Mount Mary University Digital Collections

Browse Items (1977 total)

  • Black silk faille strapless evening gown; Natural waist; horizontal and vertical seaming, darts and boning in bodice; two turned back triangular pieces above bust have hand-appliquéd velvet leaves; Full length, flared skirt has pockets in seams at side center front. Completely hand-overcast and finished. Worn with evening bolero (Object ID #1995.335).
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  • Black silk faille strapless evening gown; two turned-back triangular pieces above bust have hand-appliquéd velvet leaves, natural waist with horizontal and vertical seaming, darts and boning in bodice, full-length flared skirt has in-seam side front pockets. Completely hand-overcast and finished. Worn with black faille bolero. Worn by Valentina.
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  • Lavender matte silk jersey evening gown; peignoir style, V-shaped neckline, ¾ length sleeves, square-set armscye, high waistline, twisted fabric caught in side bodice and wrapped through center front slit, flare skirt, bias cut, full length, unlined. All inside seams hand-overcast, hand-rolled hem. Worn by Valentina.
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  • White silk organza evening gown; V-neckline, long full bell sleeves, full skirt, belt or waist tie made of the same fabric to accompany the gown. Several stains and discoloration throughout.

    Worn by Lynn Fontanne. Either this version or the pale pink version (Object ID #1983.184.ABC) was worn to the 1941 Academy Awards. Donor was the niece of Lynn Fontanne and Alfred Lunt.
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  • Pale pink silk organza evening gown ensemble. A. Gown; v-neckline, long full bell sleeves, criss-cross bodice extending into tie belt at center front, very full flared skirt, ankle length. B. Neck sash; 120" long by 5.5" wide, doubled. C. Slip; one layer of organza and one layer of taffeta, V-neckline with 2" strap narrowing to 1" at shoulder, full length. Slight discoloration throughout, torn in several places near waist and bodice. Some patching has been done.

    Worn by Lynn Fontanne. Either this version or the white version (Object ID #1983.185) was worn to the 1941 Academy Awards ceremony. Donor was the niece of Lynn Fontanne and Alfred Lunt.
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  • Monastic style black silk velvet evening gown; jewel neckline edged with black cording, long dolman sleeves, empire waist, cording runs through thread carriers at waistline, extended with shirring at wrist, A-line skirt, full evening length. Hand over-cast & hand finished. Lots of small tears throughout, some of which have been patched or mended. Worn by Valentina.
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  • Red blouson silk faille gown; scoop neckline; blouson over-bodice; rhinestone bar trim at waistline; sleeveless; straight skirt; ankle length; deep kick pleat.
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  • Gold metallic knit ensemble. A. Evening gown; A-line; jewel neckline; sleeveless; four 1.5 inch covered buttons accented with gold and silver studs/buttonholes at asymmetrical side back closure; A-line skirt; full evening length. Worn with shawl (Object ID #1997.224.B).
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  • Black wool knit evening gown; black ground with red and green bands of abstract rectangles; high cowl neckline; long straight sleeves; A-line in front, dropped gathered waistline in back; center back zipper; fully lined.

    Worn by Florence Eiseman to receive the Gimbels Fashion Forum Award in 1971.
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  • Black silk chiffon evening gown; large scale metallic gold floral brocade pattern; A-line; jewel neckline with petal ruffle; bishop sleeves with petal ruffle at wrist; A-line skirt; full evening length; lined with black chiffon.
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  • Red silk lamé evening gown with gold and silver flecks; straight silhouette; square neckline; elbow-length sleeves; shoulder pads; left side zipper; ankle length; dress has stripe effect through the manipulation of the fabric, stripes appear vertical on bodice and horizontal on skirt.
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  • Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. Worn with matching shawl (Object ID #2004.03.28.B).
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  • Coral pink silk chiffon over silk crepe evening gown; strapless; chiffon at bodice pleated diagonally; high waist at front, curving below waist at back; slight train; floating floor length scarf panel attached vertically along center back. Exclusively for Bullocks Wilshire.
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  • Beige silk chiffon evening gown; large keyhole opening at front; hand-rolled edges; one covered button closure at neck; opening reveals lace bodice; long slender souffle sleeves, edged in lace; hook and eye at wrist; intricate drapery twisted in center front, continuing in short cascade over left side; crepe floor length skirt.
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  • Pale blue jersey evening gown; decolette neckline; kimono sleeve gathered at top and bottom; gathered yoke at empire waist; gathered sash at deep V-neckline that hangs vertically; deep V-neckline in back; center back zipper.
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  • Teal silk crepe evening gown; V-neckline, dipping down to deep "V" in back; sleeveless; draped around neck and raised waist which becomes a sash at back and loops up front to form an overskirt; A-line skirt underneath; rhinestone pin at center front breast.
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  • Heavy beige lace over white satin back crepe and white chiffon evening gown; strapless; wide band of lined white-beige mutation mink around top; long, straight, very slim skirt; concealed center back zipper with hook, eye, and snap closure; attached off-white boned inner bodice. Made exclusively for L. S. Ayres & Co., Indianapolis.
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  • Black floral silk matelasse ensemble. Fabric is black ground with pink roses and green stems in a warp print. A. Evening gown; strapless; interior bodice built over a strapless, longline bra; asymmetrical front; straight skirt; ankle length; multiple pleats at kick vent. Worn with wrap (Object ID #1997.237.B).
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  • Light brown silk marquisette evening gown; sweetheart neckline; long sleeves; fitted bodice decorated with rhinestones and clear beading; zippers on sleeve cuffs; long flared skirt; back zipper closure; bodice lined in brown jersey; skirt unlined; couture techniques.
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  • Long black silk crepe evening gown; cut-out front neckline; bias cut; fabric has been slashed to permit black plastic disks to be inserted in the circles; trains in back; hand-overcast. Some disks are broken or missing.
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