Browse Items (1977 total)
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Coat
White silk shantung coat; jewel collar; three large white plastic buttons on center front closure; three-quarter length set-in sleeves; flat pockets on horizontal seam at hips; two inverted box pleats on front; back is plain; lined in white crepe. Worn with dress (Object ID #2004.03.48.B) and belt (Object ID #2004.03.48.C) to form three piece ensemble. -
Dress and belt
B. White floral silk screened day dress; pattern is squares with wide range of colored stemmed flowers; rounded neckline in front; sleeveless; twenty and one-half inch long hand-overcast center back concealed zipper; straight silhouette; double inverted pleats on either side from waistline; plain white silk panel down center front and back. C. Narrow green silk belt; backed in leather; leather is brittle and has broken into three pieces; buckle with matching keepers. Exclusively for Bullocks Wilshire. Worn with coat (Object ID #2004.03.48.A) to form three piece ensemble. -
Coat with belt tied in front
Ivory striped wool plain weave short coat; stripes are brown and dark yellow; jewel neck; center front opening with 3 large bone buttons and bound buttonholes; three-quarter length set-in padded sleeves; side seams open from waist; attached self-fabric belt that ties in back; lined in ivory silk crepe. Worn with Dress, Object ID #2004.03.395.A, to form ensemble. -
Dress
Dark red silk dress; A-line; finely pleated ruffling around neckline, center front placket, sleeves, and skirt hem; long sleeves; five square crystal buttons on placket; hand-picked zipper closure; knee length. From Hildegarde's personal wardrobe. -
Two piece evening ensemble
A. Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. B. Royal blue and magenta wool cape; royal blue front, magenta back; small cap sleeves; very full. Performance ensemble worn by Hildegarde. -
Evening gown
Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. Worn with matching cape (Object ID #1982.304.B) to form two piece evening ensemble. Performance ensemble worn by Hildegarde. -
Ebony Fashion Fair magazine, 1996-1997
Magazine published to accompany the Ebony Fashion FairTags Ebony Fashion Fair -
Sneakers
White cotton canvas sneakers; white laces; Oxford style; navy blue edging; white rubber sole with navy blue and red accents; blue terry insole. A. Right shoe. B. Left shoe.
Worn by Peg Bradley -
Letter from Sandra Keiser to Sister Ellen Lorenz and Sister Luetta Wolf, December 20, 1983
A letter from Sandra Keiser, instructor in the Fashion Design Program at Mount Mary College (Milwaukee, Wisconsin), to Sister Ellen Lorenz and Sister Luetta Wolf, expressing her ideas regarding the organization of the Home Economics Department. Keiser was in favor of making the individual programs (including Fashion Design) into separate departments and had suggestions for department chairpeople. This was in response to the "Letter from Sister Ellen Lorenz and Sister Luetta Wolf to faculty, December 8, 1983" (linked below). -
Dress
Light gray wool knit sheath dress; V-shaped neckline; seven V-shaped inserts of self-fabric cording; left side zipper closure; sleeveless.
Made by the donor, Tamara Kinnich, as a Mount Mary Fashion student. -
Four piece evening ensemble
A. Red taffeta cape; covered button opening on back shoulder; edged in black braid and sequins; waist length in front, hangs to floor in back; slight train. B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn by Hildegarde. -
Evening ensemble without cape - front
B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde. -
Evening ensemble without cape - back
B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. D. Black taffeta sash; black medallion and fringe at front. Worn with cape (Object ID #2004.03.106.A) to form four piece evening ensemble. Worn by Hildegarde. -
Detail of chest and waist stitching
B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. Worn with cape (Object ID #2004.03.106.A) and sash (Object ID #2004.03.106.D) to form four piece evening ensemble. Worn by Hildegarde. -
Dress
Red wool crepe day dress; jewel neckline; cap kimono sleeves; horizontal seam across bustline; curved seam at center front to sides; skirt gathered into curved seam over side front hip; center back zipper closure; skirt gathered at center back; knee length; couture techniques; many small holes throughout.
This dress was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Dress
Pink and dark olive green plain weave linen dress; pink bodice, olive green skirt; jewel neckline; short kimono sleeves; green skirt begins at seam across bust; center front seams; contour darts to line; knee length skirt; dark green section dips to waist in back; backed in shantung; hand-overcasting throughout; center back zipper closure. -
Two piece ensemble
A. Gray and white plain weave linen dress; gray bodice, white skirt; sleeveless; low sweetheart neckline; 1.5 inch wide off-the-shoulder straps; center front seam with gathers at bust; large bow and double cording at bust; waistline seam is rounded; back waistline scoops down to lower back; hand-picked long zipper; A-line skirt; ankle length; skirt gathered in center front and center back; entirely backed in white crepe du chine. B. Gray plain weave linen shrug; rectangle of fabric; ten neck darts to form curvature; gathers at sleeves; gathers covered with cord at upper arm of sleeves; lined in self-fabric. -
Dress without shrug
A. Gray and white plain weave linen dress; gray bodice, white skirt; sleeveless; low sweetheart neckline; 1.5 inch wide off-the-shoulder straps; center front seam with gathers at bust; large bow and double cording at bust; waistline seam is rounded; back waistline scoops down to lower back; hand-picked long zipper; A-line skirt; ankle length; skirt gathered in center front and center back; entirely backed in white crepe du chine.
Worn with shrug (Object ID #2004.03.428.b) to form two piece ensemble. -
Evening gown
Gray jersey evening gown; front yoke is V-shaped; high neckline; A-line bias-cut skirt; tiny cap sleeves; back yoke dips to waist in back; hand-picked zipper in back; unlined; ankle length.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Dress
Blue silk charmeuse dress; high V-neckline; tiny cap sleeves; A-line bias-cut skirt with center front seam; center back zipper closure; skirt gathered at center back.
This dress was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.