Mount Mary University Digital Collections

Browse Items (2336 total)

  • A. Black and white windowpane check wool shirtwaist dress; notched collar; straight sleeves with 3 button closures; natural waistline; inverted pleat at skirt front; knee length. C. Black leather belt; silver ring closure.

    Worn with jacket (Object ID #1989.43.b) to form three piece ensemble.
  • A. Black and white windowpane check wool shirtwaist dress; notched collar; straight sleeves with 3 button closures; natural waistline; inverted pleat at skirt front; knee length. B. Black and white windowpane check wool blazer jacket; V-shaped neckline; patch pockets with button-down flaps; 4 rows of top-stitching at neck, pockets, hem, and cuffs. C. Black leather belt; silver ring closure.
  • Red wool bouclé dress; bateau neckline; sleeveless; princess seams; knee length; lined in red silk; zipper closure in left back princess seam; hook and eye closures on left shoulder.
  • Red wool bouclé dress; bateau neckline; sleeveless; princess seams; knee length; lined in red silk; zipper closure in left back princess seam; hook and eye closures on left shoulder.
  • Black wool jumper; wool has a linen look; low armscyes; inverted front pleat with slit; hem is either unfinished or has come undone.
  • Black silk chiffon cocktail dress; sleeveless; V-shaped neckline; shirred bodice; full skirt; knee length.
  • Ivory silk crepe day dress; coat style; wide Peter Pan collar; bodice diagonally pleated back and front; long set-in pleated sleeves with cuffs; 6 silver button closure down front; pleated skirt; attached self-fabric braided belt; knee length.

    The belt is hooked onto itself.
  • Ivory silk crepe day dress; coat style; wide Peter Pan collar; bodice diagonally pleated back and front; long set-in pleated sleeves with cuffs; 6 silver button closure down front; pleated skirt; attached self-fabric braided belt; knee length.
  • Navy blue with white stripes wool dress; mandarin collar; long sleeves; stripes are seamed on bodice and fall into pleats on skirt; center front zipper closure.

    The long sleeves were put back into the dress by the donor, Steven Stipelman.
  • Lavender silk crepe day dress with white stripes; high scoop neckline with button closure at center front neck; zipper closure down center front; drawstring-gathered waist at natural waistline; raglan sleeves with 3.5 inch cuffs at bottom; cuffs have single white button closure at wrist backs; pleating from mid thigh to hem; mid-calf length.

    Worn by Peg Bradley.
  • A. Navy blue silk crepe dress with white stripes; jewel neckline; bodice cut on the bias; bodice has navy lining; white domed button closures up center back; seam at natural waistline; long set-in sleeves with shoulder pads; three buttons at back sleeve cuffs; pleated skirt; mid-calf length; double folded hem at bottom.

    Worn with belt (Object ID #2008.09.53.b). Belt is removed here to make the pleating visible.

    Worn by Peg Bradley.
  • A. Navy blue silk crepe dress with white stripes; jewel neckline; bodice cut on the bias; bodice has navy lining; white domed button closures up center back; seam at natural waistline; long set-in sleeves with shoulder pads; three buttons at back sleeve cuffs; pleated skirt; mid-calf length; double folded hem at bottom. B. White leather belt; oval-shaped white buckle with navy blue edging; "Galanos" printed inside.

    Worn by Peg Bradley.
  • Fashion illlustration of front and back views of woman in champagne colored evening gown. Watercolor, pencil, and glitter paint on paper mounted to construction paper. White trim glued along border. Signed "Keleigh" with "Kelly Frohrib Couture 02' " on back lower right corner. The illustration might depict a preliminary version of Kelly's evening gown in the Fashion Archive (Object ID #2002.89.01). Measurements: 11.9 x 15.5 inches.

    Kelly Frohrib was a Fashion Design major, likely Class of 2003.
  • Pale gray satin evening gown; spaghetti straps covered in bar and round rhinestones; princess seams; high waistline; covered button and loop closure in back; trained A-line skirt, backed in white organza; couture techniques with hand-finishing.

    Created by Kelly Frohrib in Sister Aloyse Hessburg's couture class, but never picked up.

    The linked illustration (Object ID #2025.01.93) was also created by Kelly Frohib and might depict a preliminary version of the evening gown.
  • Black straw hat; faux pearl hat pin with rhinestones; 5 1/2 inch deep crown, five inch brim, 3 1/2 inch grosgrain cummerbund-style band. Worn with dress (Object ID #1982.308). Worn by Hildegarde.
  • Black wool double knit dress; A-line skirt hangs from yoke/sleeve piece; center front slit with one covered button closure; knee length. Worn with hat (Object ID #1982.309). Worn by Hildegarde.
  • Navy blue and pink paisley silk chiffon gown; made of sari fabric; bodice constructed in criss-cross style; raglan sleeves flow from front and back panels that are attached at neck edge; back tie belt.

    Designed and sewn by Lynn Fontanne in 1965 using fabric from an Indian sari purchased at a London antique store. Worn by Lynn during an interview on PBS in 1980, and in the photograph linked below, "Lynn Fontanne with Cole Leslie and Alfred Lunt." Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. White jersey blouse; long sleeves; criss-cross bodice. B. White jersey skirt; gathered to 2 inch waistband.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Black brushed silk cape; stand up collar; 2 button and loop closure; lining ripping. Worn with matching three piece ensemble (Object ID #1983.193.abc).

    Worn by Lynn Fontanne. This cape was probably made by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
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