Mount Mary University Digital Collections

Browse Items (1997 total)

  • Blue and white tiny checked wool suit. A. Jacket; long; fitted silhouette; cut-out and bias-banded shawl collar; matching flaps in yoke area; set-in long sleeves, narrow turned-back cuffs; shaped panels; seven small self-covered buttons and bound buttonholes; matched cut-out shaping with banding on lower edge; straight across back hem length. B. Straight skirt; bias-bound slashed side pockets; stitched-down tucks and darts; left side zipper.
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  • Beige silk chiffon evening gown; large keyhole opening at front; hand-rolled edges; one covered button closure at neck; opening reveals lace bodice; long slender souffle sleeves, edged in lace; hook and eye at wrist; intricate drapery twisted in center front, continuing in short cascade over left side; crepe floor length skirt.
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  • Coral pink silk chiffon over silk crepe evening gown; strapless; chiffon at bodice pleated diagonally; high waist at front, curving below waist at back; slight train; floating floor length scarf panel attached vertically along center back. Exclusively for Bullocks Wilshire.
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  • A. Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. B. Long gold lamé shawl; long hand-knotted beige silk fringe bound in gold metallic thread.
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  • Gold lamé gown; wide round neckline, bound in wide bias-cut banding; sleeveless; bust darts; raised waistline; attached self-fabric belt dips down in back; long center concealed zipper; paneled bias-cut long skirt; underlined bodice; attached slip with lingerie straps in soft beige crepe. Worn with matching shawl (Object ID #2004.03.28.B).
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  • Yellow and white floral silk chiffon dinner dress; "U" neckline in front, plunges deeper in back; hanging sleeves in back that become bell sleeves at shoulder; attached straight beige slip underneath, attached at waist; sleeveless slip with lingerie straps; concealed back zipper, hook and eyes, and snap closures; flared skirt; knee length.
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  • Red wool herringbone suit. A. Jacket; fitted; unusual collar; button and flap hip detail. B. Skirt; six-gore skirt with button trim.
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  • Red silk lamé evening gown with gold and silver flecks; straight silhouette; square neckline; elbow-length sleeves; shoulder pads; left side zipper; ankle length; dress has stripe effect through the manipulation of the fabric, stripes appear vertical on bodice and horizontal on skirt.
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  • Navy blue leather purse; rectangular; shaped flap opening; heavy gold metal chain handle threaded through leather loops at purse top; fully detailed interior; 6 inches by 8 inches.

    Belonged to Florence Eiseman.
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  • Navy blue leather purse; rectangular shape; 1/2 inch wide shoulder strap connected by gold rings and D-rings; gold zipper closure; side pocket on outside of purse, also with gold zipper closure; piping along front and back; red lining; no inside pockets; 8 inches wide by 5 inches high.

    Belonged to Peg Bradley.
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  • Black patent leather purse; rectangular boxy shape; wooden bamboo type handle connected by gold D-rings to 1/2 inch patent leather straps; gold turn closure at bottom of straps; top-stitching; navy blue interior; two pockets inside spanning the length of handbag; 8.5 inches wide by 6 inches high.

    Belonged to Peg Bradley.
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  • Navy blue leather purse; belt-like handle with gold buckle closure; strap across opening with large gold clasp closure; navy top-stitching; brown leather interior; inside pocket with zipper closure; 13 inches wide by 8 inches high.

    Belonged to Peg Bradley.
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  • Glass bead and crystal cuff links; beads held together with gold wire; one side is single large glass pearl; other side is made of one large glass oblong pearl and two brass oblong beads; brass beads have faceted crystal beads on each end.

    Worn by Peg Bradley.
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  • Lemon yellow silk satin scarf; gray blue print of checkered squares with multiple designs; 32 inches x 36 inches; hemmed with blindhem stitching.

    Worn by Peg Bradley.
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  • Letter from Hildegarde to Sister Aloyse Hessburg, April 26, 1982, in which Hildegarde discusses the upcoming fundraiser at Mount Mary College at which she will be performing.
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  • Black leather Kelly purse; rectangular; single handle; padlock attached; front flap with gold clasp and unusual opening; fully detailed interior; 8 inches by 10 inches.

    Belonged to Florence Eiseman.
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  • Red orange silk satin scarf; navy blue and white trim; 16 inches x 56 inches; large peasant style floral printed design in navy blue and white.

    Worn by Peg Bradley.

    Scarf is too long to fit in one image.
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  • Navy blue jersey modified baseball cap; top-stitched brim; powder blue double bow at center front; elastic strap for hair.

    Worn by Julilly House Kohler.
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  • Light blue feather hat; round solid frame covered with feathers; large cluster of feathers extending up from center of crown.

    Worn by Julilly House Kohler.
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  • Watercolor fashion illustration of a blonde woman wearing an olive green skirt suit; fitted jacket with mandarin collar; long sleeves; mid-calf length skirt; the woman is also wearing brown shoes and hat; 10 inches by 15 inches.

    Created by Natalie Schoonmaker Hasbrook (1917-1999) when she worked as a dress designer at Montaldos in the late 1930s through early 1940s.
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