Mount Mary University Digital Collections

Browse Items (112 total)

  • A. Brown leather bloomers; elastic at waist and knees; lined in hot pink silk. B. Brown jersey hooded blouse; leather trim.
  • B. Black wool jersey mock wrap-around skirt; straight; full evening length. C. Black wool jersey blouse; woven abstract pattern in gold, silver, and black lurex; center front button closure with five faceted glass buttons; convertible collar; bishop sleeves.
  • Blouse and skirt ensemble of black silk brocade with all over floral motif of five-petaled flowers and leaves. A. Short overblouse; jewel neckline, center front opening, slight asymmetrical wrap front with three hook and eye closures at the waist, bracelet-length dolman sleeves are cut in one with bodice, unlined with hand-overcast seams and double overcast facings. B. Skirt gathers into a straight waistband with hook and eye closures, midcalf length, unlined. All hand-overcast. Worn by Valentina.
  • A. Gold silk blouse; horizontal rows of decorations of gold and silver embroidery, gold sequins, and gold beads. Wide scoop neckline, short cap sleeves, cropped top ends just below the bust, strands of gold beaded fringe at hem, back gold button closures, large single rhinestone, and loops. B. Sheer red printed silk chiffon bandeau bra; large floral design in yellow, green, blue, and white. Edged with red satin ribbon, unlined. C. Red chiffon miniskirt; fabric shot with gold threads printed in large floral motifs, no waistband, center back invisible zipper closure, lined in white taffeta.

    This item is from Spring/Summer 1998.
  • A. Dark red and black striped wool jacket; straight; no closures; pointed collar; three-quarter set-in sleeves; split cuffs; long double row of self-fabric appliquéd scrolls on either side of front; underlined in red silk. B. Underdress; dark red and black striped wool straight skirt; attached to black silk bodice; sleeveless; nineteen inch long black zipper closure; attached petticoat. C. Dark red wool blouse; rounded neckline front and back; cap sleeves and godets; eighteen inch long hand-overcast center back zipper; slightly fitted with tucks; black silk underlining.
  • Teal and black window pane check suit jacket and skirt of British worsted wool tweed. A. Jacket; notched collar; three black buttons and bound buttonholes high under collar; set-in three-quarter length sleeves ending in slit cuffs; long darts in front; low self belt over pocket; button closure at side seam; underlined in teal silk. Label: "Irene" script on beige silk. B. Skirt; straight silhouette; darts on self belt with four inch slit for freedom in movement on either side. C. Shaded teal, white, and black silk print shell overblouse; jewel neckline; sleeveless; center back zipper; lined in teal silk.
  • A. Light aqua polka dot silk shantung jacket; box shaped; shawl collar; set-in long sleeves with plain turned-back cuffs; three large self-covered buttons and bound buttonholes (fabric matched to create plain center panel and collar); pocket flaps; cuffs and collar are solid aqua; lined in white silk. B. Light aqua polka dot silk shantung over-blouse; boat neckline; short sleeves; 4 inch cutout vents in front with bias banding continuing around the back hem; neckline is bound to match; under arm zipper on left side. C. Light aqua polka dot silk shantung skirt; slim, straight silhouette; unpressed side pleat on either side; "hand-stitched" down center pleat; fabric is matched to create plain center panel; zipper on left side.
  • Bright yellow linen ensemble. A. Over-blouse; low round neckline; white V-shaped insert at neckline banded with purple; full center back zipper closure. B. Suit jacket; semi-fitted; 1.5 inch mandarin collar; 3/4 length sleeves; mock flap pockets. C. Suit skirt; pleated; three 4 inch front inverted pleats; fully lined.

    Worn by donor Mrs. FitzSimmons to the horse races. The winning horse was called "Stupendous," and Mrs. FitzSimmons was wearing the jockey's colors of yellow and purple.
  • A. Pink cashmere bolero jacket; short sleeves; bound in pink satin with floral beaded trim. B. Pink cotton piqué blouse; sleeveless; princess seaming; mock placket with buttons; half-belt. C. Pink cotton piqué skirt; slim; front seaming with inseam pockets; 2 back zipper closures set into seaming.

    Worn by Florence Eiseman.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • A. Off-white slubby raw silk jacket; silk-screened with large abstract shapes in orange, maroon, blue, and green; jewel neckline; center front opening with no closure; elbow length set-in sleeves with turned-back cuffs; back is gathered into shoulder yoke; unlined; thigh length. B. Off-white silk shantung blouse; jewel neckline; sleeveless; center back zipper closure. C. Off-white slubby raw silk skirt; silk-screened with large abstract shapes in orange, maroon, blue, and green; no waistband; sewn down pleats; side zipper closure; lined in white China silk; mid-calf length.

    Worn by donor, Janet Falk.
  • A. Quilted raspberry red silk jacket; jewel neckline; center front opening with no closures; center section is longer than sides; long set-in sleeves; no facings, just silk bindings; unlined. B. Red silk crepe blouse; high turned-down collar; center back zipper closure; long set-in sleeves with zippers at wrists; organza shoulder pads; hip length. C. Red, dark green, beige, and dark blue challis skirt with leaf print; narrow waistband; side zipper closure; side slit at knee; lined in black silk; knee length; no label.

    Worn by donor, Janet Falk
  • A. Rust colored wool melton suit jacket; jewel collar; single-breasted with 5 gold dome buttons; single welt slash pockets; one-piece set-in sleeves without cuffs; top-stitching around neck, front closure, and armscye; taffeta lined. B. Rust colored wool melton suit skirt; A-line; regular waistband; single welt slash pockets; two hook and eye closures on side with zipper closure. C. Deep orange silk faille blouse; turtleneck collar; three hook and eye closures in front; long sleeves; bias cut; side zipper closure.
  • A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole.
  • A. Black brushed silk overdress; 3/4 length sleeves; ivory organza cuffs; empire bodice; open at back with deep V; black satin bow with streamers; uneven hemline; small hole in front skirt. B. Black brushed silk underdress; back is brushed silk, front is taffeta; sleeveless taffeta bodice. C. Ivory organza blouse; worn backwards to fill in "V" of overdress; ruffled neckline and sleeve cuffs; snap and hook and eye closures. Ensemble was worn with cape (Object ID #1983.212).

    Worn by Lynn Fontanne. Made by Lynn Fontanne using a Jacques Griffe Vogue pattern, which she reworked to give the overdress a deep V back. The ensemble was originally worn with a white ruffled dickey. Donor was the niece of Lynn Fontanne and Alfred Lunt
  • A. Lavender wool jersey cardigan jacket; V-shaped neckline; 5 mauve button/bound buttonholes on center front closure; straight sleeves. B. Black wool jersey skirt; center back zipper closure; knee length. C. Black silk crepe tailored blouse; standing collar with attached tie; 5 covered buttons on center front closure; long straight sleeves with cuffs. This item was created by Gustave Tassell for Norman Norell fashion house.
  • A. Gray wool flannel A-line jumper; jewel neckline; 4 covered button/bound buttonhole closures at each shoulder seam; sleeveless; cut on bias; straight skirt; mid-calf length. B. Ivory batiste tailored blouse; double Pan collar with bias binding; balloon sleeves, very full with 5 pearl button/hand-worked buttonhole closures at cuffs. C. Gray wool flannel tie belt; 1.5 inches wide. This item was created by Norman Norell for Traina-Norell fashion house.
  • Tan wool tweed suit with flecks of blue, burgundy, and green. A. Jacket; wing collar; front opening with no closures; 3/4 length set-in sleeves; patch pockets on chest; waist length; front opening, collar, and sleeve edges are finished with self-fabric binding; lined in beige taffeta. B. Skirt; wide straight waistband; gathers into waistband; side seam pockets; knee length; lined in beige taffeta. C. Off-white silk twill blouse; self-bow at neck; sleeveless; center front opening with 4 covered button closure; gathers at waist; underarm stains.

    Worn by donor, Joan Urdan. This item was created by Norman Norell for Traina-Norell fashion house.
  • Black crepe ensemble. A. Blouse; jewel neckline edged with marquis and round prong-set rhinestones; sleeveless; princess seaming; bolero length with rhinestones at hem. B. Skirt; gathered; rhinestones encircle hemline; above the knee length. C. Black peau de soie belt; 2 inches wide.
  • A. Red wool jacket; sleeveless; double-breasted with three bound buttonhold closure; princess seaming from front neckline. B. Navy blue silk surah blouse; tie neckline; front button closure; silk gathered onto red wool waistband with double button closure. C. Red wool skirt; gathered waistline; two inseam pockets in side front seams; fully lined.
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