Mount Mary University Digital Collections

Browse Items (52 total)

  • C. Off-white silk twill blouse; self-bow at neck; sleeveless; center front opening with 4 covered button closure; gathers at waist; underarm stains.

    Worn with jacket (Object ID #2007.10.03.a) and skirt (Object ID #2007.10.03.b) to form three piece ensemble.

    Worn by donor, Joan Urdan. This item was created by Norman Norell for Traina-Norell fashion house.
  • Off-white silk crepe blouse; rolled collar, bias cut; bound button closure up center back; 2 single welt pockets; sleeveless; hip length.
  • Off-white silk chiffon over silk evening gown with blue rose print; V-neckline in front, square neckline in back; square set-in sleeves. Worn with evening coat (Object ID #1983.239).

    Worn by Lynn Fontanne to receive a special Tony Award for Lifetime Achievement in 1970, although the gown was created much earlier. This gown was possibly made by Valentina, but has been significantly altered. Purchased at the auction of Lynn Fontanne's estate using funds from Mount Mary alumnae.
  • Light brown and off-white pony fur gloves; dark brown suede palms.

    Worn by Lynn Fontanne. Donor was the niece of Lynn Fontanne and Alfred Lunt.
  • Off-white twill ski jacket; notched convertible collar; double-breasted; 8 white buttons; patch pockets with flaps on chest; set-in sleeves with narrow cuffs; elastic band at waist sides; interior pocket with flap; waist length; unlined.

    Navy blue heavy wool twill ski pants; no separate waistband; side zipper; buttoned flap pockets in front; back waist has straps and buckles for adjustments; tight knitted cuffs at ankle; unlined.

    Worn by Peg Bradley.
  • Off-white twill ski jacket; notched convertible collar; double-breasted; 8 white buttons; patch pockets with flaps on chest; set-in sleeves with narrow cuffs; elastic band at waist sides; interior pocket with flap; waist length; unlined.

    Worn by Peg Bradley.
  • A. Off-white wool double knit sheath dress; crew neckline; 4.5 inch center front seam below neckline; double-stitched center front princess panel with horizontal seam at bust; center back zipper closure; long set-in sleeves. B. Self-fabric scarf.

    Worn by Peg Bradley.
  • Off-white wool plaid jacket; plaid in off-white, brown, and yellow; roll collar; long set-in sleeves; front opening with snap closures; three trios of gold buttons at center front; two patch pockets on hips; hip length; lined in beige silk shantung.

    Worn by Peg Bradley.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • Off-white wool twill coat; fabric has vertical rows of floating threads, giving a textured surface; wide roll collar; center front opening with one pewter button at neck; 3/4 length kimono sleeves; large patch pockets; lined in wool flannel; knee length.

    Worn by Peg Bradley.
  • Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Off-white muslin toile; deep V-neckline; many pins at neck to demonstrate tape at neck to prevent gaping; shoulder yoke to V to bust; sleeveless; A-line skirt on bias with center front seam; back open to shoulder, then zipper closure; back shoulder yoke.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Off-white muslin toile; sleeveless; shoulder yoke; A-line skirt on the bias with center front seam; zipper closure in back; entirely hand-sewn using colored threads.

    This toile was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Off-white silk satin beret; very large; small band around face folds back; main part of beret tucked into band; back pleated into off-white button; tuck at back of band to decrease size. Attributed to Charles Kleibacker.
  • A. Sheer off-white organza evening blouse; peasant style; short horizontal gold and silver threads; jewel neckline ties at back; round shoulder yoke, body and sleeves gathered and added on top of yoke; full long sleeves gathered into tied cuffs; unlined; hip length. D. Gold rope belt crocheted around two lengths of gold and white fabric-covered cord. Part of a larger ensemble with skirt (Object ID #2009.11.48.b), blouse (Object ID #2009.11.48.c), and belt (Object ID #2009.11.48.e).

    Worn by donor, Janet Falk.
  • A. Off-white slubby raw silk jacket; silk-screened with large abstract shapes in orange, maroon, blue, and green; jewel neckline; center front opening with no closure; elbow length set-in sleeves with turned-back cuffs; back is gathered into shoulder yoke; unlined; thigh length. B. Off-white silk shantung blouse; jewel neckline; sleeveless; center back zipper closure. C. Off-white slubby raw silk skirt; silk-screened with large abstract shapes in orange, maroon, blue, and green; no waistband; sewn down pleats; side zipper closure; lined in white China silk; mid-calf length.

    Worn by donor, Janet Falk.
  • B. Off-white silk shantung blouse; jewel neckline; sleeveless; center back zipper closure. C. Off-white slubby raw silk skirt; silk-screened with large abstract shapes in orange, maroon, blue, and green; no waistband; sewn down pleats; side zipper closure; lined in white China silk; mid-calf length.

    Worn by donor, Janet Falk.
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