Mount Mary University Digital Collections

Browse Items (52 total)

  • Off-white crepe and chiffon evening gown; plunging neckline; orange, turquoise, and silver beading along neckline and straps, coming to bow at front; smocking at shoulder straps and midriff; padded bust-line; low back with beaded braid following around; back zipper closure; skirt flares from right below midriff, gathered at bow; full skirt, lined in satin-back crepe. Worn with slip. Purchased in 1942. Worn by Hildegarde.
  • Off-white silk matelasse evening gown; princess style; blue beaded trim at neck and sleeve edges; floor length. Worn with evening cape (Object ID #1981.22). Performance ensemble worn by Hildegarde.
  • A. Navy blue and off-white wool piqué weave dress; coat style; sleeveless; patch pockets; hidden bound buttonholes; snaps inside collar to attach to cape.

    Worn with cape (Object ID #1983.43.b) to form two piece ensemble.
  • A. Off-white wool double knit sheath dress; crew neckline; 4.5 inch center front seam below neckline; double-stitched center front princess panel with horizontal seam at bust; center back zipper closure; long set-in sleeves. B. Self-fabric scarf.

    Worn by Peg Bradley.
  • A. Off-white cotton piqué dress; circular figured piqué is very heavy; top-stitched neckline and front placket with hidden button closure; deep inverted pleats at side front set into princess seaming. B. Self-fabric belt.

    Worn by Florence Eiseman.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • A. Off-white silk broadcloth dress with narrow khaki stripe; V-neckline; two-piece kimono sleeves; fitted waistline with tucks; deep patch pocket on right hand side; stripes used horizontally for a wide band down center back and down front to conceal zipper; slim straight silhouette; mid-calf length. B. Khaki silk broadcloth belt.
  • A. Navy blue and off-white silk chiffon dinner dress; jewel neckline; eight button closures down center front; shoulder pads; set-in bishop sleeves; single button at each cuff; floor length. B. Off-white silk half slip; pencil silhouette; elastic waistline; center back zipper closure with one hook and eye; slit up center back.
  • B. Off-white silk half slip; pencil silhouette; elastic waistline; center back zipper closure with one hook and eye; slit up center back.

    Worn with dinner dress (Object ID #2005.13.17.a).
  • Ivory wool jacket; tunic length; short sleeves; princess seaming; hidden 4 button front closure; unusual front pockets with center opening as part of princess seaming; triple top-stitched trim in numerous locations.

    Worn by Florence Eiseman.
  • Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • A. Navy blue and off-white wool piqué weave dress; coat style; sleeveless; patch pockets; hidden bound buttonholes; snaps inside collar to attach to cape.

    Worn with cape (Object ID #1983.43.b) to form two piece ensemble.
  • B. Navy blue and off-white wool piqué weave cape; no collar; 2 flaps for trim; 5 bound buttonhole closure; elbow length; snaps inside collar to attach to dress.

    Worn with dress (Object ID #1983.43.a) to form two piece ensemble.
  • Ivory wool jacket; tunic length; short sleeves; princess seaming; hidden 4 button front closure; unusual front pockets with center opening as part of princess seaming; triple top-stitched trim in numerous locations.

    Worn by Florence Eiseman.
  • A. Off-white cotton piqué dress; circular figured piqué is very heavy; top-stitched neckline and front placket with hidden button closure; deep inverted pleats at side front set into princess seaming. B. Self-fabric belt.

    Worn by Florence Eiseman.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • Detail of back of evening gown to show where capelet can be attached. Off-white lurex velvet evening gown; worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde.
  • Detail of back of wide notched collar.
  • Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Off-white wool twill coat; fabric has vertical rows of floating threads, giving a textured surface; wide roll collar; center front opening with one pewter button at neck; 3/4 length kimono sleeves; large patch pockets; lined in wool flannel; knee length.

    Worn by Peg Bradley.
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