Mount Mary University Digital Collections

Browse Items (207 total)

  • A. Black polyester lace evening gown; jewel neckline, large black sequin flowers sewn to edge; deep V-neckline in back to waist; large bishop sleeves, cut in one with bodice; cuffs covered in large 4-petal black sequin flowers; bodice, sleeves, and skirt have floral motif of black sequins with rhinestone in center; full skirt gathered at waistline; fastens at waist in back; front bodice is lined in doubled black crepe; back bodice is unlined; skirt is lined. B. Black silk satin ribbon belt; snaps onto a bow with 2 long streamers.

    Information from donor: "[This dress] was owned by Constance Ross Wexler - she assisted Donald on numerous shows and this dress may have been a sample."
  • Silver and black double cloth and lamé evening gown; silver flowers outlined in black; strapless princess line bodice; center back zipper closure covered with buttons and loops; skirt gathered at scalloped waistline seam; ankle length; lined in black satin.

    From Donald Brooks's Fall 1986 collection.
  • Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem.
  • Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem.
  • Grayish tan silk crepe evening gown; halter top; cowl neckline; high waistline in front; straight skirt to ankle; two 1 inch covered buttons at back neck; mid-back section is cutout to waist; two 1 inch covered buttons at waist above zipper closure; lined in self fabric.

    Worn by donor, Joan Urdan.
  • A. Green and white gingham cotton and tulle evening gown; decorated with appliqués; shirtwaist style; natural waistline; V-shaped neckline; bodice of tulle over cotton gingham bandeau; buttons down back with 13 ball buttons and loops to within 5 inches of waist; long shirt sleeves, gather to narrow cuffs; sleeves are a combination of gingham and tulle; gathered skirt; full length; overskirt of printed tulle. B. Pink, yellow, and green grosgrain ribbon belt; 5/8 inch wide.

    This garment is from Spring 1971.
  • Light pink silk organza evening gown; fit and flare; pointed waistline; very deep Bertha collar; lantern sleeves with flat bows at shoulders; gathered skirt; underlining; taffeta lining with hemline flounce, nylon braid to stiffen hemline; internal bodysuit that closes between legs; full evening length.
  • Light pink silk organza evening gown; fit and flare; pointed waistline; very deep Bertha collar; lantern sleeves with flat bows at shoulders; gathered skirt; underlining; taffeta lining with hemline flounce, nylon braid to stiffen hemline; internal bodysuit that closes between legs; full evening length.
  • White pleated silk crepe damask polka dot evening gown; high front neckline, plain column; deep V-neckline to waist at back; black velvet rose at back waist; long sleeves; side slit on skirt; ankle length.

    From Oscar de la Renta's Spring/Summer 1983 collection.
  • White pleated silk crepe damask polka dot evening gown; high front neckline, plain column; deep V-neckline to waist at back; black velvet rose at back waist; long sleeves; side slit on skirt; ankle length.

    From Oscar de la Renta's Spring/Summer 1983 collection.
  • A. Yellow print chiffon evening gown; multicolor paisley print inspired by an Oriental rug; jewel neckline; long sleeves; fitted bodice; natural waistline; long gathered skirt. B. Leather belt covered in matching fabric.

    Worn by donor to her parents' 50th anniversary and the opening of the Milwaukee Center.
  • Black jersey evening gown; high neckline in front, dips to waist in back; halter top with spaghetti straps attached to center back; blouson bodice to hip; center back zipper closure; panel of fabric hangs down back; bodice is lined; ankle length.

    This item was created by Randolph Duke for Halston.
  • Off-white and pale gray silk jersey evening gown; tie-dyed cloud pattern covered with iridescent sequins; low scoop neckline; sleeveless; side zipper closure; ankle length; lined in white silk jersey.

    Worn by the actress Cynthia Harris when she was presented to Queen Elizabeth. From Halston's Fall/Winter 1973 collection.
  • Black silk crepe evening gown; shoulder straps covered in white fabric camellias; bodice cut straight across chest; boning in bodice; dropped V-shaped waistline; bias cut flared skirt; left side zipper closure; lined; ankle length.
  • Taupe silk taffeta evening gown; strapless; side zipper closure; bodice has three-part waist yoke; piece covering bust has much asymmetrical horizontal pleating; skirt draped to right princess seam; flared skirt; three inverted pleats at back waist; unlined; ankle length.
  • White chiffon evening gown; ballerina bodice; spaghetti straps; net draped across front; natural waistline; 3 tier tulle handkerchief hem; acetate lining; some interior boning. Possibly a debutante gown.
  • Black shirred silk taffeta evening gown; princess styling; low scoop neckline; short raglan sleeves; side zipper closure; pellon-lined skirt.
  • Black velvet evening gown; halter; criss-cross draping at waist with rhinestone beaded strip at waist; center back zipper closure; straight skirt to ankle; fishtail at center back skirt.
  • Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.

    Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe.
  • Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.

    Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe.
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