Mount Mary University Digital Collections

Browse Items (2069 total)

  • Evening Gown viewed from front. Worn with capelet (Object ID #1981.110.B) and scarf (Object ID #1981.110.C) to form three piece evening ensemble. Worn by Hildegarde.
  • Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde.
  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
  • Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. Worn with matching cape (Object ID #1982.304.B) to form two piece evening ensemble. Performance ensemble worn by Hildegarde.
  • White silk chiffon evening gown; V-neckline front and back; fitted body flowing to full skirt. Worn with cape (Object ID #1982.310.B) to form two piece evening ensemble. Worn by Hildegarde.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
  • Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde.
  • Lavender under burgundy silk chiffon evening gown; bias cut; beige spaghetti straps. Worn with poncho (Object ID #2002.84.15.B) and scarf (Object ID #2002.84.15.C) to form three piece evening ensemble. Worn by Hildegarde.
  • Pale gray satin evening gown; spaghetti straps covered in bar and round rhinestones; princess seams; high waistline; covered button and loop closure in back; trained A-line skirt, backed in white organza; couture techniques with hand-finishing.

    Created by Kelly Frohrib in Sister Aloyse Hessburg's couture class, but never picked up.
  • Black crepe evening gown; slip style; "Brancusi" inset with black velvet zig-zag down body; left breast covered in velvet; slit at center back skirt; invisible zipper closure at center side.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
  • Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
  • Pale yellow silk taffeta evening dress; A-line; empire waistline, band at empire line with bow in back; square neckline; puffed cap sleeves; beaded bodice; 4 unpressed pleats in front, center back unpressed pleat, 4 tucks opening into unpressed pleats in back; full length. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
  • Navy blue silk chiffon evening gown; peignoir style; natural waistline with multiple rows of horizontal tucks; halter neckline; jersey bodice; circular skirt, 11 chiffon half-circle panels; full evening length; silk crepe lining. This item was created by Norman Norell for Traina-Norell fashion house.
  • Bright red orange interlock jersey evening gown; A-line; bateau neckline in front with very deep scoop neckline in back; sleeves have square armscye; wrist length; long skirt; attached 2 inch wide self-fabric tie belt; lined in china silk.
  • A. Light pink silk chiffon evening gown; fit and flare; natural waistline; two belt loops; halter neckline with attached bias scarf; sleeveless; very full gathered skirt; full evening length. B. Light pink silk underdress; fit and flare skirt; strapless; camisole bodice; full evening length. This evening gown could be styled many ways. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Light pink chiffon dress; surplice bodice; beaded fringe from sleeves, hipline, and hemline; gathered skirt; pale green satin cummerbund. B. Pink silk underdress; spaghetti straps; mid-calf length.

    Worn by donor, Mrs. Joseph Bonness, Sr., to 1953 convention in Washington, D.C. when husband was named President of Road Builders of America. This item was created by Norman Norell for Traina-Norell fashion house.
  • Pink sequined evening gown; empire style; standing collar; short sleeves; full evening length; attached wide pink satin belt under bust; "Mermaid", completely hand-sequined.
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