Mount Mary University Digital Collections

Browse Items (38 total)

  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques. B. Belt; wide with large bow; 4 hook and eye closures.

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques.

    Worn with belt (Object ID #2012.07.01.b).

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Black silk taffeta cocktail dress; slim sheath silhouette; strapless; center back zipper closure; boned bodice; natural waistline; five inch wide band of self-fabric pleating cascading down front and ending at hemline in a narrower band of pleating.
  • Long off-white silk organdy evening gown with floral embroidery in shades of yellow-gold, bronze, and off-white; fitted strapless bodice with boned inner constructed bodice; empire style folded yellow-gold silk taffeta attached belt, ending in long and wide shaped floats at top of center back zipper; floats can be worn as train or tied as sash; shorter straight front, longer and fuller back; two attached slips are hand-overcast.
  • Long off-white silk organdy evening gown with floral embroidery in shades of yellow-gold, bronze, and off-white. Empire style folded yellow-gold silk taffeta attached belt, ending in long and wide shaped floats at top of center back zipper; floats can be worn as train or tied as sash.
  • Pale pink silk taffeta cocktail dress; warp print with scattered dark pink rosebuds and green leaves; rounded neckline with bias banding; twenty inch long center back zipper with hand-overcasting; cap sleeves with shirring and gussets; french dart; drop waistline with attached self-fabric cummerbund; full gathered ballerina length skirt.
  • Black silk taffeta shrug; in shape of tube; one end gathered with ruffle, other end is a slit; darts at neck; self-lined.

    This shrug was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Olive green silk taffeta ensemble with white and khaki colored polka dots. A. Blouse; standing collar; open at front with only double ties at bust; high cut armscyes; sleeveless; lined in green satin; ends at high hip. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. C. Bandeau top; circle of fabric. D. Belt; made of bias tubing.
  • Olive green silk taffeta ensemble with white and khaki colored polka dots. B. Skirt; hip yoke; gathers placed on top of yoke; ankle length; short zippers on either hip. D. Belt; made of bias tubing.
  • Olive green silk taffeta ensemble with white and khaki colored polka dots. C. Bandeau top; circle of fabric.
  • Olive green silk taffeta ensemble with white and khaki colored polka dots. C. Bandeau top; circle of fabric.
  • Blue floral warp print taffeta shawl; rectangular; pointed ends; self-lined; 82 inches long.
  • Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Aqua, gray, and off-white plaid silk taffeta evening cape; large scale print; gathered at neck with ruffle; unlined; ankle length.

    This cape was used by Sister Aloyse Hessburg and Charles Kleibacker for their couture class.
  • Yellow silk taffeta helmet hat; fits close to head; exaggerated ruff extends down back; padded with tulle; lining has been cut away; white netting has been slit.
  • A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon.

    Goes with stole (Object ID #2003.03.11.b) and coat (Object ID #2003.03.11.c) to form three piece set.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
  • A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length.

    Goes with stole (Object ID #2003.03.11.b) to form three piece set.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
  • A. Red silk taffeta evening gown with silk-screened palmetto frond design; motifs outlined in black beads on bodice; large circles on stem separated by 4 leaves on front skirt; square neckline; short sleeves; empire waistline; A-line skirt has inverted box pleat at center front, 2 pleats at back; black satin ribbon attached at waistline; center back zipper closure; internal corset; lined in red rayon. Worn with stole (2003.03.11.b) and coat (2003.03.11.c) to form a three piece ensemble.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
  • B. Red silk taffeta evening shawl with silk-screened palmetto frond design; 58 inches long; oval shape; lined in black satin; buttonhole, missing button.

    Goes with dress (Object ID #2003.03.11.a) and coat (Object ID #2003.03.11.c) to form three piece set.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
  • C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length. Worn with dress (2003.03.11.a) and stole (2003.03.11.b) to form a three piece ensemble.

    Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the late 1960s.

    This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive).
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