Mount Mary University Digital Collections

Browse Items (2116 total)

  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
  • Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Likely worn by the donor, Elizabeth "Bettie" Ogden.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Likely worn by the donor, Elizabeth "Bettie" Ogden.
  • Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"

    Likely worn by the donor, Elizabeth "Bettie" Ogden.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". Possibly a debutante gown.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. C. Yellow silk shantung sash.

    Worn with lace coat (Object ID #1967.05.b) to form three piece ensemble of evening wear.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • A. Pale yellow crepe jumpsuit; scoop neckline; sleeveless; empire waistline; ankle length; wide legged pants. B. White embroidered lace coat; jewel neckline; large gold embroidered flowers with gold bead and pearl centers; long bell sleeves; ankle length; one button closure at neck. C. Yellow silk shantung sash.

    Worn by the donor, Mrs. Warren Knowles (née Dorothy Guidry), for her husband Governor Knowles's second Inaugural Ball in 1967.
  • Black silk jersey evening gown with graphic print in blue, yellow, and olive green; fit and flare; natural waistline; standing collar; bishop sleeves with cuffs; gathered skirt; full evening length. Label: "Ronald Amey".

    Worn by the donor, Beatrice Haggerty.
  • Note from Ronald Amey, New York fashion designer, to Sister Aloyse Hessburg, head of the fashion design program at Mount Mary College, discussing Sister Aloyse's upcoming visit to the Burke-Amey fashion workroom and expressing gratitude for his recent trip to Mount Mary (in March 1966, to receive the Gold Needle Award, most likely).
  • This is a clipping from the Mount Mary College (Milwaukee, Wisconsin) school newspaper, The Times. It describes the donation by Mrs. Dorothy (Warren) Knowles of her inaugural gown, designed by Ronald Amey and worn to her husband's inaugural ball in 1967 after he was re-elected Wisconsin governor, to Mount Mary College.
  • This is a clipping from the Mount Mary College (Milwaukee, Wisconsin) school newspaper, The Times. It describes Ronald Amey's visit to the fashion drawing class.
  • This is a clipping from the Mount Mary College (Milwaukee, Wisconsin) school newspaper, The Times. It describes Sister Aloyse Hessburg's trip to the Burke-Amey fashion workroom is New York City.
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