Browse Items (1978 total)
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Blouse
White plain weave linen day blouse; wide square neckline; sleeveless; large ball pearl buttoned shoulders; waist darts; left side zipper closure. -
Dress
A. Blue floral print cotton dress; fabric pattern of abstracted white and yellow flowers and a floating man playing a green violin; jewel neckline; short kimono sleeves; fitted bodice; side zipper closure; full skirt has been shortened, hem is now released; it is likely the dress was originally mid-calf length and has been shortened to knee length. B. Blue floral print cotton belt; fabric pattern of abstracted white and yellow flowers; 5/8 inches wide; covered buckle.
Fabric designed by Marc Chagall. Worn as a "going away" dress on May 5, 1956 for wedding at St. Sebastian's church. -
Detail of inside lining
Black and green feather pattern velvet vest; back of vest is solid black wool; jewel collar; double-breasted with 8 silver filigree button closure; front has princess line seams; back has modified princess line; waist length; lined in red and green plaid cotton. -
Vest
Black and green feather pattern velvet vest; back of vest is solid black wool; jewel collar; double-breasted with 8 silver filigree button closure; front has princess line seams; back has modified princess line; waist length; lined in red and green plaid cotton. -
Dress
Blue-green cotton A-line dress; printed fabric with a dark green tassel motif; princess seams; collarless; open at center front overlap; 3/4 length kimono sleeves; ruched fabric under empire line; left side zipper closure. -
Dress
Muted red silk faille fitted dress; natural waistline; Peter Pan collar; long batwing sleeves; with shaped hem and black ball button closures; skirt with unpressed pleats; 4 inch black band at hem; mid-calf length; side zipper closure; back neck opening; originally had a black sash and gold-tone book fastener that were lost before dress was accessioned into collection. -
Jacket open to show blouse
C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole. -
Three piece ensemble
A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole. -
Dress
Reddish brown plain weave cotton dress; deep V-neckline; shawl collar; empire waistline; mid-calf length; elbow length kimono sleeves; French darts; flare skirt; waist dips to deep V in back. Donor let down hem.
Purchased and worn by the donor, Nancy Smart, to wear to her engagement parties in 1948. -
Dress
Gray linen fit and flare dress; natural waistline; square neckline; pewter button center front closure; top-stitched trim; sleeves cut in shoulder line; short sleeves; circular skirt with mock tiers created with top-stitching; mid-calf length. -
Jacket
Off-white wool plaid jacket; plaid in off-white, brown, and yellow; roll collar; long set-in sleeves; front opening with snap closures; three trios of gold buttons at center front; two patch pockets on hips; hip length; lined in beige silk shantung.
Worn by Peg Bradley. -
Detail of inside of coat
C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length. Worn with dress (2003.03.11.a) and stole (2003.03.11.b) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Stole
B. Red silk taffeta evening shawl with silk-screened palmetto frond design; 58 inches long; oval shape; lined in black satin; buttonhole, missing button.
Goes with dress (Object ID #2003.03.11.a) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Detail of interior bodice
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. Worn with stole (2003.03.11.b) and coat (2003.03.11.c) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Two piece ensemble
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length.
Goes with stole (Object ID #2003.03.11.b) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Dress
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon.
Goes with stole (Object ID #2003.03.11.b) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Dress
Beige polyester jersey dress; scoop neckline; long dolman sleeves; missing belt; spots on skirt.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Cocktail dress
Pink silk crepe cocktail dress; jewel neckline; princess seams; long set-in sleeves with zippers at wrists; 7 inch wide band of pink ostrich feathers at hem; knee length; several small wine-colored stains on right chest.
Worn by Peg Bradley. -
Evening gown
Navy silk chiffon evening gown; large red flowers, tie-dye or batiked fabric; very full sleeves; straight skirt; attached scarf at neckline that flows down back; underdress of navy crepe with beige yoke. Worn by Hildegarde. -
Dress
Gray wool flannel dress; jewel neckline; sleeveless; seam going down center front, forms into box pleat; 2 princess seams that come down into waist and form box pleats, one princess seam starts at shoulder and other starts at middle of front armhole; 3 horizontal seams; one goes through center front seam and is located right under bust, extending from center seam to first princess seams on each side; other horizontal seams are side seams that extend .5 inch from armpits and go to first princess seam closest to side of garment; center back zipper closure that forms into box pleat; 2 back princess seams on either side of zipper, these also form box pleats; knee length. The donor, Sharon Lipinski, constructed this dress in Sister Aloyse Hessburg's Couture class.