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Detail of lace at inside hem
Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.
Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe. -
Evening gown
Brown plain weave silk brocade evening gown; made from a sari; gold and peacock blue supplemental weft of mango shoots (paisleys); one-shoulder; side zipper closure; seam at natural waistline; straight skirt, slit up front; border of paisleys down front and around hem; ankle length.
Possibly an Ann Lowe gown based on the distinctive lace trim construction on the interior hem, a signature finishing technique frequently used by Lowe. -
Detail of blue ribbons on crinoline
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of interior of bust
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of back closure
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Wedding dress
Off-white cotton wedding dress with cotton lace trim; natural waistline; bateau neckline; short sleeves; pin tucking on sleeves, bust, and long vertical panels on skirt; very full skirt with deep pleats; linen bows down center back are attached over center back zipper with snaps; heavily embellished with cotton lace appliqué along neckline, at empire waist, around natural waistline, and down vertical panels on skirt; interior tulle crinoline. No label.
Worn by donor Constance Busch (neé Coburn) for her first marriage to Gordon Stuart on June 11, 1960. -
Detail of interior of bust showing store label
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden. -
Detail of back closure
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden. -
Evening gown
Pink silk brocade evening gown; gold brocade edge; made from a sari; sleeveless; strap over left shoulder; bow at waist; brocade strip drown center front skirt; center back zipper closure; floating panel separate from skirt at back. Label: "Saks Fifth Avenue Original, made for the Adam Room"
Worn by the donor, Elizabeth "Bettie" Ogden. -
Detail of lace appliqués on petticoat
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". -
Detail of lace on inside seams
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". -
Detail of interior of bust showing store label
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". -
Detail of back closure
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". -
Ball gown
Mint green worsted ball gown; empire bodice; off the shoulder straps made of silk rose buds and tiny leaves; swirl of three dimensional rosebuds and leaves running vertically down center front, around left side of waistline to back, and down center back; flat bow at center front and center back, set on vertically; skirt has wrap-look front and wrap back; floor length; small white lace butterflies applied to petticoat. Label: "Saks Fifth Avenue Original, made for the Adam Room". -
Cocktail dress
Pink silk crepe cocktail dress; jewel neckline; princess seams; long set-in sleeves with zippers at wrists; 7 inch wide band of pink ostrich feathers at hem; knee length; several small wine-colored stains on right chest.
Worn by Peg Bradley.Tags 1960s, cocktail dress, dress, feathers, Jean Louis, ostrich feathers, Peg Bradley, pink, silk crepe -
Evening gown
Navy silk chiffon evening gown; large red flowers, tie-dye or batiked fabric; very full sleeves; straight skirt; attached scarf at neckline that flows down back; underdress of navy crepe with beige yoke. Worn by Hildegarde.Tags 1970s, 1980s, batik, evening gown, floral, Hildegarde, Jean Louis, navy blue, red, silk chiffon -
Dress
Gray wool flannel dress; jewel neckline; sleeveless; seam going down center front, forms into box pleat; 2 princess seams that come down into waist and form box pleats, one princess seam starts at shoulder and other starts at middle of front armhole; 3 horizontal seams; one goes through center front seam and is located right under bust, extending from center seam to first princess seams on each side; other horizontal seams are side seams that extend .5 inch from armpits and go to first princess seam closest to side of garment; center back zipper closure that forms into box pleat; 2 back princess seams on either side of zipper, these also form box pleats; knee length. The donor, Sharon Lipinski, constructed this dress in Sister Aloyse Hessburg's Couture class. -
Dress
Tan and white geometric abstract printed silk twill dress; standing collar; halter neckline; empire waistline; flared skirt; ball buttons and loops at center front.
Made by Mount Mary Fashion student Sharon Lipinski. -
Evening gown
Gold lamé evening gown; long, slim silhouette; bias cut; backless; halter; V-neckline; self-fabric sash hooks around waist; train. Garment is in poor condition. Hildegarde's first Paris gown. -
Evening gown
A. Black lace gown; camisole bodice; fitted skirt; bands of pleated chiffon trimmed with 1/2 inch pink grosgrain ribbons running from side bodice down back across hem and up other side. B. Black slip, likely of silk or rayon; white straps have been sewn on at a later date mimicking the straps of the evening gown.
Honeymoon dress of Julilly House Kohler.