Browse Items (1977 total)
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Memorandum on plans for inauguration of fashion design course
Information about fashion design-related coursework in the first and second 1965 semesters of the fashion design program at Mount Mary College in Milwaukee, Wisconsin. -
Memo regarding Sister Aloyse Hessburg's appointment to Mount Mary's fashion design program, October 10, 1965
Memo from a meeting on October 10, 1965, in which Sister Aloyse Hessburg was appointed coordinator of Mount Mary College's Fashion Design program. The rationale for her appointment is included. -
Letter from Sister John Francis Schuh to Eleanor Coleman, December 12, 1967
A letter from Sister John Francis Schuh, president of Mount Mary College, to Eleanor Colman of the Milwaukee Journal, expressing gratitude for the paper's "fine publicity" of the dress worn by Mrs. Frances Howard Robb at her son Charles Robb's wedding to Lynda Bird Johnson, daughter of President Lyndon Johnson, at the White House on December 9, 1967. Sister Aloyse Hessburg designed and created the yellow dress that Mrs. Robb wore.
The recipient's last name is misspelled as "Colman" here; "Coleman" is correct. -
Frances Howard Robb and James Robb at their son's wedding
Mrs. Frances Howard Robb and her husband James Robb descend the stairs together at or shortly after the marriage of their son Charles Robb to Lynda Bird Johnson, daughter of President Lyndon Johnson, at the White House, December 9, 1967.
Mrs. Robb is wearing a yellow dress designed and created by Sister Aloyse Hessburg of Mount Mary. -
Designer sketch
Flat art sketch, black and white on Artists pressed cardboard, 7.5 inches by 10 inches, watercolor and pencil, back labeled with "9-80", made by designer of garment. -
Detail of teddy from back
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Detail of teddy from side
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Detail of teddy from front
D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam.
Worn with blouse (Object ID #2024.02.01.a), harem pants (Object ID #2024.02.01.b), and belt (Object ID #2024.02.01.c) as part of four piece ensemble.
Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years. -
Four piece ensemble
Black, white, and beige striped silk chiffon ensemble. A. Blouse; high neckline with small standing collar; four snaps at collar; long sleeves ending in bound cuffs; sleeves gathered at shoulder cap; flared and gathered peplum; large ruffle from left shoulder down and incorporated into peplum; hand-rolled hems on fly-away ruffle; two snap closures at left waist. B. Harem pants; band at waist; two snaps and zipper closure at center back; voluminous pant legs end in tight cuffs at ankles with each cuff closed with two snaps. C. Belt; middle part of belt lined with solid taupe fabric under silk, and black on the back; unbacked ties at either end; chiffon at middle of belt is gathered. D. Light taupe silk charmeuse teddy; bias-cut; V-neckline; spaghetti straps; gathering at bust; small inverted triangular cut-out just below center bust; seams down center back and center front; very short inseam. Accompanied by original sketch of garment (Object ID #2024.02.02).
Designed and built by the Fashion Design student as a couture project in 1981 at Mount Mary College. Val recalls being mentored by Sister Aloyse Hessburg and Charles Kleibacker (especially in fitting). The fabric was purchased from Kovack Fabrics in downtown Milwaukee where she worked for numerous years.Tags beige, belt, black, blouse, charmeuse, chiffon, harem pants, Mount Mary, pants, silk, stripes, student, teddy, Val Kupczak, white -
Detail of jacket lining
Red and black plaid plain weave mohair jacket; checks are two inches square; jewel neckline; cardigan style; single-breasted but with two horizontal rows of three buttons each; buttons are large black plastic; flap pockets on hips; long set-in sleeves; all edges finished in black binding; hip length; lined in red/black check silk, could be reversible.
Worn by donor, Cynthia Lee Jenner. -
Jacket
Red and black plaid plain weave mohair jacket; checks are two inches square; jewel neckline; cardigan style; single-breasted but with two horizontal rows of three buttons each; buttons are large black plastic; flap pockets on hips; long set-in sleeves; all edges finished in black binding; hip length; lined in red/black check silk, could be reversible.
Worn by donor, Cynthia Lee Jenner. -
Dress
Gray and black fit and flare dress; bodice of gray wool flannel; contrasting black braid creates corset styling; center front zipper closure; 3 small self-covered black silk buttons on each side of zipper; scoop neckline; long straight sleeves with mock cuffs; empire waistline; black silk skirt gathered to waistline; knee length. -
Blouse
Black lace blouse; jewel neckline; long set-in sleeves; center back neck zipper closure; nude china silk lining; hip length.
Worn by donor, Cyma Rubin. -
Jacket
Black silk satin jacket; narrow printed gold vertical stripe; quilted with gold thread in vertical stripes; funnel neckline; long set-in sleeves, turned-back cuffs with gold lamé lining; triple columns of buttons on front; single welt front pockets; lined in gold lamé fabric with horizontal stripes of black and gold; lower hip length.
Worn by donor, Cyma Rubin. -
Charles Kleibacker with Mount Mary College fashion design student
Charles Kleibacker (left) with a Mount Mary College fashion design student. -
Charles Kleibacker with Mount Mary College fashion design students (3 of 3)
Charles Kleibacker (right) with two others in a Mount Mary College fashion design room in Spring 1970. -
Charles Kleibacker with Mount Mary College fashion design students (2 of 3)
Charles Kleibacker (center) with five others in a Mount Mary College fashion design room in Spring 1970. -
Letter from Judith H. Eiseman to Sister Ellen Lorenz, March 28, 1980
A letter from Judith H. Eiseman, daughter-in-law of Florence Eiseman and public relations manager of Florence Eiseman Inc., to Sister Ellen Lorenz, president of Mount Mary College. The letter was written for the Eiseman family and expresses their appreciation of the Gold Needle Award event (where Florence Eiseman received Mount Mary's Gold Needle Award) and of the award itself. -
Bonnie Cashin holding her Gold Needle Award
Bonnie Cashin won Mount Mary College's Gold Needle Award in 1970. In this image she is holding the award, presumably shortly after winning it.