Mount Mary University Digital Collections

Browse Items (32 total)

  • Julilly House Kohler wearing her wedding gown. She married John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.

    Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.

    Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back.

    Worn with jacket (Object ID #1986.130.b).

    Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below.
  • A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back. B. White lace jacket; cape-like; edged with mink fur; rhinestone buttons with loops at center front. It is unclear how this jacket is meant to be worn.

    Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below.
  • Blue/green changeant silk taffeta evening gown; yoke of blue/green silk chiffon; set-in one-piece long sleeves in chiffon; low scoop neckline in back; dress body of taffeta; center front seam; gathered at center back; ankle length; not lined; no closures.
  • A. Red chiffon gown with black polka dots; gathered scoop neckline; no waist shaping; long sleeves; ankle length; dress is lined, sleeves are sheer; zipper closure in back lining; snaps at back in chiffon; dress is smocked onto binding at neckline. Missing belt.
  • Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.

    Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles.
  • Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.

    This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.

    Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.

    Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added.
  • Magenta wool crepe cocktail gown; bateau neckline at front; 45 covered buttons with loops running diagonally from right front shoulder to hip line; sleeveless; back has asymmetrical neckline and back detail; ankle length; white stains near hem.

    Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976.
  • Dark turquoise wool knit gown; suede upper torso; long set-in sleeves; jewel neckline with silver buttons and loops on each shoulder; suede area is lined; wool A-line silhouette to ankle; self-fabric ties at side seams.
  • Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde.
  • Detail of back of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Part of performance ensemble worn by Hildegarde.
  • Detail of front of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Performance ensemble worn by Hildegarde.
  • Blue banlon evening ensemble; horizontal wave pattern in multiple shades of blue. A. Gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. B. Cape; ties at neck; split in two sections. Performance ensemble worn by Hildegarde.
  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
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