Mount Mary University Digital Collections

Browse Items (16 total)

  • A. Gold multicolored silk evening top; halter; trapeze shape; handkerchief hem; completely sequined over batik print. Fabric was handmade in Mexico. B. Gold multicolored silk evening skirt; floor length; straight; slit up one side; completely sequined over batik print.

    Donor noted that this ensemble was made for the opening of Marshall Field's store on Michigan Avenue, possibly referring to the opening of Marshall Field's in Water Tower Place in 1975.
  • A. Green, magenta, and scarlet striped silk crepe tunic; square neckline; elbow length kimono sleeves; shapeless; band of green around neckline, at hem, and under bust. B. Green, magenta, and scarlet striped silk crepe skirt; straight waistband; gathered at waist; zipper closure; band of green at hem; mid-calf length.

    From Oscar de la Renta's Spring/Summer 1982 collection.
  • A. Black wool jersey tunic top; high round neckline; front of tunic is cut on bias; five self-covered buttons and bound buttonholes. B. Black wool jersey straight skirt; lined; short length. C. Black wool jersey belt; self-covered button and bound buttonhole.
  • Bright yellow interlock wool knit ensemble. A. Tunic; Peter Pan collar; short set-in sleeves; shoulder yoke; single welt pockets on hips; pockets stitched to fashion fabric in circular shape; top-stitching in matching thread; center back zipper; thigh length; unlined. B. Pants; elastic waist; straight-legged to feet; no pockets; unlined.

    Worn by Peg Bradley.
  • A. Ocher slubbed rayon tunic; collarless; sleeveless; red piping; two frontal slit pockets; single hook and eye closure at back top. B. Red slubbed rayon A-line skirt; banded skirt top; two frontal darts, two back darts, and two back pleats with seam at center; left side zipper closure and set of hook and eye closures; midi length.
  • Tan wool jersey ensemble. A. Tunic; standing collar; straight sleeves; 1.5 inch wide attached self belt with covered button/bound buttonhole closure at waistline; 9 inch deep hem. B. Straight skirt; knee length; 13 inch deep hem attached to silk lining.
  • Grayish green leather ensemble. A. Tunic; scoop neckline; sleeveless; two center front side pockets; hip length; green china silk lining; fringe at hem. B. Fitted capri pants; no waistband; side zipper closure, gold leather loop closure over zipper; below knee length.
  • Hot pink, orange, mustard, and white horizontal striped wool jersey ensemble. A. Dress; halter neckline; empire style with mustard suede detail; long bias-cut skirt; side pockets in seams outlined with suede with top-stitching. C. Ruana; self-fabric ties; 7/8 length sleeves; Label: "Sills. A Bonnie Cashin Design, New York".

    Goes with tunic (Object ID #2004.03.102.B) to form three piece set.
  • Hot pink, orange, mustard, and white horizontal striped wool jersey ensemble. A. Dress; halter neckline; empire style with mustard suede detail; long bias-cut skirt; side pockets in seams outlined with suede with top-stitching. B. Tunic; scoop neckline; long full sleeves; neckline and cuffs outlined in mustard suede; hip length.

    Goes with ruana (Object ID #2004.03.102.C) to form three piece set.
  • A. Aqua leather tunic; small standing collar; raglan sleeves, wrist length; three yellow metal leash clasps at opening, sewn shut to hem; mid-thigh length; lined in light blue silk; lining is stained; leather has creases and dirt from wear. B. Aqua cashmere sweater; funnel neck. C. Aqua wool jersey slip; spaghetti straps; knee length.

    From Bonnie Cashin's personal wardrobe.
  • A. Dark orange suede tunic; bateau neckline; two shades of suede form upper bodice and sleeves; lower portion in dark orange suede; appliquéd suede in yellow and pink with pink fringe. Several large tears at left shoulder and hip. B. Dark orange wool jersey slip; spaghetti straps. From the Indian Sandpainting Collection.

    From Bonnie Cashin's personal wardrobe.
  • Parti-color leather tunic in hot pink, mustard, chartreuse, and coral; pea green bindings; scoop neckline; sleeveless; hip length; lined in pea green china silk.
  • Pale pink silk chiffon tunic; plain jewel neckline, points at front and back; deep dolman sleeves; bias cut; all-over pattern in silver and gold glitter. No label. Performance tunic worn by Hildegarde.

    In this image, the tunic is styled over a peach silk chiffon underdress (Object ID #1982.74.B).
  • Peach silk chiffon ensemble. A. Tunic; plain jewel neckline, points at front and back; deep dolman sleeves; bias cut; all-over pattern in silver and gold glitter. No label. B. Scarf. Performance ensemble worn by Hildegarde.

    In this image, the tunic ensemble is styled over a peach silk chiffon underdress (Object ID #1982.74.B).
  • A. Pale orange silk/rayon burnout velvet tunic. Lavender and metallic gold velvet flowers and leaves pattern; Lower section is lace in lavender and gold; sleeveless; knee length; Deep v-neckline; one button closure at the waistline. C. Lavender and gold lace skirt; straight silhouette; straight waistband with invisible zipper; Lined in nude tulle.

    Worn with jacket (Object ID #2013.04.06.B) to form evening suit ensemble.
  • Evening suit ensemble. A. Pale orange silk/rayon burnout velvet tunic; lavender and metallic gold velvet flowers and leaves pattern, lower section is lavender and gold lace, sleeveless, deep v-neckline, one button closure at the waistline, knee length. B. Lavender and gold lace jacket; surplice front, low v-neckline, long set-in sleeves, loops for buttons, lined in beige tulle. C. Lavender and gold lace skirt; straight silhouette, straight waistband with invisible zipper, lined in beige tulle.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2