Mount Mary University Digital Collections

Browse Items (2337 total)

  • Black silk jersey evening gown with graphic print in blue, yellow, and olive green; fit and flare; natural waistline; standing collar; bishop sleeves with cuffs; gathered skirt; full evening length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. C. Yellow silk shantung sash.

    Worn with lace coat (Object ID #1967.05.b) to form three piece ensemble of evening wear.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room".
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Worn by the donor, Elizabeth "Bettie" Ogden.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Worn by the donor, Elizabeth "Bettie" Ogden.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Worn by the donor, Elizabeth "Bettie" Ogden.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.

    Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe.
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