Mount Mary University Digital Collections

Browse Items (1978 total)

  • Black leather motorcycle jacket; limited edition, 1 of 150; roll collar edges finished with black lacing; red sparkly inset in swirly pattern on shoulders front and back; black inset and sterling silver metal logo on back; center front zipper closure, covered by placket closed with toggle in the shape of a bird claw; slit pockets with zipper closures; long sleeves with zippers at wrists; lined in red twill; hip length; silver polish cloth included.

    Made by Mount Mary Fashion alumna, Karen Davidson.
  • Black jersey dress; square yoke; front and back gathered to yoke to form chemise silhouette; panel inserts at sides, no side seams; gathered 3/4 length sleeves with elastic cuffs.

    Worn by Florence Eiseman.
  • Black wool flannel dress; standing collar; padded shoulders; long set-in sleeves with zippers at wrists; diagonal exposed zipper front closure; no waist definition; diagonal seam at hip with pocket inserted on right side; knee length.

    Worn by Peg Bradley.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • Off-white wool coat dress; sheath style; asymmetrical double-breasted; V-neckline with modesty panel; two white circular snaps at right side of V; seam at natural waistline; five white snap closures down left princess line, snaps reinforced on inside with hook and eye closures; center back seam; front and back princess seams running from waistline half way up torso; geometric raglan cap sleeves; square patch pocket on left hip; all seams are flat felled; white silk lining is hand-stitched to outer fabric; a few small stains around top button and at mitred corner on left front panel at hem; just above knee length.

    Worn by Peg Bradley.
  • Black wool knit sweater; ribbed knit of knit 2, purl 2; crew neckline; long sleeves; hip length; "AC" logo embroidered in white on center front chest.

    Worn by Peg Bradley.
  • Navy blue canvas trench coat; A-line; roll collar; epaulets at shoulders; raglan sleeves; 6 plastic buttons down center front; large pockets set in at side seams; attached self-fabric belt with tan leather covered rectangular buckle; not lined; knee length.

    Worn by Peg Bradley.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques.

    Worn with belt (Object ID #2012.07.01.b).

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • Mustard yellow, gray, and white abstract warp print silk taffeta ensemble. A. Cocktail dress; halter neckline; standing collar; sleeveless with cut-back armhole; fitted bodice with bust and waist darts; covered button closure at back neck; back of bodice is cut-out to 2 inches above waistline seam; flared skirt; short length; couture techniques. B. Belt; wide with large bow; 4 hook and eye closures.

    Created by the designer, Karen Claffey, during her junior year at Mount Mary College in 1969.
  • A. Bronze hammered satin evening gown, trimmed in burgundy silk at neckline and armscyes; plunging neckline front and back; sleeveless; bias cut; mermaid silhouette; ankle length; unlined. B. Burgundy and bronze hammered satin belt; ties at side. Worn by Hildegarde.
  • A. Bronze wool crepe evening gown; camisole bodice with sequin band; bodice pleated to midriff band; skirt pleated to midriff band.

    Worn with bolero (Object ID #1986.132.b) to form two piece evening ensemble.

    Worn by Julilly House Kohler.
  • A. Bronze wool crepe evening gown; camisole bodice with sequin band; bodice pleated to midriff band; skirt pleated to midriff band.

    Worn with bolero (Object ID #1986.132.b) to form two piece evening ensemble.

    Worn by Julilly House Kohler.
  • A. Bronze wool crepe evening gown; camisole bodice with sequin band; bodice pleated to midriff band; skirt pleated to midriff band. B. Tan wool crepe evening bolero jacket; padded shoulders; gold sequin trim.

    Worn by Julilly House Kohler.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • Black silk shantung ensemble. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn with jacket (Object ID 1988.56.a) to form three piece ensemble.

    Worn by Florence Eiseman.
  • Black silk shantung 3 piece ensemble. A. Suit jacket; tuxedo collar; triple top-stitching; princess seaming from shoulder; patch pockets; gold button and chain closure. B. Blouse; sleeveless; 5 gold button closure; banded self-fabric trim with triple top-stitching at neck edge, center front opening, and armscye; 2 patch pockets. C. Suit pants; double pleats; high-rise shaped waistband with belt loops; front fly closure.

    Worn by Florence Eiseman.
  • A. Forest green suede dress; V-neckline, sleeveless, columnar silhouette, gathered at the natural waist, belt loops at the side seams, decorated with appliqués that appear to be feathers and small real feathers, asymmetrical decorations, center front slit is decorated with feathers and appliqués, ankle length, no hem, uneven. B. Forest green suede tie belt.
  • Sister Mary John Francis photographed standing behind her desk in the Mount Mary President's office.
  • Black leather satchel; double luggage handles; exterior change purse; industrial zipper top.
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