Browse Items (2336 total)
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Letter from Sister John Francis Schuh to Aileen Ryan, March 1, 1967
A letter from Sister John Francis Schuh, president of Mount Mary College, to Aileen Ryan, women's editor at the Milwaukee Journal (possibly recently or soon-to-be retired), expressing pleasure over the recent articles about Ryan in the Milwaukee Journal (which mentioned Mount Mary), gratitude for Ryan's support of Mount Mary, and best wishes and hopes for Ryan's retirement. -
Speech by Sister John Francis Schuh for 1966 event presenting Ronald Amey and Pierce Rosenberg
This speech was given by Sister John Francis Schuh on March 23, 1966, in the Mount Mary College Theatre. She presents Ronald Amey, visiting fashion designer from New York, and Pierce Rosenberg, president of the Grand Stores. The event was likely in celebration of the establishment of the "Mount Mary College - the Grand Stores Designer Scholarship" program, which enabled Mount Mary to bring in "eight or nine designers of note to lecture in residence during each school year."
To see the entire document, click on the pdf file beneath the image (Schuh speech 1966-03-23.pdf). -
Letter from Sister John Francis Schuh to Eleanor Coleman, December 12, 1967
A letter from Sister John Francis Schuh, president of Mount Mary College, to Eleanor Colman of the Milwaukee Journal, expressing gratitude for the paper's "fine publicity" of the dress worn by Mrs. Frances Howard Robb at her son Charles Robb's wedding to Lynda Bird Johnson, daughter of President Lyndon Johnson, at the White House on December 9, 1967. Sister Aloyse Hessburg designed and created the yellow dress that Mrs. Robb wore.
The recipient's last name is misspelled as "Colman" here; "Coleman" is correct. -
Hildegarde publicity photo
Undated publicity photo of Hildegarde. Photo is autographed.Tags Hildegarde -
Illustration
Fashion illustration of woman in flowing sheer white full length dress. The year is 1971 and the artist is S Sobczynski. Charcoal, pencil, and pastel on construction paper. Measurements: 12 x 17.5 inches.
Susan Sobczynski was a Fashion Design major, Class of 1971. -
Evening cape
Aqua silk peau de soie cape; lined in silk broadcloth; floor length. Worn with evening gown (Object ID #1981.23). Performance ensemble worn by Hildegarde. -
Evening gown
Ivory satin evening gown; design of cut velvet flowers; sleeveless; mandarin collar. Performance evening gown worn by Hildegarde. -
Evening gown
Off-white silk matelasse evening gown; princess style; blue beaded trim at neck and sleeve edges; floor length. Worn with evening cape (Object ID #1981.22). Performance ensemble worn by Hildegarde. -
Evening gown
Black peau de soie and velvet evening gown; strapless; stiff brassiere understructure; boned midriff; wide velvet trim over skirt at waistline forming tunic look; draping at right side; slimming through waist; train in back; two sets of zippers, one for skirt and one for back bodice. Worn as a performance gown by Hildegarde. -
Evening gown
Black cloqué evening gown; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. Worn with capelet (Object ID #1981.106.b) to form two piece ensemble. Part of performance ensemble worn by Hildegarde. -
Gown with capelet - front
Black cloqué evening ensemble. A. Gown viewed from the front; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde. -
Gown with capelet - back
Black cloqué evening ensemble. A. Gown viewed from back; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. B. Black cloqué capelet; fabric puckered in flower clusters. Performance ensemble worn by Hildegarde. -
Two piece evening ensemble
Off-white lurex velvet evening ensemble. A. Gown; A-line; sleeveless; French darts; floor length. B. Capelet; cocoon style; 3/4 length sleeves. Performance ensemble worn by Hildegarde. -
Evening gown
Off-white lurex velvet evening gown; A-line; sleeveless; French darts; floor length. Worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde. -
Detail of evening gown
Detail of back of evening gown to show where capelet can be attached. Off-white lurex velvet evening gown; worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde. -
Evening gown
Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde. -
Evening gown with stole
A. Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. B. Royal blue velvet stole; 18 x 118 inches. Gown and stole form performance ensemble worn by Hildegarde. -
Tomas Starzewski evening gown
Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. Worn with stole (Object ID #2013.04.12.C). -
Tomas Starzewski evening gown with stole
Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. C. Stole with blue ostrich feather boa sewn to the short ends. -
Three piece ensemble
Red chiffon ensemble. A. Blouse; sheer sleeves cuffed with crystal buttons; rolled-over collar; center back zipper closure. B. Culotte pants; front zipper closure. C. Scarf. From Hildegarde's personal wardrobe.