Mount Mary University Digital Collections

Browse Items (337 total)

  • A. Brown suede boxy jacket; turn-screw front closure; parabola pockets; short sleeves cut in one with coat. B. Olive green jersey shift dress; center back closure bound with suede; wrap-around collar with dog leash clip at center front; long sleeves; knee length.
  • Navy blue and pale yellow striped wool knit sweater; hooded; button closures down center front; long sleeves.
  • Red mohair coat; very full silhouette; 3/4 length sleeves; round collar; leather trim on collar and down center front. Buttons and lining have been replaced at some point.

    Pattern for coat made by Bonnie Cashin's mother. From Bonnie's personal wardrobe.
  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
  • Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde.
  • Off-white lurex velvet evening gown; A-line; sleeveless; French darts; floor length. Worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde.
  • Off-white lurex velvet evening ensemble. A. Gown; A-line; sleeveless; French darts; floor length. B. Capelet; cocoon style; 3/4 length sleeves. Performance ensemble worn by Hildegarde.
  • Black cloqué evening gown; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. Worn with capelet (Object ID #1981.106.b) to form two piece ensemble. Part of performance ensemble worn by Hildegarde.
  • Black monkey fur skirt with black sequins; fur attached to black netting; ankle length; very full. Worn by Hildegarde. This item was created by Norman Norell for Traina-Norell fashion house.
  • Evening gown; long torso with bands of ostrich feathers on skirt; sleeveless; neckline dips to low V in back; trimmed with band of rhinestones and bugle beads. Worn with capelet (Object ID #1981.112.B) to form a two piece evening ensemble. Worn by Hildegarde.
  • Mauve pink silk chiffon ensemble. A. Evening gown; long torso with bands of ostrich feathers on skirt; sleeveless; neckline dips to low V in back; trimmed with band of rhinestones and bugle beads. B. Silk organza capelet; banded with ostrich feathers; lined with silk chiffon; dirty. Performance ensemble worn by Hildegarde.
  • Black peau de soie and velvet evening gown; strapless; stiff brassiere understructure; boned midriff; wide velvet trim over skirt at waistline forming tunic look; draping at right side; slimming through waist; train in back; two sets of zippers, one for skirt and one for back bodice. Worn as a performance gown by Hildegarde.
  • Dark red silk dress; A-line; finely pleated ruffling around neckline, center front placket, sleeves, and skirt hem; long sleeves; five square crystal buttons on placket; hand-picked zipper closure; knee length. From Hildegarde's personal wardrobe.
  • Off-white silk matelasse evening gown; princess style; blue beaded trim at neck and sleeve edges; floor length. Worn with evening cape (Object ID #1981.22). Performance ensemble worn by Hildegarde.
  • Ivory satin evening gown; design of cut velvet flowers; sleeveless; mandarin collar. Performance evening gown worn by Hildegarde.
  • Aqua silk peau de soie cape; lined in silk broadcloth; floor length. Worn with evening gown (Object ID #1981.23). Performance ensemble worn by Hildegarde.
  • B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble.
  • White silk shantung coat; jewel collar; three large white plastic buttons on center front closure; three-quarter length set-in sleeves; flat pockets on horizontal seam at hips; two inverted box pleats on front; back is plain; lined in white crepe. Worn with dress (Object ID #2004.03.48.B) and belt (Object ID #2004.03.48.C) to form three piece ensemble.
  • Light beige silk shantung ensemble. A. Dress; slim pencil skirt; slit in center back seam for ease of movement; skirt attached to a tan silk lingerie top with spaghetti straps; fifteen inch long center zipper closure; skirt underlined with ivory silk. B. Overblouse; sleeveless; wide band of horizontal and vertical faggoting; concealed center back zipper closure; twenty-two and 1/2 inches long.

    This item is attributed to Irene.
  • B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle. Worn with coat (Object ID #2004.03.368.A) to form three piece suit.
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