Mount Mary University Digital Collections

Browse Items (11 total)

  • Gold cut velvet on satin evening gown; velvet flower design runs entire length of dress; sleeveless; square neckline; bodice has center front seam with modified princess seams in back; diagonal darts at bust; bodice attached to skirt at natural waist; tucks in skirt; center back zipper closure; floor length tulle slip; floor length skirt. Label: "Evelyn Byrnes".
  • 2004.03.53.b.jpg

    B. Off-white silk satin capelet; jewel collar; circular shoulder yoke is longer in back; cape gathered in back; double-breasted snaps in front; short slit over arms; 14 inches long in front. Label: "Evelyn Byrnes".

    Worn with evening gown (Object ID #2004.03.53.a) to form two piece ensemble.
  • 2004.03.53.a.jpg

    A. Off-white silk satin evening gown; empire waistline; scoop neckline front to straps in back; no sleeves; ankle length straight skirt gathered in back; center back zipper closure.

    Label: "Evelyn Byrnes".

    Worn with capelet (Object ID #2004.03.53.b) to form two piece ensemble.
  • A. Off-white silk satin evening gown; empire waistline; scoop neckline front to straps in back; no sleeves; ankle length straight skirt gathered in back; center back zipper closure. B. Off-white silk satin capelet; jewel collar; circular shoulder yoke is longer in back; cape gathered in back; double-breasted snaps in front; short slit over arms; 14 inches long in front. Label: "Evelyn Byrnes".
  • 2008.09.73_detail.jpg

    Leopard print sheer cotton batiste dress; print is yellow, beige, brown, and black; jewel neckline; fitted bodice; short kimono sleeves; midriff has gathered fabric to imitate cummerbund; full skirt supported by crinolines; center back zipper; flat bow at back, attached to dress with hooks and eyes; mid-calf or knee length. Label: "Nettie Rosenstein".

    Worn by Jane Bradley Pettit. This dress appeared in the April 1, 1959, issue of Vogue.
  • Leopard print sheer cotton batiste dress; print is yellow, beige, brown, and black; jewel neckline; fitted bodice; short kimono sleeves; midriff has gathered fabric to imitate cummerbund; full skirt supported by crinolines; center back zipper; flat bow at back, attached to dress with hooks and eyes; mid-calf or knee length. Label: "Nettie Rosenstein".

    Worn by Jane Bradley Pettit. This dress appeared in the April 1, 1959, issue of Vogue.
  • Red cashmere swing coat; shawl collar; notch at back neck; shoulder darts from front and back; set-in sleeves; front and collar all in one piece; swing draped only in front; red silk lining. Label: "Bonwit Teller, Nettie Rosenstein".
  • 1988.115_FRONT.jpg

    Black patent leather purse; oval shaped; firm sides; footed bottom; hand strap; tab opening, tab is broken off from purse; 6 inches by 8 inches.

    Belonged to Florence Eiseman.
  • Black cotton piqué evening with black seed beading at hips; bias cut; one shoulder strap; side zipper closure; sleeveless; very fitted through hip, diagonal beaded hip panel; diagonal seams; full flared skirt; skirt has black organza petticoat and brown taffeta lining; mid-calf length.

    This dress was made when Charles Kleibacker was designing for Nettie Rosenstein, but was never put into production. Charles said Nettie told him that this would be too difficult to fit for ready-to-wear.
  • Off-white crepe and chiffon evening gown; plunging neckline; orange, turquoise, and silver beading along neckline and straps, coming to bow at front; smocking at shoulder straps and midriff; padded bust-line; low back with beaded braid following around; back zipper closure; skirt flares from right below midriff, gathered at bow; full skirt, lined in satin-back crepe. Worn with slip. Purchased in 1942. Worn by Hildegarde.
  • Cranberry red heavy fulled wool flannel swing evening coat; all-over rhinestones applied with rivets; standing collar; set-in sleeves widen at elbow; inseam pockets on modified princess line; cranberry red silk lining; most rhinestone have lost their red paint. Worn by Hildegarde.
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