Mount Mary University Digital Collections

Browse Items (2752 total)

  • Orange leather ballet slippers. A. Right shoe. B. Left shoe.

    These shoes are attributed to Bonnie Cashin.
  • Hot pink knee-high leather boots; square heels; side zipper closure. A. Right boot. B. Left boot.

    These boots are attributed to Bonnie Cashin and also to Herbert Levine.
  • Dark brown suede skirt; A-line; knee length.
  • 1990.238_F.jpg

    Black leather satchel; double luggage handles; exterior change purse; industrial zipper top.
  • Multicolored sequined evening jacket; cardigan style; silk shell with rayon lining; jewel neckline; long sleeves; hook at neck; covered in black and magenta sequins; white and gold tubular beads; triangles around neck and edges; 4 white circles on center front bottom edges. Label: "Black Tie Oleg Cassini".

    Worn by Jane Bradley Pettit.
  • Light yellow plain weave cotton blouse; convertible collar; seven small buttons down center front; no darts; high hip length; set-in sleeves gathered into cuffs with plackets and one button each; left sleeve has patch pocket with flap and two buttons, pocket embroidered with "Courreges".

    Likely designed by Jean-Charles de Castelbajac, who designed the Courrèges ready-to-wear lines in the 1990s.
  • Schuh Behind Desk_Catholic Herald Citizen-1.jpg

    Sister Mary John Francis photographed standing behind her desk in the Mount Mary President's office.
  • A. Forest green suede dress; V-neckline, sleeveless, columnar silhouette, gathered at the natural waist, belt loops at the side seams, decorated with appliqués that appear to be feathers and small real feathers, asymmetrical decorations, center front slit is decorated with feathers and appliqués, ankle length, no hem, uneven. B. Forest green suede tie belt.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • 1988.56.bc.jpg

    Black silk shantung ensemble. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn with jacket (Object ID 1988.56.a) to form three piece ensemble.

    Worn by Florence Eiseman.
  • 1988.56.a_detail.jpg

    Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • 1988.56.c_detail.jpg

    Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • Blue taffeta fit and flare cocktail dress; scoop neckline; sleeveless; princess seaming through bodice; natural waistline in front, dropping to hip level at center back; flared skirt; flat horizontal pleating forms bustle effect at center back; flat bow at center back; midi-ballerina, tea length.
  • Bright pink and white cabbage rose print cotton sateen dress; fit and flare; natural waistline; scoop neckline front and back; bell skirt, darted at waistline; knee length; draped front bodice ending with oval self-covered buckle; crinoline under skirt; lined bodice; piping around neckline and armscye; sleeveless.
  • Black velvet evening gown; halter; criss-cross draping at waist with rhinestone beaded strip at waist; center back zipper closure; straight skirt to ankle; fishtail at center back skirt.
  • A. Brown silk taffeta dress; V-neckline; small rolled collar; long sleeves; shirred rounded panels at midriff to hipline; very full gathered skirt drops from panels. B. Brown tulle tiered petticoat.

    Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.
  • 1985.31.a.jpg

    A. Brown silk taffeta dress; V-neckline; small rolled collar; long sleeves; shirred rounded panels at midriff to hipline; very full gathered skirt drops from panels. Worn with petticoat (Object ID #1985.31.b).

    Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.
  • 1985.31.b.jpg

    B. Brown tulle tiered petticoat. Worn with dress (Object ID #1985.31.a).

    Worn by the donor's mother, Estelle Collins Naughton, as a "Mother of the Bride" dress at the donor's wedding on November 27, 1954.
  • Light green printed silk summer dinner dress; Asian circus themed print in green, mauve, and periwinkle with black outlining and pastel yellow; V-neckline in front and back; taut bodice; skinny long sleeves without cuffs, snaps at bottom; shoulders are cut out in two places each with 3 faux ties; waist darts; full 4 gore skirt; side opening; short length.
  • Beige floral lace and pale blue silk organza late day dress; organza is pleated; square neckline front and back; sleeveless; seam at natural waistline; left side zipper closure; full flared skirt; beige lace is appliquéd to outline squares of organza; knee length.
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