Mount Mary University Digital Collections

Browse Items (62 total)

  • Pearl gray crepe dressing gown; square set-in sleeves, very full; 3 inch turned-back cuffs; 10 button front closure, hand-worked buttonholes and covered buttons; floor length; lined in pink crepe. Worn with sash (Object ID #1985.08.b).

    Worn by Lynn Fontanne. This dressing gown is heavily inspired by a Molyneux piece worn by Lynn in the play "O Mistress Mine." Lynn had this dressing gown made by the custom dressmakers at Saks Fifth Avenue for her personal use for a more affordable price. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Gray silk chiffon turban; draped with 3 foot long streamers.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • C. Heathered gray underdress; skirt with attached bodice; bodice of gray china silk; jewel neckline; sleeveless; modified princess line; skirt of heathered gray double knit jersey with multiple darts at waistline; straight silhouette; knee length.

    Worn with jacket (Object ID #2008.09.03.a) and blouse (Object ID #2008.09.03.b) to form three piece ensemble.

    Worn by Peg Bradley.
  • B. Dark green double knit pique jersey blouse; standing collar; sleeveless; separating zipper at center back; hip length; lined in dark green china silk. C. Heathered gray underdress; skirt with attached bodice; bodice of gray china silk; jewel neckline; sleeveless; modified princess line; skirt of heathered gray double knit jersey with multiple darts at waistline; straight silhouette; knee length.

    Worn with jacket (Object ID #2008.09.03.a) to form three piece ensemble.

    Worn by Peg Bradley.
  • A. Heathered gray double knit pique jersey jacket; roll collar; center front opening with 4 plastic buttons and bound buttonholes; single welt pockets on hips; Princess seams; long set-in sleeves, dark green faux under-cuff; lined in gray silk broadcloth. Coffee stains on the left front and sleeve cuff. B. Dark green double knit pique jersey blouse; standing collar; sleeveless; separating zipper at center back; hip length; lined in dark green china silk. C. Heathered gray underdress; skirt with attached bodice; bodice of gray china silk; jewel neckline; sleeveless; modified princess line; skirt of heathered gray double knit jersey with multiple darts at waistline; straight silhouette; knee length.

    Worn by Peg Bradley.
  • A. Gray wool flannel A-line jumper; jewel neckline; 4 covered button/bound buttonhole closures at each shoulder seam; sleeveless; cut on bias; straight skirt; mid-calf length. B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs. C. Gray wool flannel tie belt; 1.5 inches wide. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Gray wool coat; notched collar; 12 black buttons form double-breasted center front closure; 4 patch pockets with button down flaps, 2 at breast and 2 at hipline. D. Black leather belt; .75 inches wide; worn at waistline of coat.

    Worn with skirt (Object ID #1995.131.b) and blouse (Object ID #1995.131.c).
  • B. Gray wool dirndl skirt; 2.5 inch wide waistband; knee length. C. Ivory crepe blouse; standing collar; sleeveless.

    Worn with coat (Object ID #1995.131.a) and belt (Object ID #1995.131.d).
  • Beige gray wool coat; A-line; convertible collar; 5 button front closure; diagonal single welt pockets; silk taffeta lining; knee length.
  • Gray wool cavalry twill coat; wide buster brown collar; double-breasted with 5 working buttons; set-in sleeves, wrist length; exaggerated A-line shape through princess seaming; single flap for pockets set vertically into the princess seam; lined in gray silk taffeta; knee length.
  • Child's gray polyester flannel dress; white piqué shawl collar and dickey edged in eyelet; long sleeves with inverted pleats; white piqué cuffs; five stitched-down box pleats at center front, released below waistline; center back zipper closure with inverted pleat; self-fabric ties at center back.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques.

    Worn with belt (Object ID #2012.07.01.b).

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques. B. Belt; wide with large bow; 4 hook and eye closures.

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Gunmetal gray silk ensemble. A. Blouse; jewel neckline; sleeveless; vertical pleats; covered buttons down back under placket; lined in light gray taffeta; hip length. B. Skirt; straight silhouette; cut on bias; straight waistband; zipper closure; above the knee length.

    Made by Mount Mary Fashion student Donna Ricco in Sister Aloyse Hessburg's class in 1981.

    This ensemble was featured in the May 1982 Flights of Fantasy fashion show.
  • Gray wool flannel dress; jewel neckline; sleeveless; seam going down center front, forms into box pleat; 2 princess seams that come down into waist and form box pleats, one princess seam starts at shoulder and other starts at middle of front armhole; 3 horizontal seams; one goes through center front seam and is located right under bust, extending from center seam to first princess seams on each side; other horizontal seams are side seams that extend .5 inch from armpits and go to first princess seam closest to side of garment; center back zipper closure that forms into box pleat; 2 back princess seams on either side of zipper, these also form box pleats; knee length. The donor, Sharon Lipinski, constructed this dress in Sister Aloyse Hessburg's Couture class.
  • Pale gray satin evening gown; spaghetti straps covered in bar and round rhinestones; princess seams; high waistline; covered button and loop closure in back; trained A-line skirt, backed in white organza; couture techniques with hand-finishing.

    Created by Kelly Frohrib in Sister Aloyse Hessburg's couture class, but never picked up.
  • Dark gray felt picture hat; black braid hatband and trim on brim edge; braid decoration on left side of crown.
  • Gray and white straw toque; straw twists on left side.
  • Light gray wool felt cloche; 3 .5 inch wide brim at center front; twenty-two strips of self-fabric decorate crown and brim.
  • Dark gray sweater knit wool bag hat.
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