Browse Items (2069 total)
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Stole
B. Red silk taffeta evening shawl with silk-screened palmetto frond design; 58 inches long; oval shape; lined in black satin; buttonhole, missing button.
Goes with dress (Object ID #2003.03.11.a) and coat (Object ID #2003.03.11.c) to form three piece set.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Detail of inside of coat
C. Black silk evening coat; brown fur cuffs; red silk taffeta lining is made of the dress fabric; no closures; label: "Rosalie Macrini"; mid-calf length. Worn with dress (2003.03.11.a) and stole (2003.03.11.b) to form a three piece ensemble.
Worn by donor Aileen Ryan. The fabric was designed by Sister Remy Revor based on a historic Milwaukee design. The ensemble was created on designer Rosalie Macrini's receipt of an award from Mount Mary College in the mid-1960s.
This ensemble was the first official donation to Mount Mary's Historic Costume Collection (now the Fashion Archive). -
Jacket
Off-white wool plaid jacket; plaid in off-white, brown, and yellow; roll collar; long set-in sleeves; front opening with snap closures; three trios of gold buttons at center front; two patch pockets on hips; hip length; lined in beige silk shantung.
Worn by Peg Bradley. -
Two piece ensemble
A. Off-white silk shantung dress in beige and brown geometric print; sleeveless; two bows at center front neckline; flat bow at center front waistline; pleated and draped skirt; underlined in white silk taffeta. B. Off-white silk shantung jacket in beige and brown geometric print; round Peter Pan collar with ties under collar to form bow; 3/4 length set-in cuffed sleeves; additional panel of white silk taffeta with 3 rows of horsehair in back; lined in silk taffeta; mink trim at bottom; short length. -
Dress without jacket
A. Off-white silk shantung dress in beige and brown geometric print; sleeveless; two bows at center front neckline; flat bow at center front waistline; pleated and draped skirt; underlined in white silk taffeta.
Worn with jacket (Object ID #2004.03.21.b) to form two piece ensemble. -
Two piece evening ensemble
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length. B. Black crepe and fringe capelet; fringe applied to base in chevron pattern; hem of capelet is also chevron shaped; center front opening with snap closure at neck; label: "Mainbocher, 12 Avenue George V a Paris"; twill tape bolduc on back of label: "21381- Mrs. Vreeland".
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Gown without capelet
A. Black crepe and fringe evening gown; cowl neckline at front; deep V-neckline at back; thin straps wrapped with fringe; straight silhouette; fringe starts at hips and goes down to floor; applied on base in chevron pattern; floor length.
Worn with capelet (Object ID #2015.03.01.b) to form two piece evening ensemble.
This ensemble was given to the donor's mother by a wealthy lady she worked for in New York City in the 1920s and '30s. The woman's identity is unknown. A bolduc was found on back of tag with words "Mrs. Vreeland". This dress might have belonged to Diane Vreeland, although this is not confirmed. -
Afternoon dress
Navy blue crocheted wool lace over white tulle afternoon dress; lace pattern of large round flowers with oblong leaves; large oblong shapes at hips; jewel neckline tucked to shape; sleeveless; natural waistline seam; left side zipper closure; mid-calf length. -
Cocktail dress
Navy blue floral lace cocktail dress; square neckline; sleeveless; fitted bodice; waistline seam; waist darts; side zipper closure; full skirt pleated into waist seam; label in skirt; lined in beige taffeta; mid-calf length; couture techniques. -
Evening gown
White silk satin evening gown with hot pink voided velvet undulating lines and flower heads; jewel neckline; sleeveless; bodice fitted through darts; sewn in belt at waistline seam; center back metal zipper closure; side zipper closure; gathered skirt; unlined; ankle length; label in skirt; couture techniques.
Worn by Mrs. Carlton Henry of Philadelphia, Pennsylvania. -
Hat
Black and blue velvet and feather hat; twisted black velvet strips attached to fine net base; royal blue ostrich plume.
Worn by a member of the Kohler or House families. -
Dress
Gray linen fit and flare dress; natural waistline; square neckline; pewter button center front closure; top-stitched trim; sleeves cut in shoulder line; short sleeves; circular skirt with mock tiers created with top-stitching; mid-calf length. -
Dress
Reddish brown plain weave cotton dress; deep V-neckline; shawl collar; empire waistline; mid-calf length; elbow length kimono sleeves; French darts; flare skirt; waist dips to deep V in back. Donor let down hem.
Purchased and worn by the donor, Nancy Smart, to wear to her engagement parties in 1948. -
Three piece ensemble
A. Brown wool tweed suit jacket; collarless; bias cut; shallow V-neckline; long dolman sleeves; double-breasted with gold metal dome buttons/slanted buttonholes. B. Brown wool tweed suit skirt; straightline; horizontal buttonhole pockets. C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole. -
Jacket open to show blouse
C. Orange silk shantung blouse; brass ball button closure; convertible collar; self-fabric tie stitched along front shoulder; long straight sleeves on slanted armhole. -
Dress
Muted red silk faille fitted dress; natural waistline; Peter Pan collar; long batwing sleeves; with shaped hem and black ball button closures; skirt with unpressed pleats; 4 inch black band at hem; mid-calf length; side zipper closure; back neck opening; originally had a black sash and gold-tone book fastener that were lost before dress was accessioned into collection. -
Dress
Blue-green cotton A-line dress; printed fabric with a dark green tassel motif; princess seams; collarless; open at center front overlap; 3/4 length kimono sleeves; ruched fabric under empire line; left side zipper closure. -
Vest
Black and green feather pattern velvet vest; back of vest is solid black wool; jewel collar; double-breasted with 8 silver filigree button closure; front has princess line seams; back has modified princess line; waist length; lined in red and green plaid cotton. -
Detail of inside lining
Black and green feather pattern velvet vest; back of vest is solid black wool; jewel collar; double-breasted with 8 silver filigree button closure; front has princess line seams; back has modified princess line; waist length; lined in red and green plaid cotton. -
Dress
A. Blue floral print cotton dress; fabric pattern of abstracted white and yellow flowers and a floating man playing a green violin; jewel neckline; short kimono sleeves; fitted bodice; side zipper closure; full skirt has been shortened, hem is now released; it is likely the dress was originally mid-calf length and has been shortened to knee length. B. Blue floral print cotton belt; fabric pattern of abstracted white and yellow flowers; 5/8 inches wide; covered buckle.
Fabric designed by Marc Chagall. Worn as a "going away" dress on May 5, 1956 for wedding at St. Sebastian's church.