Mount Mary University Digital Collections

Browse Items (1986 total)

  • Pale pink silk chiffon tunic; plain jewel neckline, points at front and back; deep dolman sleeves; bias cut; all-over pattern in silver and gold glitter. No label. Performance tunic worn by Hildegarde.

    In this image, the tunic is styled over a peach silk chiffon underdress (Object ID #1982.74.B).
  • Green and blue striped linen "paper bag" style tote bag; double leather handles; lined in burlap.
  • Green peacock feather toque; large scattered "rhinestones" on felt base
  • Black felt toque; dotted with pearls, gold balls, silver balls, gold rhinestones, and clear rhinestones; strap in back; hot pink headsize band.
  • White straw toque; squared crown; vertical section decorated with white veiling dotted with black fuzz balls; large black silk flower at center front; hot pink headsize band.
  • Black wool felt toque; decorated with lattice work of gold thread with large white pearls at intersections; hot pink headsize band; not lined.
  • Black felt toque; black beads scattered across; black feather pom pom at top.
  • Dark brown and white giraffe print pony fur toque; print on side of toque; pony fur is possibly synthetic; black wool felt top; black headsize band.
  • Gray and white straw toque; straw twists on left side.
  • Mustard yellow silk toque with tassel.
  • Statement written by Bonnie Cashin on her personal stationery.
  • Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. C. Stole with blue ostrich feather boa sewn to the short ends.
  • Bright blue chiffon evening dress and stole. A. Overdress for evening gown; straight silhouette, sleeveless, vertical strips of blue sequins and beads, blue tassels around the hips, blue ostrich feathers around the knees, zipper closure at center back, knee length, lined in blue crepe. B. Underdress for evening gown; straight silhouette, slip style, sleeveless, blue ostrich boa sewn in zig-zag around the hem, zipper closure at center back, floor length, lined in blue crepe. Worn with stole (Object ID #2013.04.12.C).
  • Off-white muslin toile; sleeveless; shoulder yoke; A-line skirt on the bias with center front seam; zipper closure in back; entirely hand-sewn using colored threads.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • A. Gold silk blouse; horizontal rows of decorations of gold and silver embroidery, gold sequins, and gold beads. Wide scoop neckline, short cap sleeves, cropped top ends just below the bust, strands of gold beaded fringe at hem, back gold button closures, large single rhinestone, and loops. B. Sheer red printed silk chiffon bandeau bra; large floral design in yellow, green, blue, and white. Edged with red satin ribbon, unlined. C. Red chiffon miniskirt; fabric shot with gold threads printed in large floral motifs, no waistband, center back invisible zipper closure, lined in white taffeta.

    This item is from Spring/Summer 1998.
  • A. Men's tan linen/wool serge suit jacket; double-breasted; narrow lapels. B. Suit pants; button fly; cuffed. C. Suit vest.

    Likely worn by John Michael Kohler III, husband of Julilly House Kohler.
  • A. Dark red and black striped wool jacket; straight; no closures; pointed collar; three-quarter set-in sleeves; split cuffs; long double row of self-fabric appliquéd scrolls on either side of front; underlined in red silk. B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining.
  • Gray British worsted wool suit. A. Jacket; long and fitted; notched collar; long revers; set-in long sleeves, self-button closure at cuffs; set-in pointed front lapels; three graduated-size self-covered buttons; center front hem has seven inch long cut-away to reveal vest underneath; seven inch long center back vent; lined in beige silk crepe. Inspired by an eighteenth century gentleman's frock coat. B. Skirt; very slim; bias bound slash pockets and slim skirt with bias bound slash pockets; zipper on left side. C. Putty colored silk jacquard vest; pattern of gray, beige, and brown leaves; shawl collar; seven self-covered buttons and bound buttonholes; fitted; pointed center front; watch pocket on right side; back is plain putty colored silk, underlined in matching silk; half belt with pewter colored metal buckle.
  • Teal and black window pane check suit jacket and skirt of British worsted wool tweed. A. Jacket; notched collar; three black buttons and bound buttonholes high under collar; set-in three-quarter length sleeves ending in slit cuffs; long darts in front; low self belt over pocket; button closure at side seam; underlined in teal silk. Label: "Irene" script on beige silk. B. Skirt; straight silhouette; darts on self belt with four inch slit for freedom in movement on either side. C. Shaded teal, white, and black silk print shell overblouse; jewel neckline; sleeveless; center back zipper; lined in teal silk.
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