Browse Items (1997 total)
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Letter from Avon Lees Jr. to Sister Mary Nora Barber, April 23, 1974
Letter from Avon Lees Jr., president and director of the Tobe-Coburn School for Fashion Careers in New York City, to Sister Mary Nora Barber, president of Mount Mary College. The letter concerns the awarding of a full-tuition Fashion Fellowship at the Tobe-Coburn School for Fashion Careers to Mary Ellen Wiczynski, who was graduating from Mount Mary College that spring. -
Dress
Black and purple striped silk crepe dress; chemise style; shirt collar with rounded points; center buttoned placket with 5 black buttons; smocking; shirt sleeves with narrow one button cuffs. -
Dress
Dark red cotton interlock shirtwaist dress; natural waistline; notched collar; raglan sleeves with 2 button cuffs; shoulder epaulets; center front snap closure; snap closure at left side panel of skirt; gathered skirt; knee length; attached self-fabric soft wrap belt. -
Detail of front showing intricate closures
Dark red cotton interlock shirtwaist dress; natural waistline; notched collar; raglan sleeves with 2 button cuffs; shoulder epaulets; center front snap closure; snap closure at left side panel of skirt; gathered skirt; knee length; attached self-fabric soft wrap belt. -
Coat dress
Navy blue wool coat dress; A-line; standing collar with one edge turned back to reveal white satin facing; 2 button with bound buttonhole mock double-breasted front; center back zipper closure; straight set-in sleeves; knee length. -
Two piece ensemble
A. Black worsted wool blouse; jewel neckline with 1.5 inch band; princess seaming ends with mock button closure and flared hem; 6 covered button and bound buttonhole center back closure; long sleeves; lined with china silk. B. Black worsted wool skirt; straight silhouette; double front trouser pleats; knee length; lined with china silk. -
Coat dress
Ivory saint tent dress with large scale light brown voided silk velvet floral design; very small collar; front and back yoke; 2 button center back closure; invented pleat at center back; bishop sleeves with 1 button cuffs; 2 patch pockets with top flaps at hipline; flared skirt; knee length. -
Detail of back closures
Ivory saint tent dress with large scale light brown voided silk velvet floral design; very small collar; front and back yoke; 2 button center back closure; invented pleat at center back; bishop sleeves with 1 button cuffs; 2 patch pockets with top flaps at hipline; flared skirt; knee length. -
Two piece ensemble
A. Black floral lace evening dress with stitched tape lace design in red, green, lavender, and white; contrast lavender bodice; fit and flare; scoop neckline; cap sleeves; natural waistline; scalloped hem. B. Black floral lace evening jacket with stitched tape lace design in red, green, lavender, and white; fitted; peplum effect; scoop neckline; long straight sleeves; scalloped hem on sleeves and peplum. -
Dress without jacket
A. Black floral lace evening dress with stitched tape lace design in red, green, lavender, and white; contrast lavender bodice; fit and flare; scoop neckline; cap sleeves; natural waistline; scalloped hem.
Worn with jacket (Object ID #1998.35.b) to form two piece ensemble. -
Three piece ensemble
A. Ivory silk shantung suit jacket; cardigan style; notched collar of red and ivory check; long straight sleeves; 2 single welt pockets. B. Red and ivory check bias blouse; roll collar of ivory bias silk; sleeveless; side zipper closure. C. Ivory silk shantung suit skirt; inverted pleats; hung on silk camisole top; knee length. -
Blouse and skirt without jacket
B. Red and ivory check bias blouse; roll collar of ivory bias silk; sleeveless; side zipper closure. C. Ivory silk shantung suit skirt; inverted pleats; hung on silk camisole top; knee length.
Worn with jacket (Object ID #1996.272.a) to form three piece ensemble. -
Detail of left shoulder of blouse
B. Red and ivory check bias blouse; roll collar of ivory bias silk; sleeveless; side zipper closure.
Worn with jacket (Object ID #1996.272.a) and skirt (Object ID #1996.272.c) to form three piece ensemble. -
Skirt without jacket and blouse
C. Ivory silk shantung suit skirt; inverted pleats; hung on silk camisole top; knee length.
Worn with jacket (Object ID #1996.272.a) and blouse (Object ID #1996.272.b) to form three piece ensemble. -
Charles Kleibacker commentating at a Mount Mary College fashion show
Charles Kleibacker provides commentary for a fashion show in the cafeteria at Mount Mary College, Wisconsin, likely in the early 1970s. -
Hildegarde and guest at Mount Mary College fundraiser
Hildegarde and a guest at a fundraiser at Mount Mary in September 1982. Hildegarde performed to raise money for Mount Mary to help maintain the campus. The outfit Hildegarde is wearing is in the Digital Fashion Archive (Object ID #2002.84.25.AB). -
Newsletter from Sister Aloyse Hessburg, fall 1978
Newsletter from Sister Aloyse Hessburg, head of the Mount Mary College fashion design program, to fashion design program alumnae (and possibly other program supporters) in late fall 1978. It includes descriptions of Homecoming and of a November 3rd workshop, information about graduates' jobs and families, job openings, and more.
Click on the images to see them close up. -
Newsletter from Sister Aloyse Hessburg, March 1981
Newsletter from Sister Aloyse Hessburg, head of the Mount Mary College fashion design program, to fashion design program alumnae (and possibly other program supporters) in March 1981. It includes descriptions of curriculum changes, requests for support, information about graduates' jobs and families, and more.
Click on the images to see them close up. -
Newsletter from Sister Aloyse Hessburg, February 1983
Newsletter from Sister Aloyse Hessburg, head of the Mount Mary College fashion design program, to fashion design program alumnae (and possibly other program supporters) in February 1983. It includes information about the upcoming fashion show and trip to Europe, information about graduates' jobs and families, a description of the September 1982 "Evening with Hildegarde" fundraiser, a request for help in moving the historic costume collection to a new storage room, details of the fashion program's internship program, and more.
Click on the images to see them close up.