Mount Mary University Digital Collections

Browse Items (112 total)

  • A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. White jersey blouse; long sleeves; criss-cross bodice. B. White jersey skirt; gathered to 2 inch waistband.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • A. Brown silk surah blouse with beige dot print; long dolman sleeves; covered buttons down center front and on cuffs. B. Brown silk surah skirt with beige dot print; gored; fully lined.

    Worn by Lynn Fontanne. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • White crepe blouse; convertible collar; center front opening, 3 white shell buttons and 2 snaps; bishop sleeves, 2 buttons at cuffs; lined in same fabric; hip length.

    Worn by Peg Bradley.
  • Light pink silk faille blouse; Peter Pan collar; center back zipper closure; straight sleeves with 1 button cuffs; banded bottom.
  • Yellow silk twill blouse; Peter Pan collar; 5 covered button/bound buttonhole center front closures; bodice gathered onto banded bottom; long sleeves; part of left sleeve has come unstitched.
  • Yellow silk twill blouse; Peter Pan collar; 5 covered button/bound buttonhole center front closures; bodice gathered onto banded bottom; long sleeves; part of left sleeve has come unstitched.
  • Red wool double knit blouse; mock turtleneck; short sleeves; fully lined; back zipper closure.
  • Off-white silk crepe blouse; rolled collar, bias cut; bound button closure up center back; 2 single welt pockets; sleeveless; hip length.
  • C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. Worn with jacket (Object ID #1997.423.a) and skirt (Object ID #1997.423.b) to form three piece ensemble. This item was created by Gustave Tassell for Norman Norell fashion house.
  • A. Lavender wool jersey cardigan jacket; V-shaped neckline; 5 mauve button/bound buttonholes on center front closure; straight sleeves. B. Black wool jersey skirt; center back zipper closure; knee length. C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. This item was created by Gustave Tassell for Norman Norell fashion house.
  • B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs.

    Worn with jumper (Object ID #1997.438.a) and belt (Object ID #1997.438.c) to form three piece ensemble. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Gray wool flannel A-line jumper; jewel neckline; 4 covered button/bound buttonhole closures at each shoulder seam; sleeveless; cut on bias; straight skirt; mid-calf length. B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs. C. Gray wool flannel tie belt; 1.5 inches wide. This item was created by Norman Norell for Traina-Norell fashion house.
  • Black wool jersey ensemble. A. Blouse; Peter Pan collar; 7 button/bound buttonhole center front closures; dolman sleeves; banded bottom; blouson. B. Skirt; A-line; 4 panel; mid-calf length. This item was created by Norman Norell for Traina-Norell fashion house.
  • C. Off-white silk twill blouse; self-bow at neck; sleeveless; center front opening with 4 covered button closure; gathers at waist; underarm stains.

    Worn with jacket (Object ID #2007.10.03.a) and skirt (Object ID #2007.10.03.b) to form three piece ensemble.

    Worn by donor, Joan Urdan. This item was created by Norman Norell for Traina-Norell fashion house.
  • Tan wool tweed suit with flecks of blue, burgundy, and green. A. Jacket; wing collar; front opening with no closures; 3/4 length set-in sleeves; patch pockets on chest; waist length; front opening, collar, and sleeve edges are finished with self-fabric binding; lined in beige taffeta. B. Skirt; wide straight waistband; gathers into waistband; side seam pockets; knee length; lined in beige taffeta. C. Off-white silk twill blouse; self-bow at neck; sleeveless; center front opening with 4 covered button closure; gathers at waist; underarm stains.

    Worn by donor, Joan Urdan. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Ivory silk crepe tailored blouse; shirt collar; 4 button (missing)/hand-worked buttonhole center front closure; vertical tucks; straight sleeves with French cuffs. B. Black silk crepe skirt; knife pleats; 2 inch wide waistband; full length; silk crepe lining. C. Black satin-covered belt; 3 inches wide. D. Black satin neck bow.
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