Mount Mary University Digital Collections

Browse Items (58 total)

  • B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length.

    Worn with suit jacket and blouse to form three piece ensemble (Object ID #2009.11.21.abc).

    Worn by donor, Janet Falk.
  • B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.

    Worn with suit jacket to form three piece ensemble (Object ID #2009.11.21.abc).

    Worn by donor, Janet Falk.
  • A. Off-white wool bouclé suit jacket with horizontal ribs; Chanel style; no collar; V-neckline; four button closure on front; two patch pockets; all edges finished with gold metallic crocheted thread and two ropes of white wool yarn; unlined. B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.

    Worn by donor, Janet Falk.
  • Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.

    Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • Navy blue floral lace cocktail dress; square neckline; sleeveless; fitted bodice; waistline seam; waist darts; side zipper closure; full skirt pleated into waist seam; label in skirt; lined in beige taffeta; mid-calf length; couture techniques.
  • Navy blue crocheted wool lace over white tulle afternoon dress; lace pattern of large round flowers with oblong leaves; large oblong shapes at hips; jewel neckline tucked to shape; sleeveless; natural waistline seam; left side zipper closure; mid-calf length.
  • Metallic gold lace cloche helmet; two flaps extend over ears; asymmetrical; lined in beige chiffon - chiffon is torn; no headsize band or wiring; King Tut inspired. Referred to as a Juliet cloche in catalog record.

    Possibly worn by Julilly House Kohler or another member of the Kohler or House families.
  • Julilly House Kohler wearing her wedding gown. She married John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.

    Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • Ivory satin wedding gown; bias cut; empire waistline; long dolman sleeves, fitted at wrists; train; large Maltese silk lace collar made from family heirloom lace.

    Worn by Julilly House Kohler at her wedding to John Michael Kohler III in Evansville, Indiana on January 7, 1933.
  • Ivory filet net blouse; high neckline with wires inside; 3/4 length sleeves; Battenburg lace and couched cord trim; center back hook and eye closure; small ruffles at sleeve ends; muslin tabs attached at waist to keep blouse tucked under a skirt; label inside: Benoit, Milwaukee.

    Worn by a member of the Kohler family.
  • A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back.

    Worn with jacket (Object ID #1986.130.b).

    Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below.
  • A. White lace gown; bateau neckline; bound oval cut-out at center front; sleeveless; V-shaped hip yoke; gored skirt; attached belt with rhinestone buckle fastens at back. B. White lace jacket; cape-like; edged with mink fur; rhinestone buttons with loops at center front. It is unclear how this jacket is meant to be worn.

    Worn by Charlotte Schroeder Kohler. A photo of her wearing it can be found at the link below.
  • A. Mint green lace gown; scoop neckline; sleeveless; dropped waistline; asymmetrical tiered skirt; has been altered.

    Worn with bolero (Object ID #1986.133.b) to form two piece evening ensemble.

    Worn by Julilly House Kohler.
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