Browse Items (30 total)
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Evening gown
Black and ivory plisse evening gown; fit and flare; v-shaped neckline; bishop sleeves, cut on the bias, elastic cuff; natural waistline; center back zipper closure; bodice cut on the bias; gathered skirt; full length; missing belt. Bill Blass for Maurice Rentner. -
Evening gown
A. Brown and taupe panné velvet fit and flare evening gown; natural waistline; standing collar; straight sleeves; gathered skirt with satin and velvet band at bottom. B. Brown and taupe panné velvet belt; 4 inches wide.
Worn by donor, Beatrice Haggerty. -
Two piece ensemble
A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length. B. Copper and black metallic floral print chiffon evening blouse; blouson; knit neckline, cuffs, and waistband. -
Dress without blouse
A. Black polyester evening dress; camisole bodice with spaghetti straps; natural waistline; accordion pleated skirt; floor length.
Worn with blouse (Object ID #1988.157.b) to form two piece ensemble. -
Evening gown
Dark red four ply silk crepe evening gown; columnar silhouette; bateau neckline; thin straps; knot bow at back; bias cut in back; two bound buttonholes worked on the grain; floor length. Bill Blass for Maurice Rentner.
The lower part of the gown has water stains on it. -
Hostess gown
Pale gray silk satin and wool jersey hostess gown; roll collar; bodice and long sleeves of heathered wool jersey; rolled back satin cuffs; floor length silk satin skirt gathered at natural waist; center back zipper closure; belt loops at side seams, but belt is missing.
Worn by Audrey Ross. She was part of the Ross family who owned J. H. Collectibles. -
Coat
Royal blue suede coat; Peter Pan collar; 7/8 length kimono sleeves; 4 large covered buttons at center front opening; two patch pockets on thighs; lined in black taffeta; knee length. Label missing.
Based on the time period this was likely designed for Maurice Rentner Limited.
Worn by the donor, Joan Urdan, who worked in the fashion industry in New York in the 1950s, 1960s, and 1970s. -
Dress
Fuchsia Irish linen day dress; round neckline; short sleeves; neckline and pockets have white button and bound buttonhole details; top-stitched extended bib into open pockets, sewn into side seams; center back invisible zipper closure; unlined; short length. -
Jacket
White lace Chanel style jacket; jewel neckline; hidden snap center front closure with 5 black braid buttons; long straight sleeves with 2 braid buttons at cuffs; 2 mock pockets with flap/button at bust; 2 single welt pockets with flap/button at hip; scalloped lace edging on all edges and pocket flaps. -
Man's dress shirt
Man's white muslin tuxedo shirt; wing collar; 10 tucks on front; French cuffs. A couple of buttons are missing.