Browse Items (2121 total)
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Evening gown
White silk satin evening gown with hot pink voided velvet undulating lines and flower heads; jewel neckline; sleeveless; bodice fitted through darts; sewn in belt at waistline seam; center back metal zipper closure; side zipper closure; gathered skirt; unlined; ankle length; label in skirt; couture techniques.
Worn by Mrs. Carlton Henry of Philadelphia, Pennsylvania. -
Cocktail dress
Navy blue floral lace cocktail dress; square neckline; sleeveless; fitted bodice; waistline seam; waist darts; side zipper closure; full skirt pleated into waist seam; label in skirt; lined in beige taffeta; mid-calf length; couture techniques. -
Afternoon dress
Navy blue crocheted wool lace over white tulle afternoon dress; lace pattern of large round flowers with oblong leaves; large oblong shapes at hips; jewel neckline tucked to shape; sleeveless; natural waistline seam; left side zipper closure; mid-calf length. -
Gown without capelet
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length.
Worn with capelet (Object ID #2015.03.01.b) to form two piece evening ensemble.
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Two piece evening ensemble
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length. B. Black crepe and fringe capelet; fringe applied to base in chevron pattern; hem of capelet is also chevron shaped; center front opening with snap closure at neck; label: "Mainbocher, 12 Avenue George V a Paris"; twill tape bolduc on back of label: "21381- Mrs. Vreeland".
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Dress without jacket
A. Off-white silk shantung dress in beige and brown geometric print; sleeveless; two bows at center front neckline; flat bow at center front waistline; pleated and draped skirt; underlined in white silk taffeta.
Worn with jacket (Object ID #2004.03.21.b) to form two piece ensemble. -
Two piece ensemble
A. Off-white silk shantung dress in beige and brown geometric print; sleeveless; two bows at center front neckline; flat bow at center front waistline; pleated and draped skirt; underlined in white silk taffeta. B. Off-white silk shantung jacket in beige and brown geometric print; round Peter Pan collar with ties under collar to form bow; 3/4 length set-in cuffed sleeves; additional panel of white silk taffeta with 3 rows of horsehair in back; lined in silk taffeta; mink trim at bottom; short length. -
Jacket
Off-white wool plaid jacket; plaid in off-white, brown, and yellow; roll collar; long set-in sleeves; front opening with snap closures; three trios of gold buttons at center front; two patch pockets on hips; hip length; lined in beige silk shantung.
Worn by Peg Bradley. -
Detail of inside of coat
C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length. Worn with dress (2003.03.11.a) and stole (2003.03.11.b) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Stole
B. Red silk taffeta evening shawl with silk-screened palmetto frond design; 58 inches long; oval shape; lined in black satin; buttonhole, missing button.
Goes with dress (Object ID #2003.03.11.a) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Detail of interior bodice
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. Worn with stole (2003.03.11.b) and coat (2003.03.11.c) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Two piece ensemble
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length.
Goes with stole (Object ID #2003.03.11.b) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Dress
A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon.
Goes with stole (Object ID #2003.03.11.b) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Dress
Beige polyester jersey dress; scoop neckline; long dolman sleeves; missing belt; spots on skirt.
Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae. -
Detail of snaps
Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.
This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe. -
Evening coat
Quilted gold, silver, and black metallic lamé coat; bound jewel neckline; snap front closure; princess seaming; long sleeves with bound cuffs; full length; lined in black satin.
This piece was attributed to Ann Lowe by the donor at the time of donation. There are no labels or markings. It is beautifully constructed, but other than the high quality and donor attribution, there is no other way to verify if this coat was in fact designed by Lowe. -
Detail of blue ribbons on crinoline
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label. -
Detail of interior of bust
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label. -
Detail of back closure
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label. -
Wedding gown
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.