Mount Mary University Digital Collections

Browse Items (112 total)

  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde.
  • A. Red taffeta cape; covered button opening on back shoulder; edged in black braid and sequins; waist length in front, hangs to floor in back; slight train. B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn by Hildegarde.
  • Red chiffon ensemble. A. Blouse; sheer sleeves cuffed with crystal buttons; rolled-over collar; center back zipper closure. B. Culotte pants; front zipper closure. C. Scarf. From Hildegarde's personal wardrobe.
  • B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining. Worn with jacket, Object ID #2004.03.136.A to form three piece suit.
  • A. Dark red and black striped wool jacket; straight; no closures; pointed collar; three-quarter set-in sleeves; split cuffs; long double row of self-fabric appliquéd scrolls on either side of front; underlined in red silk. B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining.
  • B. Skirt; straight silhouette; darts on self belt with 4 inch slit for freedom in movement on either side. C. Shaded teal, white, and black silk print shell overblouse; jewel neckline; sleeveless; center back zipper; lined in teal silk. Worn with jacket (Object ID #2004.03.367.A) to form three piece suit.
  • Teal and black window pane check suit jacket and skirt of British worsted wool tweed. A. Jacket; notched collar; three black buttons and bound buttonholes high under collar; set-in three-quarter length sleeves ending in slit cuffs; long darts in front; low self belt over pocket; button closure at side seam; underlined in teal silk. Label: "Irene" script on beige silk. B. Skirt; straight silhouette; darts on self belt with four inch slit for freedom in movement on either side. C. Shaded teal, white, and black silk print shell overblouse; jewel neckline; sleeveless; center back zipper; lined in teal silk.
  • B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.

    Worn with jacket (Object ID #2004.03.498.A) to form three piece suit.
  • A. Light aqua polka dot silk shantung jacket; box shaped; shawl collar; set-in long sleeves with plain turned-back cuffs; three large self-covered buttons and bound buttonholes (fabric matched to create plain center panel and collar); pocket flaps; cuffs and collar are solid aqua; lined in white silk. B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.
  • A. Brown crepe overblouse; v-shaped neckline; straight sleeves; two drapes at side; horizontal shirring at side seams; heavy black lace border at hemline and sleeves. B. Brown crepe skirt; shirred square-set yoke at center back; side zipper closure; mid-calf length. C. Brown Eugenie style hat; variegated ostrich plumes trim; brown velvet flat bows.
  • White silk twill blouse; red cherry print; jewel neckline. Worn with jacket (Object ID #1997.154.A) and skirt (Object ID #1997.154.B) to form three piece suit.
  • White silk striped blouse; sleeves gathered at shoulder; two buttons on cuffs; collar cut on bias; drapes and buttons down left side of neck and shoulder; pleats at center front. Stain on right sleeve.
  • B. Black wool jersey mock wrap-around skirt; straight; full evening length. C. Black wool jersey blouse; woven abstract pattern in gold, silver, and black lurex; center front button closure with five faceted glass buttons; convertible collar; bishop sleeves.
  • B. Ivory wool jersey overblouse; bias cut; cowl neckline, high; five silver button/bound buttonhole center back closure. C. Gray wool double cloth A-line skirt; grosgrain waistband.

    Worn with coat (Object ID #1997.272.A) to form three piece ensemble.
  • A. Gray wool double cloth coat; Princess style; notched collar of ivory double cloth; one button center front closure; seams worked so that thin strip of ivory shows through; straight sleeves; flared skirt; knee length. B. Ivory wool jersey overblouse; bias cut; cowl neckline, high; five silver button/bound buttonhole center back closure. C. Gray wool double cloth A-line skirt; grosgrain waistband.
  • Dark orange Indian inspired print ensemble. A. Silk georgette tailored blouse; standing collar with bound button closure; bishop sleeves with cuff. B. Wool challis skirt; very full, flared; knee length. C. Black suede belt with fabric appliqué. D. Removable shoulder pads; same fabric as blouse.
  • Brown jersey ensemble. A. Blouse; collar draped with ties at shoulder; kimono sleeve cut all in one with rest of blouse. B. Skirt; A-line; knee-length. C. Tie belt.
  • Gold silk blouse; horizontal rows of decorations of gold and silver embroidery, gold sequins, and gold beads; Wide scoop neckline; short cap sleeves; cropped top ends just below the bust; strands of gold beaded fringe at hem; back gold button closures, large single rhinestone, and loops.
  • Three piece ensemble. A. Red sheer cotton batiste blouse; printed in a border print of red, white, blue, gold, and beige florals on a red or black background; square neckline; front snap closure; long cuffed sleeves; gathered at waist with a peplum. B. Red linen flared skirt; seams at center front and center back. C. Red linen tie belt.
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