Browse Items (1978 total)
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Cape
Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of armholes buttoned
Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.
This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of gown with front belt undone
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Detail of inside front of gown
Bright pink silk charmeuse gown; ruffle at neck; round front shoulder yoke; long sleeves; unlined; ankle length. Possibly a nightgown.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Evening gown
Seafoam green silk crepe evening gown; slip style; spaghetti straps; A-line skirt; side back hand-picked zipper; very low back; unlined except for bodice; train; some stains.
This gown was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Ruana
Seafoam green silk crepe ruana; square shape with slit in front; edges are hand-finished.
This ruana was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class. -
Wrap
Black and light brown leopard print faux fur wrap; shawl collar; circular shape with slits for arms; sleeveless; front opening with no closure; lined in self-fabric; knee length. -
Charles Kleibacker fitting a dress
A woman stands on a table while Charles Kleibacker sits on a chair and works near the hem of the woman's garment. -
Charles Kleibacker with Mount Mary College fashion design students (1 of 3)
Charles Kleibacker (second from left) with four others in a Mount Mary College fashion design room in Spring 1970. -
Wedding gown
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from front
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from side
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Detail of wedding gown with train from back
Ivory faille wedding gown; neck yoke buttoned with covered ball and loops at front; no waist definition; large sleeves with wide cuffs with covered ball and loops; trained; couture techniques. -
Toque
Green peacock feather toque; large scattered "rhinestones" on felt base -
Helmet hat
Yellow silk taffeta helmet hat; fits close to head; exaggerated ruff extends down back; padded with tulle; lining has been cut away; white netting has been slit. -
Helmet hat
White 4-ply silk crepe wedding helmet; fits close to head; dips low in back; self-fabric band and bow in back; lined in white silk shantung.
Custom made for Samantha Drake. -
Hat
Black ostrich feather hat; feathers attached to black muslin which is then sewn onto beige organza skull cap. Chignon influence, meant to be worn on back of head to look like hair. -
Beret
Off-white silk satin beret; very large; small band around face folds back; main part of beret tucked into band; back pleated into off-white button; tuck at back of band to decrease size. Attributed to Charles Kleibacker.