail dress
Black lace-like cocktail dress; modern version of lace in irregular geometrics in both cotton-like fiber and shiny synthetic; motifs are diamond within square, cirle within square, and square within square; lined in beige silk shantung; U-shaped low neckline; small cap kimono sleeves; fitted bodice with high waistline at front; flared skirt on bias in front, A-line skirt on grain in back; has center back long zipper; natural waistline at back; knee length. -
Letter from Charles Kleibacker to Sister Mary Nora Barber, May 16, 1971
Letter from Charles Kleibacker, New York fashion designer, to Sister Mary Nora Barber, President of Mount Mary College, from May 16, 1971, about Kleibacker's receipt of Mount Mary's Gold Needle Award and his return to the Mount Mary Fashion Design program for the 1971-72 school year.
Click on the image of the letter to enlarge it. -
Ruana
Bright red silk jersey evening ruana; unfinished; first steps in finishing front edges have been started.
This ruana was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.