Browse Items (64 total)
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Cocktail dress
Beige lace and satin cocktail dress; deep scoop neckline with shaping; sleeveless; satin cummerbund-type midriff; large flat bow at left waist; very full skirt; stacked box pleats; net crinoline attached to inside; Battenberg-type lace over satin. -
Two piece ensemble
A. Multicolored silk georgette blouse; many different fabrics, primarily black printed with flakes of pale yellow, pink, pale lavender, and pale aqua; standing collar edged in black lace; black front tie with metallic gold stripes; long set-in sleeves button at wrists; seams covered with metallic gold striped fabric; upper part of sleeves is abstract print of stripes and curves in many colors; black fabric yoke with polka dots at back, yoke has ruffle edged in black lace; gathered at waist. B. Multicolored silk georgette pants; many different fabrics, primarily black printed with flakes of pale yellow, pink, pale lavender, and pale aqua; gathered at waist; slim to ankle. -
Evening gown
A. Black polyester lace evening gown; jewel neckline, large black sequin flowers sewn to edge; deep V-neckline in back to waist; large bishop sleeves, cut in one with bodice; cuffs covered in large 4-petal black sequin flowers; bodice, sleeves, and skirt have floral motif of black sequins with rhinestone in center; full skirt gathered at waistline; fastens at waist in back; front bodice is lined in doubled black crepe; back bodice is unlined; skirt is lined. B. Black silk satin ribbon belt; snaps onto a bow with 2 long streamers.
Information from donor: "[This dress] was owned by Constance Ross Wexler - she assisted Donald on numerous shows and this dress may have been a sample."Tags 1960s, 1970s, belt, black, Donald Brooks, evening gown, floral, lace, polyester, rhinestones, satin, sequins, silk -
Underdress with overdress pulled up
Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem. -
Evening gown
Black lace over pink crepe evening gown; ace motif of circles in modern style; Bateau neckline; long sleeves; bound in black satin with ball and loop closures at wrists and back neck; high waistline; A-line pink silk crepe underdress; center back zipper; not lined; floor length. The black lace has been cut to tunic level - this probably isn't original since there is no hem. -
Evening gown
A. Green and white gingham cotton and tulle evening gown; decorated with appliqués; shirtwaist style; natural waistline; V-shaped neckline; bodice of tulle over cotton gingham bandeau; buttons down back with 13 ball buttons and loops to within 5 inches of waist; long shirt sleeves, gather to narrow cuffs; sleeves are a combination of gingham and tulle; gathered skirt; full length; overskirt of printed tulle. B. Pink, yellow, and green grosgrain ribbon belt; 5/8 inch wide.
This garment is from Spring 1971. -
Detail of godets in skirt
B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length.
Worn with suit jacket and blouse to form three piece ensemble (Object ID #2009.11.21.abc).
Worn by donor, Janet Falk. -
Blouse and skirt without jacket
B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.
Worn with suit jacket to form three piece ensemble (Object ID #2009.11.21.abc).
Worn by donor, Janet Falk. -
Three piece ensemble
A. Off-white wool bouclé suit jacket with horizontal ribs; Chanel style; no collar; V-neckline; four button closure on front; two patch pockets; all edges finished with gold metallic crocheted thread and two ropes of white wool yarn; unlined. B. Off-white wool jersey bouclé suit skirt with horizontal ribs; no waistband or closures; elastic at waistline; four godets of sequined off-white lace material; white sequin fabric inset; knee length. C. White lace blouse with lines of white iridescent sequins and gold metallic stitching; jewel neckline; sleeveless; waist darts; center back zipper closure; white satin ribbon attached at back waist; lined in white silk; hip length.
Worn by donor, Janet Falk. -
Cocktail dress
Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length. -
Detail of blue ribbons on crinoline
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of interior of bust
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of back closure
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Wedding dress
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Evening ensemble
A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.
Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.Tags 1960s, Burke-Amey, coat, crepe, culottes, Dorothy Knowles, ensemble, evening wear, Governor Knowles, jumpsuit, lace, Ronald Amey, sash, silk shantung, white, Wisconsin, yellow -
Evening ensemble
A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.
Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.Tags Burke-Amey, coat, crepe, culottes, Dorothy Knowles, ensemble, evening wear, Governor Knowles, jumpsuit, lace, Ronald Amey, sash, silk shantung, white, Wisconsin, yellow -
Cocktail dress
Navy blue floral lace cocktail dress; square neckline; sleeveless; fitted bodice; waistline seam; waist darts; side zipper closure; full skirt pleated into waist seam; label in skirt; lined in beige taffeta; mid-calf length; couture techniques. -
Afternoon dress
Navy blue crocheted wool lace over white tulle afternoon dress; lace pattern of large round flowers with oblong leaves; large oblong shapes at hips; jewel neckline tucked to shape; sleeveless; natural waistline seam; left side zipper closure; mid-calf length. -
Cloche
Metallic gold lace cloche helmet; two flaps extend over ears; asymmetrical; lined in beige chiffon - chiffon is torn; no headsize band or wiring; King Tut inspired. Referred to as a Juliet cloche in catalog record.
Possibly worn by Julilly House Kohler or another member of the Kohler or House families. -
Julilly House Kohler wearing wedding gown
Julilly House Kohler wearing her wedding gown. She married John Michael Kohler III in Evansville, Indiana on January 7, 1933.