Browse Items (2069 total)
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Evening gown
Gold sequined silk jersey evening gown; sheath silhouette; high neckline; long straight sleeves with zippers at wrists; straight skirt; full evening length. Small hole under left armpit; "Mermaid" gown. -
Evening gown
A. Black and gold jersey sequined evening gown; fitted bodice covered in gold sequins; standing collar; long sleeves; zipper closure at back; long gathered skirt; sequins at hemline; variation of a "Mermaid" gown. B. Black satin belt. -
Evening gown
Off-white silk chiffon over silk evening gown with blue rose print; V-neckline in front, square neckline in back; square set-in sleeves. Worn with evening coat (Object ID #1983.239).
Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.Tags blue, evening gown, floral, Lynn Fontanne, off-white, roses, silk chiffon, Tony Awards, Valentina -
Evening gown
Black matte jersey evening gown; high front neckline; floating panels from neckline.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Evening gown
A. Gold silk chiffon evening gown; strapless; draped bodice; full skirt; floor length. B. Gold silk chiffon belt; hook and eye closure.
Worn by Lynn Fontanne. This is likely the gown Lynn wore with a mink collar on the November 19, 1951 cover of Life Magazine. Lynn likely also wore this dress when she was presented to Queen Elizabeth II in 1953. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Evening gown
A. Blue silk evening gown with black silk chiffon overlay; deep rounded yoke piece; ivory chiffon banded in orange; 3/4 length sleeves with orange bands; full skirt with train. B. Blue silk tie belt with black chiffon overlay.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Evening gown
Black silk faille evening gown; portrait roll collar; short kimono sleeves; stitched puckered faille bodice; plain faille full circle skirt; ankle length. Worn with matching belt. Belt is disintegrating. -
Evening gown
Gray jersey evening gown; front yoke is V-shaped; high neckline; A-line bias-cut skirt; tiny cap sleeves; back yoke dips to waist in back; hand-picked zipper in back; unlined; ankle length.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Reproduction of Valentina white evening gown worn by Lynn Fontanne (Object ID #1983.185); white chiffon; low V-neckline; full, long bishop sleeves; attached waist ties wrap around the midriff; very large gored skirt; ankle length; lined.
This was made for an exhibition. The maker Pam Rehberg was a professor of theatrical costume at the University of Wisconsin-Milwaukee. -
Evening gown
Dark blue silk charmeuse evening gown; unfinished; deep V-neckline at front; shoulder yoke to V over bust; long set-in sleeves; flare skirt with center front seam; center back zipper closure; bias loops at center back tie; ankle length; basting still in place.
This evening gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Black 4-ply silk crepe and chiffon evening gown; deep V-neckline in front; sleeveless; A-line silhouette in crepe; black silk chiffon capelet extends from front neckline to back, hanging freely to knees in back; shoulders lined in beige soufflé; center back zipper closure; ankle length.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.
This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear. -
Evening gown
Yellow, navy blue, orange, and white plaid wool evening gown; hung on the bias; apron front with self-fabric neck strap; self belt attached on sides only; bodice has waist darts and is lined in muslin; center back metal zipper closure; asymmetrical train; skirt lined in navy blue satin. -
Evening gown
Aqua ombré silk chiffon evening gown; unfinished; gathered neckline edged in chiffon; long kimono sleeves with gussets; center front opening; ankle length. -
Evening gown
Seafoam green silk crepe evening gown; slip style; spaghetti straps; A-line skirt; side back hand-picked zipper; very low back; unlined except for bodice; train; some stains.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Black lace evening gown; square neckline; large 3/4 length silk taffeta puff sleeves; side zipper closure; columnar silhouette to ankle; backed in black silk organza.
Worn by donor, Janet Falk. -
Evening gown
Dark midnight blue pleated polyester evening gown; deep v-neckline; shoulder pads; long narrow sleeves; midriff ornamented in tiny orange, gold, magenta, and purple sequins with gold beads and threads; motifs are Indian or Javanese inspired; side zipper closure; bodice lined in midnight blue charmeuse; ankle length.
Worn by donor, Janet Falk. -
Evening gown
Fuchsia crinkled silk evening gown; strapless; bodice fabric crinkled horizontally, skirt crinkled vertically; back bodice has 2 large bows with space between; side zipper closure; lined in fuchsia satin. -
Evening gown
Metallic dark blue silk brocade evening gown; gold, silver, and red metallic border print at top of bodice and hemline; gold and silver circles throughout; A-line silhouette; jewel neckline; long set-in sleeves; slit to knee on right side. -
Evening gown
Navy blue silk charmeuse evening gown; high banded neckline, fits tight to throat; sleeveless; low-cut armscyes front and back; empire waistline; 1 inch band and tie at waist, trimmed with silver ring; floor length. Originally worn with a matching scarf which is missing.