Browse Items (2773 total)
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Gown
A. Turquoise wool challis shirtwaist gown; natural waistline; square neckline with attached fringe tie; double-breasted; short sleeves with deep cuffs; floor length pleated skirt. B. Turquoise wool challis belt; 2 inches wide.
Worn by the donor, Ethel Herzfeld. -
Gown with capelet - back
Black cloqué evening ensemble. A. Gown viewed from back; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde. -
Gown with capelet - front
Black cloqué evening ensemble. A. Gown viewed from the front; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde. -
Gown without cape
A. Light pink silk crepe evening gown; shift; V-shaped neckline; sleeveless halter bodice; front yoke with 6 pleats which release from center front yoke; knee length; lined in silk chiffon.
Worn with cape (Object ID #1991.42.b) to form two piece ensemble.
Spring/Summer 1966. -
Gown without capelet
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length.
Worn with capelet (Object ID #2015.03.01.b) to form two piece evening ensemble.
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Gown without capelet
A. Off-white silk satin evening gown; empire waistline; scoop neckline front to straps in back; no sleeves; ankle length straight skirt gathered in back; center back zipper closure.
Label: "Evelyn Byrnes".
Worn with capelet (Object ID #2004.03.53.b) to form two piece ensemble. -
Gown without jacket
Peacock blue plush knit pile evening ensemble. A. Gown; V-neckline; long bishop sleeves; empire waistline; center front zipper closure; light blue silk crepe bodice, gathers into shoulder yoke; Peacock blue knit pile A-line skirt; floor length.
Worn with jacket (Object ID #2010.11.01.b) to form two piece ensemble.
Note from Sister Aloyse Hessburg: "Blue knit pile fabric by Borg Textile Group, a Wisconsin industry. They challenged the senior class in 1970 to create garments 'for a winter evening' using their fabric. Christee selected this fabric (at that time the most flexible of their line) and used the silk fabric bodice and lining of silk crepe. The fur closure hooks were the only available on short notice. (Industry would have had time to get correct size and color.) In a way - industry and Mount Mary College were promoting the possibility of using Borg Textiles to the Wisconsin public."Tags 1970s, blue, bolero, Borg Textile Group, Christee Wartman, evening gown, Mount Mary, pile, plush, student -
Gown without jacket
A. Blue, purple, and pink floral print silk chiffon evening gown; bow tie neckline; short loose kimono sleeves; fitted waist; A-line skirt; long; center front placket on bodice with covered buttons.
Worn with jacket (Object ID #1986.152.b) to form two piece ensemble.
Worn by Julilly House Kohler.Tags 1930s, 1940s, blue, chiffon, evening gown, evening wear, floral, Julilly House Kohler, Kohler, pink, purple, silk -
Gown without jacket
A. Off-white silk jacquard organdy evening gown; embroidered with pastel flowers accented with pearls, rhinestones, and appliques; strapless; A-line asymmetrical skirt; floor length; missing several rhinestones.
Worn with bolero jacket (Object ID #1997.186.b) to form two piece evening ensemble.
Designer sample.Tags appliqué, Arnold Scaasi, embroidery, evening gown, flowers, jacquard, organdy, pearls, pink, rhinestones, Scaasi, silk -
Graduation procession 1964
Harper Lee (front row, second from left) stands next to Dr. Edward Teller outdoors on the Mount Mary campus before proceeding into the Mount Mary Theater for commencement ceremonies.
In May 1964, Mount Mary College awarded an Honorary Degree to Nelle Harper Lee, Pulitzer Prize winning author of To Kill A Mockingbird. In accepting the honor Ms. Lee traveled to Mount Mary and took part in commencement ceremonies, which resulted in a friendship between her and Sister John Francis Schuh, President of Mount Mary. -
Group at table
This photo had no information on the back. It was probably taken in the student dining hall.
This image is part of a collection of snapshots likely taken by Virginia Moore or her friends with a personal camera during Virginia's time as a student at Mount Mary College in Milwaukee, Wisconsin (1953-1957). The snapshots were printed on Kodak Velox paper. The captions are primarily based upon information found on the back of the original photos, most likely written by Virginia. Some images had no information at all and individuals or events are identified based on other captions and information available in the Mount Mary archives. Captions in quotes are verbatim from the original images. -
Group in dorm room
Large group of Mount Mary students, most likely taken in a Caroline Hall dorm room. Sitting in the back row, third from the right, is the future School Sisters of Notre Dame (SSND) Sister Ellen Lorenz, Class of 1958 and Mount Mary President 1979-1986.
This image is part of a collection of snapshots likely taken by Virginia Moore or her friends with a personal camera during Virginia's time as a student at Mount Mary College in Milwaukee, Wisconsin (1953-1957). The snapshots were printed on Kodak Velox paper. The captions are primarily based upon information found on the back of the original photos, most likely written by Virginia. Some images had no information at all and individuals or events are identified based on other captions and information available in the Mount Mary archives. Captions in quotes are verbatim from the original images. -
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Hair ornament
Black synthetic horsehair braid hair ornament; in spiral form; comb inside; no label. -
Half-slip
B. Pink silk taffeta half-slip; white grosgrain ribbon waistband; center back zipper closure; knee length.
Worn with dress (Object ID #1990.251.a), stole (Object ID #1990.251.c), and belt (Object ID #1990.251.d) to form four piece ensemble. -
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Halter top
Light blue slubbed cotton halter top; two French darts; hook and eye closure with crocheted button and loop closure at waistline; button and loop closure at neckline; white cotton inner lining.
This item is a copy of a Claire McCardell item. -
Hand fan
Multicolored hand-painted silk fan; backed in sheer pink stiffened organza; Gothic arch motif with figures of Queen and royal crest embroidered at center magenta ground; purple celluloid sticks with wooden ribs; elaborately molded endpiece; black celluloid upper and lower guards; small black celluloid loop at head; some small tears and discoloration.
Belonged to a member of the Kohler or House families. -
Handkerchief
White linen muslin handkerchief with Hildegarde's signature embroidered in pink thread; eleven inches square. Owned by Hildegarde. -
Handkerchief
Black chiffon and lace handkerchief; center is chiffon (12 inch square); 6.5 inch lace borders; 25 inch square. Probably used by Hildegarde in performance.