Mount Mary University Digital Collections

Browse Items (127 total)

  • Olive green silk taffeta ensemble with white and khaki colored polka dots. A. Blouse; standing collar; open at front with only double ties at bust; high cut armscyes; sleeveless; lined in green satin; ends at high hip. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. C. Bandeau top; circle of fabric. D. Belt; made of bias tubing.
  • Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.

    This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Black and white houndstooth twill blouse; large scale print; roll collar on stand; long bishop sleeves with one button cuffs; back shoulder yoke; front opening with covered buttons; hip length.

    This blouse was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • B. Black taffeta blouse; sleeveless. C. Black taffeta skirt; straight; ankle length; red lining. Worn with cape (Object ID #2004.03.106.A) and sash (Object ID #2004.03.106.D) to form four piece evening ensemble. Worn by Hildegarde.
  • Gunmetal gray silk ensemble. A. Blouse; jewel neckline; sleeveless; vertical pleats; covered buttons down back under placket; lined in light gray taffeta; hip length. B. Skirt; straight silhouette; cut on bias; straight waistband; zipper closure; above the knee length.

    Made by Mount Mary Fashion student Donna Ricco in Sister Aloyse Hessburg's class in 1981.
  • Pale pink silk georgette blouse; hand-painted with pink roses and chartreuse leaves; jewel neckline; bishop sleeves with 2 button cuffs; contour darts; zipper down back; hip length; body is lined, sleeves are unlined.

    Worn by Peg Bradley.
  • Black wool jersey blouse; shaped as fitted mini dress; square neckline; spaghetti straps with looped ends attach at front neckline with gold metal shank buttons; left side zipper closure.
  • B. Rust colored wool melton suit skirt; A-line; regular waistband; single welt slash pockets; two hook and eye closures on side with zipper closure. C. Deep orange silk faille blouse (untucked); turtleneck collar; three hook and eye closures in front; long sleeves; bias cut; side zipper closure.

    Worn with suit jacket (Object ID #2004.17.15.a) to form three piece ensemble.
  • A. Rust colored wool melton suit jacket; jewel collar; single-breasted with 5 gold dome buttons; single welt slash pockets; one-piece set-in sleeves without cuffs; top-stitching around neck, front closure, and armscye; taffeta lined. B. Rust colored wool melton suit skirt; A-line; regular waistband; single welt slash pockets; two hook and eye closures on side with zipper closure. C. Deep orange silk faille blouse; turtleneck collar; three hook and eye closures in front; long sleeves; bias cut; side zipper closure.
  • Beige cotton canvas cropped middy blouse; dolman sleeves; four gold metal buttons/bound buttonhole closure; elastic gathered in back.
  • Black machine-made cotton lace blouse; strapless; hook and eye closures on left side; back is about 6 cm longer than front; lined in nylon tricot.
  • Medium blue cotton chintz with black floral vertical striped pattern ensemble. A. Blouse; wing collar; four white buttons; white top-stitching; waist tucks front and back; back shoulder yoke; set-in sleeves with one button band cuffs; left side front pocket. B. Shorts; regular waist band; left side hook and eye closure; side slits.
  • Red rayon surah blouse; printed with abstract design of black dots and starts; semi-fitted; narrow roll collar with single hook and eye closure; long dolman sleeves; six plastic button closures; two French darts; yellow stitching around waistline; black stitching around collar and cuffs.
  • White plain weave linen day blouse; wide square neckline; sleeveless; large ball pearl buttoned shoulders; waist darts; left side zipper closure.
  • C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. White jersey blouse; long sleeves; criss-cross bodice. B. White jersey skirt; gathered to 2 inch waistband.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) and underdress (Object ID #1983.193.b) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures.

    Worn with overdress (Object ID #1983.193.a) to form three piece ensemble. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
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