Browse Items (36 total)
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Evening gown
Beige silk chiffon evening gown; sleeveless; thin spaghetti straps; sweetheart neckline; bodice is made of silk chiffon with decorative silk bands sewn in; the decorative bands depict golden and orange dahlia-like flowers surrounded by reddish brown leaves on a cream ground with gold woven in; each band is 3.5 inches wide, going along the neckline, crossing in front of the bust and ending abruptly at the princess seam; empire waistline; drapey skirt of beige silk chiffon, heavily gathered at waistline; decorative bands from front cover entire back bodice, with self-fabric bow at center back waist seam; bow detaches with snap closure on left side to allow access to zipper underneath; 13 inch center back zipper closure; extra chiffon material in skirt under bow; thin beige attached underdress with similar style lines and bust darts; ankle length; label: "Mainbocher Inc." -
Evening gown
White silk satin evening gown with hot pink voided velvet undulating lines and flower heads; jewel neckline; sleeveless; bodice fitted through darts; sewn in belt at waistline seam; center back metal zipper closure; side zipper closure; gathered skirt; unlined; ankle length; label in skirt; couture techniques.
Worn by Mrs. Carlton Henry of Philadelphia, Pennsylvania. -
Gown without capelet
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length.
Worn with capelet (Object ID #2015.03.01.b) to form two piece evening ensemble.
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Two piece evening ensemble
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length. B. Black crepe and fringe capelet; fringe applied to base in chevron pattern; hem of capelet is also chevron shaped; center front opening with snap closure at neck; label: "Mainbocher, 12 Avenue George V a Paris"; twill tape bolduc on back of label: "21381- Mrs. Vreeland".
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Julilly House Kohler wearing wedding gown
Julilly House Kohler wearing her wedding gown. She married John Michael Kohler III in Evansville, Indiana on January 7, 1933. -
Wedding gown from back with train pulled out
Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.
Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933. -
Wedding gown
Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.
Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933. -
Dress without jacket
A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back.
Worn with jacket (Object ID #1986.130.b).
Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below. -
Dress and jacket
A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back. B. White lace jacket; cape-like; edged with mink fur; rhinestone buttons with loops at center front. It is unclear how this jacket is meant to be worn.
Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below. -
Evening gown
Blue/green changeant silk taffeta evening gown; yoke of blue/green silk chiffon; set-in one-piece long sleeves in chiffon; low scoop neckline in back; dress body of taffeta; center front seam; gathered at center back; ankle length; not lined; no closures. -
Gown
A. Red chiffon gown with black polka dots; gathered scoop neckline; no waist shaping; long sleeves; ankle length; dress is lined, sleeves are sheer; zipper closure in back lining; snaps at back in chiffon; dress is smocked onto binding at neckline. Missing belt. -
Hostess gown
Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.
Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles. -
Detail of inside front of gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of gown with front belt undone
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Gown
Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.
Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt. -
Gown
Pale pink tulle and silk taffeta prom gown; pink tulle pink taffeta; pale pink feathers around bust; rhinestone straps; tulle decorated with embroidered pale pink flowers and rhinestones; fitted torso; flared skirt; covered buttons and loops in back; ankle length.
Made by the aunt of the donor, Gaetanina Balistreri, for Balistreri to wear to the 1943 Mount Mary College Junior Prom. The gown was originally made strapless, but Mount Mary College required straps, so rhinestone straps were added. -
Gown
Magenta wool crepe cocktail gown; bateau neckline at front; 45 covered buttons with loops running diagonally from right front shoulder to hip line; sleeveless; back has asymmetrical neckline and back detail; ankle length; white stains near hem.
Made by donor, Pam Sandoval, Mount Mary Fashion student Class of 1976. -
Evening gown
Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde.