Mount Mary University Digital Collections

Browse Items (2078 total)

  • Notes from Charles Kleibacker's "Couture Sewing Clinic" at Mount Mary College in Milwaukee, Wisconsin. The document contains typed text, fashion diagrams, and handwritten notes. It is undated but likely came from the 1970s or 1980s.

    To see the entire program, click on the pdf file beneath the image (Kleibacker Sewing Clinic Pages w notes.pdf).
  • Black alligator skin purse; rectangular; enameled top clasp with rhinestone bows; single handle; fully detailed interior; 6.5 inches by 8 inches.

    Belonged to Florence Eiseman.
  • Black, white, and beige striped silk chiffon ensemble. A. Blouse; high neckline with small standing collar; four snaps at collar; long sleeves ending in bound cuffs; sleeves gathered at shoulder cap; flared and gathered peplum; large ruffle from left shoulder down and incorporated into peplum; hand-rolled hems on fly-away ruffle; two snap closures at left waist. B. Harem pants; band at waist; two snaps and zipper closure at center back; voluminous pant legs end in tight cuffs at ankles with each cuff closed with two snaps. C. Belt; middle part of belt lined with solid taupe fabric under silk, and black on the back; unbacked ties at either end; chiffon at middle of belt is gathered. D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam. Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
  • D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.

    Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.

    Accompanied by original sketch of garment (Object ID #2024.02.02).

    Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.
  • Flat art sketch, black and white on Artists pressed cardboard, 7.5 inches by 10 inches, watercolor and pencil, back labeled with "9-80", made by designer of garment.
  • Black straw cloche; small off-white straw brim turned up at one side; grosgrain trim; flat off-white bow.

    Worn by a member of the Kohler or House families.
  • Corset and skirt ensemble. A. Beige brocade corset; floral damask pattern, right side zipper closure, asymmetrical with tucks under left breast, external boning in front, asymmetrical point on right front at bottom. B. Brown chiffon skirt; made up of two fabrics- most of the skirt is a tan ground of abstract shapes in dark brown and reddish pink. The other fabric is pleated chiffon in khaki yellows of stripes. Used for a flounce on the hip and an underskirt; no waistband, center back zipper, many flounces and layers throughout, asymmetrical, ankle length, lined in tan chiffon.

    This item is from Fall/Winter 2002-2003.
  • Lace gown; bodice of gold lame lace, purple crinkled taffeta straps, bow at center front under bodice, empire waistline, skirt of brown floral lace with green and orange flower clusters, slim skirt has princess seaming and short train in back, invisible zipper at center back.

    This item is from Fall/Winter 1995-1996.
  • Metallic crinkled purple silk taffeta evening coat; trench coat style, notched collar, long raglan sleeves, tabs and covered button at wrist, double breasted with two snaps at the waist, self-belt sewn to the center back, lined in dark purple, ankle length.

    This item is from Fall/Winter 1995-1996.
  • White and black printed silk gazar jacket. Pattern of white ground printed with black balls 2.5 inches in diameter connected by thin bars; jewel neckline; short kimono sleeves with turned back cuff; double breasted snap front closure; Peplum. This item is from Christian LaCroix Spring 2007 Ready-to-Wear collection.

    Worn with Christian LaCroix Dress (Object ID #2013.04.20.A).
  • White and black printed silk gazar dress; pattern of white ground printed with black balls 2 ½ inches in diameter connected by thin bars, narrow straps at front, deep v-neckline, spaghetti straps in back, additional tie extending from bust, midriff yoke decorated with five medallions of beads at front, skirt has stitched down pleats at the waist, two rows of fabric near hem stitched on intermittently, center back zipper, knee length, lined in white china silk. Worn with matching jacket (Object ID #2013.04.20.B). This item is from Christian LaCroix Spring 2007 Ready-to-Wear collection.
  • Blue banlon evening ensemble; horizontal wave pattern in multiple shades of blue. A. Gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. B. Cape; ties at neck; split in two sections. Performance ensemble worn by Hildegarde.
  • Detail of front of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Performance ensemble worn by Hildegarde.
  • Detail of back of evening gown; standing collar; long sleeves; column silhouette; center back zipper closure with covered buttons sewn to placket; ankle length. Worn with cape (Object ID #2002.84.25.B) to form two piece ensemble. Part of performance ensemble worn by Hildegarde.
  • A letter from Robert C. Landsiedel, Associate Director of Alumni Affairs at Drexel Institute of Technology (where Sister Aloyse earned her master's degree in textiles) to Sister Aloyse Hessburg of Mount Mary College (Milwaukee, Wisconsin). Mr. Landsiedel extends congratulations to Sister Aloyse on her design of Mrs. James [Frances Howard] Robb's mother-of-the-groom dress for the wedding of her son Charles to Lynda Bird Johnson, daughter of President Lyndon B. Johnson, at the White House on December 9, 1967. He also asks for a photograph and a brief biography to use when mentioning her achievement in the spring 1968 alumni newsletter.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
  • Mustard yellow silk crepe evening gown; V-neckline; sleeveless; shoulder pads; draping in front; mustard yellow brocade ribbon criss-crosses in front; long. Worn by Hildegarde.
  • Silver lamé evening gown; plunging V-neckline; heavily padded shoulders; batwing sleeves, zippers at wrists; three open-ended darts at bustline; empire waistline with red beaded lace over cream netting, same trim on lower sleeves; center back zipper closure; inverted box pleat from waistline down; skirt slit below knee; rounded off hemline; front skirt has short overskirt with rounded edge; back skirt has godet at center back for flare, forming a train. Performance gown worn by Hildegarde.
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