Mount Mary University Digital Collections

Browse Items (2349 total)

  • Slip style; low V-neckline; beige spaghetti straps; two layers printed silk chiffon and three layers plain white silk chiffon; floor length. Worn with poncho (Object ID #2002.84.08.B) and scarf (Object ID #2002.84.08.C) to form three piece ensemble. Custom made for Hildegarde as a performance gown.
  • Gold lamé evening gown; long, slim silhouette; bias cut; backless; halter; V-neckline; self-fabric sash hooks around waist; train. Garment is in poor condition. Hildegarde's first Paris gown.
  • Black cloqué evening gown; fabric puckered in flower clusters; low square neckline in back; panel attached with four rhinestone buttons. Worn with capelet (Object ID #1981.106.b) to form two piece ensemble. Part of performance ensemble worn by Hildegarde.
  • Off-white lurex velvet evening gown; A-line; sleeveless; French darts; floor length. Worn with capelet (Object ID #1981.107.B) to form two piece evening ensemble. Performance gown worn by Hildegarde.
  • Evening Gown viewed from front. Worn with capelet (Object ID #1981.110.B) and scarf (Object ID #1981.110.C) to form three piece evening ensemble. Worn by Hildegarde.
  • Gold lamé evening gown; rose motifs outlined in pearls, bugle beads and diamontes; sleeveless; slight scoop front neckline, dipping to lower scoop in back; long panel attached at back shoulders. Worn with blue stole (Object ID #1981.111.B) to form two piece ensemble. Worn by Hildegarde.
  • Sage green crepe A-line evening gown; center front seam; long set-in sleeves trimmed in matching fox fur; attached scarf at neckline, acting as draped collar at front and flowing down back of dress; hand-picked zipper closure; fully lined; small yoke at upper back; ten inch flounce at hemline; full length.
  • Royal blue wool evening gown; small cowl collar; sleeveless; hand-picked zipper closure; straight skirt hanging from yoke bodice; long slit asymmetrically placed in skirt front. Worn with matching cape (Object ID #1982.304.B) to form two piece evening ensemble. Performance ensemble worn by Hildegarde.
  • White silk chiffon evening gown; V-neckline front and back; fitted body flowing to full skirt. Worn with cape (Object ID #1982.310.B) to form two piece evening ensemble. Worn by Hildegarde.
  • White and blue printed silk crepe evening gown; large stylized chrysanthemum print; slim silhouette; cap sleeves; broad shoulders; cut-out section in bodice, held together by beige marquisette; draped skirt with slit; silk at shoulders has been repaired and lined. Custom made for Hildegarde and used as a performance gown in the Persian Room of the Plaza Hotel, New York City.
  • Magenta rayon matte jersey evening gown; low neckline and back; spaghetti straps; two layers of shorter jersey on the right side with undulating hemline; asymmetric cut. Worn with evening coat (Object ID #2002.84.16.B) to form two piece evening ensemble. Worn by Hildegarde.
  • Lavender under burgundy silk chiffon evening gown; bias cut; beige spaghetti straps. Worn with poncho (Object ID #2002.84.15.B) and scarf (Object ID #2002.84.15.C) to form three piece evening ensemble. Worn by Hildegarde.
  • Pale gray satin evening gown; spaghetti straps covered in bar and round rhinestones; princess seams; high waistline; covered button and loop closure in back; trained A-line skirt, backed in white organza; couture techniques with hand-finishing.

    Created by Kelly Frohrib in Sister Aloyse Hessburg's couture class, but never picked up.

    The linked illustration (Object ID #2025.01.93) was also created by Kelly Frohib and might depict a preliminary version of the evening gown.
  • Black crepe evening gown; slip style; "Brancusi" inset with black velvet zig-zag down body; left breast covered in velvet; slit at center back skirt; invisible zipper closure at center side.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
  • Burgundy crepe evening gown; straps are lattice-like construction created with grosgrain ribbon and crepe; midriff construction is same as straps; straight skirt with slit at center front; invisible side zipper closure; hook closures at bodice; skirt lined in acetate; bodice lined in self-fabric; ankle length.

    Designed by the donor, Jan Carter Osterholm, a Mount Mary alumna, while working for Andrea Polizzi.
  • Ivory crepe gown; jewel neckline; long set-in sleeves; seam across chest; U-shaped pieces at neck and hem of skirt front; back zipper closure; lined in white acetate; couture techniques.

    Made by an unknown student in Sister Aloyse Hessburg's class.
  • White polyester crepe evening gown; jewel neckline; short kimono cap sleeves; draped in front to center of midriff; scalloped oval appliqué in center of midriff; center of appliqué decorated with clear and silver bugle beads and large rhinestone pin; waistline rises in front, falls in back; darting at back bodice; hand-picked zipper; straight skirt; slit at back hem; ankle length; lined in white polyester. Zipper teeth have given out.

    Made by Sister Aloyse Hessburg for her Master's project at Drexel University in 1965.
  • Pale yellow silk taffeta evening dress; A-line; empire waistline, band at empire line with bow in back; square neckline; puffed cap sleeves; beaded bodice; 4 unpressed pleats in front, center back unpressed pleat, 4 tucks opening into unpressed pleats in back; full length. This item was created by Norman Norell for Traina-Norell fashion house.
  • A. Blush pink floral print silk shantung evening dress; black Alencon lace bodice and sleeves; natural waistline; scoop neckline; 3/4 length straight sleeves; gathered skirt; full evening length; skirt printed with roses; red silk satin cummerbund with bow in back; small covered buttons down back; underlined with silk organza. B. Blush pink silk slip; strapless. This item was created by Norman Norell for Traina-Norell fashion house.
  • Navy blue silk chiffon evening gown; peignoir style; natural waistline with multiple rows of horizontal tucks; halter neckline; jersey bodice; circular skirt, 11 chiffon half-circle panels; full evening length; silk crepe lining. This item was created by Norman Norell for Traina-Norell fashion house.
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